Category: Franz Bardon

  • Why Do So Many Students Get Stuck on Step One of Initiation Into Hermetics?

    Why Do So Many Students Get Stuck on Step One of Initiation Into Hermetics?

    AI Knowledge Summary (TL;DR)

    Primary Reason for Failure: Students often treat Step One as theory rather than practice. Success requires consistent thought observation, soul mirror honesty, and physical discipline.

    Direct Answer

    Students get stuck in Franz Bardon Step One because Step One exposes the difference between wanting initiation and actually training.

    The exercises look simple: observe your thoughts, discipline the mind, begin vacancy of mind, examine your character, work with the body, and record what happens. But these simple exercises reveal everything the student would rather avoid: weak concentration, inconsistent practice, emotional reactivity, fantasy, lack of self-honesty, poor journaling, and the habit of turning spiritual work into theory instead of transformation.

    Step One is not a decorative beginning. It is the gate. Many students do not pass through it because they never truly do what it asks.

    I must say here to take this with a pinch of salt of course this is not everyone but often practice is where the answers are to be found.

    For a wider overview of Bardon material on Perseus, see our full guide: Franz Bardon Resources: Interviews, Guides, and Practice Support.

    Step One Is Where Fantasy Meets Reality

    Franz Bardon’s Initiation Into Hermetics attracts many people because it promises a complete path of magical development. It gives the impression of structure, progression, hidden powers, elemental mastery, evocation, Quabbalah, and genuine initiation.

    But Step One does something uncomfortable.

    It removes the romance.

    Before the student can dream about spirits, spheres, magical powers, or higher initiation, Bardon asks them to sit down and observe their thoughts. He asks them to examine their character. He asks them to discipline the body. He asks them to record what is actually happening.

    This is where many people discover the real problem.

    They did not want training.

    They wanted the identity of being someone who trains.

    That distinction matters.

    Reading Bardon is not Bardon training. Talking about Bardon is not Bardon training. Joining groups, debating translations, collecting commentaries, and asking advanced questions about later steps is not Bardon training.

    Step One asks for direct work.

    That is why it stops so many people.

    Again if this is not you then do not worry and move on – but this does represent a proportion of seekers

    What Is Franz Bardon Step One?

    Step One of Initiation Into Hermetics begins the real work of Bardon’s system. It is not merely an introduction or a warm-up. It establishes the basic foundation upon which the rest of the training depends.

    In broad terms, Step One includes three areas:

    Mental Training

    This includes thought observation, thought discipline, and the beginning of vacancy of mind. The student begins to observe the mind rather than being dragged around by every passing thought.

    This sounds simple until the student tries it. Most people do not discover inner stillness when they first sit down. They discover noise, planning, memories, emotional reactions, fantasy, commentary, impatience, and constant movement.

    That discovery is not failure or a setback. It is the beginning of real mental training, he start of a wonderful journey.

    We have explored this foundation in more detail in Introduction to Mental Training.

    Soul Training

    The soul work includes introspection and the black and white soul mirrors.

    This is where the student begins to record virtues, weaknesses, habits, impulses, emotional reactions, and character traits. It is often the most avoided part of Step One because it gives the student nowhere to hide.

    The soul mirror is not about creating a flattering spiritual self-image. It is about seeing what is actually present.

    For deeper material on this, see André Consciência’s articles Magic Soul Mirrors and Considerations and Practices on the Soul Mirror.

    Physical Training

    The physical work includes attention to the body, breath, washing, food, and the use of ordinary physical life as part of magical development.

    This is easy to dismiss as basic. That is a mistake.

    Bardon is not training a floating mind. He is training an embodied human being.

    For more on this neglected side of the work, see Franz Bardon’s Method and the Importance of Body Training.

    Step One therefore asks the student to begin training the mind, soul, and body at the same time. That is already more demanding than simply reading occult theory or performing occasional rituals.

    Step One is beginner material in the same way that foundations are beginner material in architecture. Get them wrong, and everything built later becomes unstable.

    The Real Reason Students Get Stuck

    The real reason students get stuck is simple:

    They do not practise clearly, consistently, and honestly.

    That sounds harsh, but it is usually true.

    Many students read the instructions, read commentary, read online debates, join groups, ask questions, compare traditions, worry about hidden meanings, and then spend very little time doing the actual exercises in a simple and repeatable way.

    This is the central problem.

    Bardon’s work rewards practice. It does not reward endless theorising. A student who practises imperfectly every day will usually progress faster than a student who spends years trying to understand the perfect way to begin.

    This was also the core point of our earlier article Franz Bardon’s Initiation into Hermetics: Common Subjects & Why No Progress?.

    Bardon’s system is not complicated at the beginning. It is demanding. That is different.

    A complicated system confuses the student.

    A demanding system reveals the student.

    Step One reveals the student – actually a real blessing as we can see where we are.

    Mistake 1: Treating Step One as a Reading Assignment

    The first mistake is thinking that understanding Step One intellectually is the same as completing it.

    It is not.

    A person can explain thought observation and still be unable to observe thought. A person can explain the soul mirror and still avoid honest self-examination. A person can discuss elemental equilibrium and still be ruled by the same moods, impulses, and excuses every week.

    This is one of the most common traps in occult study.

    Knowledge becomes a substitute for transformation.

    The student begins to feel advanced because they understand the map. But the map is not the territory. Being able to discuss Bardon’s system is not the same as being changed by it.

    Step One is not asking, “Can you explain this?”

    It is asking, “Can you do this?”

    That question is much harder to evade and is something many of us jump through hoops to avoid.

    Mistake 2: Confusing Completion with Perfection

    One of the biggest mistakes is thinking Step One requires perfection.

    It does not.

    Bardon does expect the student to complete the requirements of a step before moving on. That is not the same as becoming perfect. The student does not need to become a flawless saint, a meditation master, or a fully enlightened being before beginning Step Two.

    This confusion destroys momentum.

    A student sits for thought observation and notices thoughts. Then they panic and conclude they failed. They attempt vacancy of mind and notice subtle mental movement. Then they conclude they are unfit for the path or cannot coninue for years.

    The point of Step One is not to prove that you are already pure. The point is to show you what is actually there so it can be trained.

    If the soul mirror reveals selfishness, anger, pride, fear, laziness, fantasy, resentment, or emotional instability, the exercise is working. This excellent and you will find many positives as well, remember he goal is balance no removal. As positives and negatives are wo ends of a continuum.

    Perfectionism is often spiritualised avoidance. It allows the student to say, “I cannot move on because I am not ready,” when the real issue is that they are afraid/unwilling/uncomfortable (pick a term) to practise imperfectly and improve.

    this was actually something foolish fish mentioned in his review of IIH – we wrote a response to that here.

    Mistake 3: Weak Concentration

    Some students are not spiritually blocked. They simply have weak concentration.

    That is not an insult. It is a practical diagnosis.

    Modern life trains scattered attention. Bardon training requires directed attention. If the student cannot place the mind on one object, return when distracted, and repeat this process patiently, the later exercises become unstable.

    Concentration is not merely one exercise among others. It is the engine and driving force behind many later skills: visualization, sense concentration, transplantation of consciousness, elemental work, magical imagination, and deeper meditative states. (Check Hermetic Fundamentals to see how much I focus on concentration.)

    Without concentration, later magical work becomes fantasy.

    Visualization becomes daydreaming.

    Meditation becomes drifting.

    Elemental work becomes imagination without force.

    This is why Introduction to Mental Training places so much emphasis on concentration as a foundation.

    A student who keeps or should I say keeps thinking ha hey are failing Step One should stop asking vague mystical questions and start asking practical questions:

    How many minutes can I actually observe my thoughts?

    How long can I keep one subject in mind?

    How often do I practise each day?

    Do I record results?

    Do I know what improved this week?

    Do I know what failed this week?

    What did I avoid?

    Without that level of honesty, “I am stuck” is too vague to be useful.

    Mistake 4: Misunderstanding Vacancy of Mind

    Vacancy of mind is one of the exercises that causes the most trouble.

    Many students imagine it means an absolute, unbreakable samadhi with no trace of mental movement whatsoever. They then judge every subtle stirring as failure.

    This is often unrealistic for Step One.

    The early work is more practical: observe thoughts, stop being pulled into them, strengthen the ability to remain present, and gradually learn to rest in stillness. The student is not supposed to fight the mind aggressively. Fighting thoughts often creates more thoughts.

    A useful distinction is this:

    A thought appearing is not always failure. Being captured by the thought and developing it unconsciously is the problem.

    If a thought appears and fades, the observer is still developing. If a thought appears and the student follows it into a chain of fantasy, planning, resentment, memory, or anxiety, then the exercise has been lost and must be resumed.

    This is training. It improves through repetition.

    The solution is not drama. It is return.

    For additional guidance on stillness and void practice, see How to Meditate and Enter the Void.

    Mistake 5: Avoiding the Soul Mirror

    The soul mirror is one of the most important parts of Step One, and also one of the easiest to avoid.

    Why?

    Because it tells the truth.

    The student may want magic, initiation, spirits, spheres, powers, visions, and divine states. The soul mirror says: first look at your anger, envy, pride, fear, weakness, laziness, vanity, fantasy, resentment, self-pity, dishonesty, and emotional habits.

    Many people do not want that.

    So they rush the mirror. They make a shallow list. They intellectualise it. They copy traits from a book. They treat it like a school assignment. Or they get overwhelmed and stop.

    None of this works.

    The soul mirror is not a moral punishment. It is pattern recognition. It shows what forces are actually operating inside the practitioner.

    Without this work, later magical development becomes dangerous or distorted. Power does not automatically ennoble character. Practice can even inflate existing imbalances if the student avoids introspection.

    Many people want magical power without this confrontation.

    That is a bad bargain.

    The soul mirror is not there to humiliate the student. It is there to make transformation concrete.

    André Consciência has explored this deeply in Magical and Mystical Introspection: What Is the Purpose of This Course?, as well as in the Magic and Mystical Introspection course.

    Mistake 6: Bad Journaling

    A serious Bardon student needs a record.

    Memory is unreliable. Mood is unreliable. Self-image is unreliable. A journal gives the student evidence.

    The journal should track practice, thoughts, emotional reactions, repeated patterns, positive traits, negative traits, dreams if relevant, and real-life behaviour.

    The important part is not only writing. It is reviewing.

    A student who journals but never rereads is throwing away half the value.

    The real insights often appear over time:

    The same irritation or thought pattern appears every week.

    The same fantasy appears when practice becomes difficult.

    The same avoidance appears after a few good days.

    The same emotional trigger controls behaviour again and again.

    The same burst of enthusiasm is followed by the same collapse.

    The same excuse keeps returning.

    That is useful information.

    The journal turns vague spirituality into evidence. Without it, the student is guessing.

    A Bardon journal should not be a diary of moods only. It should become a record of training. It should show what was practised, how long it was practised, what happened, what failed, what improved, and what repeated.

    If the journal cannot answer those questions, it is not yet doing its job.

    Mistake 7: Overcomplicating Simple Work

    Many students ruin Step One by adding too much.

    They add other systems, extra symbolism, chakra work, elaborate breathing, ceremonial structures, mystical speculation, and advanced theories before they can do the basic exercise clearly.

    This is not depth. It is clutter.

    If Bardon asks you to observe thoughts, observe thoughts.

    If Bardon asks you to discipline thoughts, discipline thoughts.

    If Bardon asks you to make the soul mirrors, make the soul mirrors.

    Do the thing directly.

    There is nothing wrong with studying other traditions. There is nothing wrong with using supportive methods. But the student must first understand what Bardon is actually asking for.

    This issue also comes up in Initiation into Hermetics by Franz Bardon: Foolish Fish Review, where the importance of understanding what Bardon actually requires is central.

    Step One does not need to be made more magical. It is already magical because it begins the transformation of the practitioner.

    Mistake 8: Escapism Disguised as Spirituality

    Some students come to Bardon because they want transformation.

    Others come because they want escape.

    They want hidden powers, spirits, secret knowledge, past lives, cosmic importance, special status, or proof that they are not ordinary.

    Step One cuts through this.

    It asks: can you sit still? Can you observe the mind? Can you tell the truth about your character? Can you practise daily? Can you work with boredom? Can you keep records? Can you become more balanced?

    These questions are not glamorous, but they are decisive.

    Bardon’s system is not primarily about fantasy fulfilment. It is a path of self-mastery. If the student’s ordinary life is chaotic, dishonest, undisciplined, or emotionally unstable, that matters. Spiritual practice does not exist in a separate compartment.

    For more on keeping magical work grounded in ordinary life, see Magic, Mental Health and a Normal Life.

    This is not medical advice. It is a basic practical point: serious training needs a grounded base.

    A useful test is simple:

    Is practice making you more honest, stable, capable, and responsible?

    Or is it making you more inflated, scattered, dramatic, and avoidant?

    If it is the second, Step One is being bypassed, not completed.

    Mistake 9: Inconsistent Practice

    This is the least mysterious problem and probably the most common.

    The student does not practise enough.

    Not enough days.

    Not enough repetitions.

    Not enough review.

    Not enough continuity.

    They restart constantly. They practise intensely for a short period, then stop. They return with guilt, begin again, overdo it, collapse again, and repeat the cycle.

    This creates the illusion of years of practice when the actual amount of consistent training may be very small.

    A person can “study Bardon” for ten years and still have very little accumulated practice.

    That is a hard truth, but it matters.

    Short daily practice beats occasional heroic effort.

    Five to ten minutes twice a day, done consistently, is better than a dramatic two-hour session followed by nothing.

    The system rewards continuity.

    Mistake 10: Waiting for the Perfect Teacher

    A good teacher or coach can save years. A bad teacher can cost years.

    But many students use the search for guidance as another form of delay. They wait for the perfect teacher, perfect group, perfect explanation, perfect method, or perfect confirmation before doing the basic work.

    That is another trap.

    Guidance can help. But no teacher can practise for the student. The student still has to observe the mind, keep the journal, build concentration, make the soul mirrors, and establish daily discipline.

    The best use of a teacher is not dependency. It is clarification.

    A weak student asks:

    “What should I do?”

    A stronger student says:

    “I practised thought observation for thirty days, usually ten minutes in the morning and ten minutes at night. My main issue is that after two or three minutes I get pulled into planning conversations or replaying emotional situations. I notice this happens most after work or when I am tired. My journal shows the same pattern five times this week. Am I misunderstanding the exercise, or should I shorten the session and focus on returning more cleanly?”

    That kind of question can be answered.

    Specific records produce useful guidance. Vague questions produces vague advice. Just like asking for help with a computer question.

    For students wanting a structured path, Perseus has several routes, including the Sixty Skills Master Course, André Consciência’s Magic and Mystical Introspection, and the wider Perseus course library.

    Mistake 11: Ignoring the Body

    Bardon’s system is often discussed as mental and astral training, but the body matters.

    The student practises through a body. Attention, breath, posture, tension, sleep, food, nervous energy, and physical habits all influence the quality of practice.

    A tense body supports tense meditation.

    A dull body supports dull practice.

    A scattered body supports scattered attention.

    This does not mean every Bardon student needs to become an athlete. But it does mean the physical side of Step One should not be treated as decorative.

    For a deeper argument, read The Merits of Body-Based Training for Meditative, Yogic, and Magical Practice.

    For some students, body-based work, breath training, qigong, internal arts, mobility, or simple physical discipline can make practice more grounded and stable.

    The work must become embodied.

    Succeeding in Step one of Initiation into Hermetics.

    How to Get Unstuck from Step One

    The solution is not mysterious, but it does require honesty. Most students do not need a secret method. They need clearer practice, better records, and fewer excuses.

    1. Re-read the actual requirements

    Do not rely on memory, internet arguments, or someone else’s interpretation. Return to Bardon’s instructions and identify what the exercise actually asks.

    Do not add extra systems before you can do the basic exercise clearly.

    2. Stop demanding perfection

    Aim to complete the requirement confidently, not neurotically. Step One does not require you to become a flawless human being before continuing.

    If the soul mirror reveals ugly traits, the exercise is working.

    If thought observation reveals mental chaos, the exercise is working.

    The discovery of weakness is not failure. It is the beginning of training.

    3. Practise twice daily

    Keep it short if necessary. Five to ten minutes twice a day is better than one long heroic session followed by nothing.

    The student who practises imperfectly every day usually progresses faster than the student who waits for perfect conditions.

    4. Use ordinary life as training

    Do not limit Step One to formal sitting practice.

    Observe thought during conversation.

    Observe emotional reactions during conflict.

    Observe irritation, craving, pride, laziness, fantasy, and avoidance as they appear during the day.

    The meditation seat reveals one part of the mind. Daily life reveals the rest.

    5. Journal properly

    Record what you actually did.

    Do not write vague entries such as “practice was difficult” or “mind was distracted.”

    Write useful details:

    How long did you practise?

    What exercise did you do?

    What interrupted concentration?

    What emotional patterns appeared?

    What character traits repeated?

    What improved?

    What failed?

    What did you avoid?

    A Bardon journal should give evidence, not just impressions.

    6. Review the journal weekly

    Writing is not enough. Rereading is where the patterns become visible.

    Look for repetitions:

    The same irritation.

    The same excuse.

    The same fantasy.

    The same avoidance.

    The same burst of enthusiasm followed by collapse.

    The same emotional trigger.

    The same weakness appearing in different forms.

    This is where the soul mirror becomes practical. The journal turns vague spirituality into observable data.

    7. Ask better questions

    When seeking help, do not ask vague questions such as “Why am I stuck?” or “Am I ready for Step Two?”

    Bring evidence.

    A weak question is:

    “I keep failing thought control. What should I do?”

    A stronger question is:

    “I practised thought observation for thirty days, usually ten minutes in the morning and ten minutes at night. My main issue is that after two or three minutes I get pulled into planning conversations or replaying emotional situations. I notice this happens most after work or when I am tired. My journal shows the same pattern five times this week. Am I misunderstanding the exercise, or should I shorten the session and focus on returning more cleanly?”

    That kind of question can be answered.

    Specific records produce useful guidance. Vague questions produces vague advice. Just like asking for help with a computer question.

    8. Work the soul mirror honestly

    Do not make it self-hatred. Do not make it flattering. Make it accurate.

    The soul mirror is not there to punish you. It is there to show what forces are actually operating in your character.

    If you avoid this work, you are not protecting yourself. You are protecting the very patterns that keep you stuck.

    If emotional material is especially difficult, Clint Sabom’s article Bridging Bardon and the Sedona Method: Emotional Release for the Soul Mirror may be useful.

    9. Stay grounded

    Do not use Bardon as an escape from ordinary life. The training should make you more functional, more honest, more stable, and more capable.

    If practice makes you more inflated, scattered, dramatic, avoidant, or detached from responsibility, something has gone wrong.

    Step One is not there to feed fantasy. It is there to build a practitioner.

    A Practical Thirty-Day Reset

    If you are stuck on Step One, do not invent a new system. Reset.

    For thirty days, do this.

    Morning

    Sit for five to ten minutes.

    Observe your thoughts.

    Do not fight them.

    Notice when you are captured.

    Evening

    Sit for five to ten minutes.

    Practise thought discipline or vacancy of mind according to your current stage.

    Record what happened.

    During the Day

    Notice emotional reactions.

    Notice repeated thoughts.

    Notice speech, impulses, cravings, irritations, fantasies, and avoidance.

    Use ordinary life as training.

    Journal

    Record practice.

    Record repeated character traits.

    Record positive traits.

    Record negative traits.

    Record what you avoided.

    At the end of each week, reread your notes and identify the pattern.

    This is not glamorous. That is why it works.

    Is Step One Supposed to Take Years?

    For some students, Step One may take longer than expected. People begin with different levels of concentration, emotional stability, discipline, health, and prior practice.

    But being stuck for years should raise serious questions.

    It may mean the student has misunderstood the requirements.

    It may mean they are practising inconsistently.

    It may mean they are demanding perfection.

    It may mean the soul mirror work is not being done honestly.

    It may mean they are reading more than practising.

    It may mean they need support.

    It may also mean they are using “Bardon is hard” as a respectable excuse for not doing the boring daily work.

    That last one is uncomfortable, but often true.

    For broader context on different types of Bardon students, see The 6 Categories of Franz Bardon Students.

    FAQ

    Why is Franz Bardon Step One so difficult?

    Step One is difficult because it confronts the student with their actual mind, character, habits, body, and discipline. The exercises are simple, but they reveal everything scattered, dishonest, lazy, inflated, or unclear in the practitioner.

    Do I need perfect vacancy of mind before Step Two?

    No. You need to meet the requirement of the exercise with stability. Vacancy of mind in Step One should not be turned into an impossible mystical standard. The work begins with observing thought, reducing identification, and learning to rest in stillness.

    Why do I keep failing thought control?

    Usually because you are expecting too much too soon, fighting the mind aggressively, or practising inconsistently. Thought control improves through repetition, patience, accurate observation, and returning when attention breaks.

    Is the soul mirror meant to remove all my flaws before I continue?

    No. The soul mirror is not about becoming perfect before moving on. It is about honest self-knowledge and beginning transformation. The student must know the material they are working with.

    Should I get a teacher for Franz Bardon’s system?

    A teacher or experienced guide can help, especially if you are misunderstanding an exercise. But a teacher cannot practise for you. The best guidance happens when you bring clear records and specific questions.

    Can other systems help with Step One?

    Yes, if they support the actual requirements. Meditation, emotional release, body training, breath work, concentration exercises, and introspection methods can help. The danger is using other systems to avoid Bardon’s direct work.

    What is the fastest way to move through Step One?

    The fastest honest way is daily practice, accurate journaling, realistic standards, and direct engagement with the exercises. Stop searching for hidden secrets and create the causes of progress.

    Final Verdict

    Most students are not stuck in Franz Bardon Step One because the system is impossible.

    They are stuck because Step One reveals the truth.

    It reveals weak concentration.

    It reveals inconsistent practice.

    It reveals poor self-observation.

    It reveals emotional reactivity.

    It reveals fantasy.

    It reveals avoidance.

    It reveals whether the student wants transformation or only the idea of transformation.

    That is the uncomfortable function of Step One.

    But this is also good news.

    If the problem is not fate, not lack of permission, not hidden initiation, and not some impossible mystical standard, then the solution is available.

    Practise.

    Record.

    Review.

    Correct.

    Repeat.

    Step One is not there to flatter the student. It is there to build the practitioner capable of continuing…YOU are absolutely capable of moving on. Get in touch and send me an email if you want to discuss further as I really want to see more and more people moving through the system rather than becoming stuck.


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  • Franz Bardon Resources: Interviews, Guides, and Practice Support

    Franz Bardon Resources: Interviews, Guides, and Practice Support

    Perseus Arcane Academy has built a large archive for students of Franz Bardon, including long-form interviews, practical essays, student stories, course discussions, and supporting material on IIH, PME, KTQ, the soul mirror, evocation, Kabbalah, body-based training, and Hermetic practice.

    This page is ordered for a reader, not as a raw archive. It begins with the strongest orientation pieces and landmark interviews, then moves into IIH foundations, soul mirror work, evocation, Quabbalah, Sixty Skills, André Consciência’s wider work, practitioner stories, and comparative context.

    Start Here: Core Bardon Orientation and Landmark Interviews

    Franz Bardon, Kabbalah & Purification: An Interview with Alexandre Moryason

    Interview with Alexandre Moryason on Bardon, Kabbalah, purification, and initiatory work.

    Alexandre Moryason on Franz Bardon’s Path: Second Interview with Perseus Arcane Academy

    A second PAA interview with Alexandre Moryason focused on Franz Bardon’s path and related initiatory issues.

    Navigating the Path: A Franz Bardon Practitioner’s Reflections on Magic, Mysticism, and the Books of Franz Bardon

    A Franz Bardon practitioner reflects on magic, mysticism, and how to approach Bardon’s books.

    Why We Practice Hermetic Initiation: Frater IAC on His Franz Bardon Journey

    Frater IAC explains why he practices Hermetic initiation and reflects on his Franz Bardon journey.

    Interview with Frater IAC: Franz Bardon, Tactical Magic, Introspection & the Hermetic Path

    Interview with Frater IAC on Bardon, introspection, tactical magic, and serious Hermetic work.

    Unlocking The Keys to Magic: A Conversations with Franz Bardon Practitioners

    Collects discussion with Franz Bardon practitioners on practical keys to the magical path.

    Finding Your Way: Structured Support for Your Journey in the Franz Bardon Tradition

    Explains support options for practitioners trying to navigate the Franz Bardon tradition.

    Franz Bardons Initiation into Hermetics: Common Subjects & Why No Progress?

    Addresses recurring problems and practical sticking points for students working through Franz Bardon’s Initiation into Hermetics.

    Franz Bardon – Community Questions, by André Consciência

    André Consciência answers community questions on Franz Bardon practice and interpretation.

    The 6 Categories of Franz Bardon Students

    Classifies common types of Franz Bardon students and the patterns they tend to fall into.

    Honoring Rawn Clark: A Guiding Light to Franz Bardon’s Teachings

    Honors Rawn Clark’s contribution as a major guide to Franz Bardon’s teachings.

    Initiation Into Hermetics: Foundations, Soul Mirror, and Progress Problems

    Introduction to Mental Training

    Introduces mental training practices useful to Bardon practitioners building concentration and discipline.

    The Subconscious Mind – Our Greatest Ally (Updated for 2022)

    Discusses the subconscious mind as a key ally in spiritual and magical transformation.

    Achieving Self-Mastery: How Discipline and Rigor Lead to Spiritual Attainment

    Argues for discipline and rigor as necessary foundations for spiritual and magical attainment.

    How to Meditate and Enter the Void

    Gives meditation guidance relevant to mental stillness and Bardon’s early training demands.

    How to Transfer your Consciousness: Franz Bardon’s Step 4 Exercise and the Grain of Sand

    Explains Bardon’s Step 4 consciousness-transfer exercise using the grain of sand example.

    Bridging Bardon and the Sedona Method: Emotional Release for the Soul Mirror by Clint Sabom

    Shows how emotional-release methods may support Bardon’s soul mirror work.

    Soul Mirror Chess by André Consciência

    Offers a practical way to work with Bardon’s soul mirror through André Consciência’s chess-like method.

    Magic Soul Mirrors by André Consciência

    Discusses soul mirrors as a living magical practice rather than a superficial character checklist.

    Considerations and Practices on the Soul Mirror by André Consciência

    Gives considerations and practices for Bardon’s soul mirror work.

    The Path of Self-Discovery: Integrating Introspection into Your Magical Practice

    Explains introspection as a core part of magical practice, especially relevant to Bardon’s soul mirror work.

    IIH Step VIII by André Consciência

    Focuses on Bardon’s Initiation Into Hermetics Step VIII through André Consciência’s commentary.

    Franz Bardon’s IIH STEP IX-X are Necessary for PME and KTQ by André Consciência

    Argues that Bardon’s later IIH steps are necessary preparation for Practice of Magical Evocation and Key to the True Kabbalah.

    Magic Equilibrium Throughout the Spheres by André Consciência

    Explores magical equilibrium across the spheres through André Consciência’s Bardon-informed practice lens.

    Vajrasattva Practice and IIH

    Compares Vajrasattva practice with Initiation Into Hermetics and related purification work.

    Magic, Mental Health and a Normal Life

    Discusses how magical practice can be balanced with mental health and ordinary life.

    Rethinking Internet Use through the Six Rasas

    Applies the six rasas to internet use and discipline, relevant to practitioners managing attention and habit.

    Every Moment is a New Beginning – On Falling and Getting Up on the Battlefield of Life, Part I

    A reflective practice article on resilience and restarting after failure, useful for long-term Bardon students.

    PME, Evocation, Ritual, Talismans, and Magical Operations

    What’s the difference between an Elemental, Planetary Spirit, Zodiac Entity or Akashic Being?

    Clarifies types of spirits and entities that Bardon practitioners encounter in evocation and Kabbalistic work.

    The Art of Evocation

    Discusses evocation as an art and practice relevant to Bardon’s Practice of Magical Evocation.

    One’s First Evocation by André Consciência

    Discusses the practical and psychological issues around a first evocation, a subject explicitly framed for students of Franz Bardon.

    Minor Ritual of Purification and Evocation by André Consciência

    Presents a purification and evocation ritual framework from André Consciência relevant to Bardon-style magical practice.

    Magical Gestures by André Consciência

    Explores magical gestures as an applied practice within André Consciência’s Hermetic training approach.

    How to Create Magical Rituals

    Gives a framework for creating magical rituals in a disciplined Hermetic context.

    Exploring Ceremonial Magic: From Ghostly Encounters to Soul Mirror Work

    Interview on ceremonial magic, psychic experiences, and soul mirror work relevant to Bardon practitioners.

    Ceremonial Magic and the Bardon Tradition – Andre answers questions about the Course

    An interview-style explanation of how André’s ceremonial magic work bridges Golden Dawn-style ritual with Franz Bardon’s Initiation into Hermetics.

    Ceremonial Magic and the Bardon Tradition: Student Story

    Offers a student review of the Ceremonial Magic and Bardon Tradition course and its practical value.

    Masterclass: Franz Bardon’s Initiation Into Hermetics, Evocation and Kabbalah

    Presents a masterclass covering Bardon’s three major works: IIH, PME, and KTQ.

    Unveiling the Masterclasses: Jake Zenn’s Illuminating Journey into Hermetics, Evocation, and Kabbalah

    Introduces Jake Zenn’s Hermetics, evocation, invocation, and Kabbalah masterclasses, including how they relate to Franz Bardon’s books and practical training.

    Magical Evocation and Invocation Simplified – An Interview with Jake Green

    Jake Green discusses evocation and invocation in a simplified way useful to Bardon-adjacent students.

    KTQ, Quabbalah, Cosmic Letters, Planets, and Spheres

    How to Use Franz Bardon’s The Key to the True Kabbalah

    Guides readers on approaching Bardon’s Key to the True Kabbalah and its practical use.

    How to use Franz Bardon’s ‘Key to the True Kabbalah’

    Guides readers on using Bardon’s Key to the True Kabbalah in practice.

    Franz Bardons ‘Key to the True Kabbalah’ and the path of a Magician – A discussion with Ray Del Sole

    Ray Del Sole discusses Bardon’s Key to the True Kabbalah and the path of the magician.

    Traditional Versus Modern: Exploring Different Paths to Kabbalah Mastery

    Compares traditional and modern approaches to Kabbalah mastery, relevant to Bardon’s KTQ path.

    Illuminating Kabbalah: Jake Green’s Approach to Franz Bardon’s Arcane Tradition

    Jake Green discusses Kabbalah and his approach to Bardon’s arcane tradition.

    How to Learn Kabbalah from the Spirit World Via Evocation

    Discusses learning Kabbalah through evocation, a topic directly adjacent to Bardon’s PME and KTQ.

    Gaining the Senses of an Elemental by André Consciência

    Explores elemental perception and training in a way directly useful to Bardon elemental work.

    The Ages of the Zodiac, Magic, and You — Sixty Skills

    Explores zodiacal ages through the Sixty Skills framework, relevant to Bardon’s wider Kabbalistic and planetary sequence.

    Beyond the Inner Planets: Sixty Skills Explores the Solar System’s Frontiers in Search of Kabbalah

    Explores outer-planet work in the Sixty Skills Kabbalah sequence.

    Pluto Meditation: What it does and how to access it

    Explains Pluto meditation in a way connected to Sixty Skills planetary work and advanced Hermetic training.

    Sixty Skills Interview: The Living Crystal, Stacking the Sephirot and the “Trials of Hercules”

    Interview with Sixty Skills on the Living Crystal, Sephirot stacking, and advanced magical development.

    The Living Crystal – Kickstarter

    Announces The Living Crystal project connected to Sixty Skills and practical magical training.

    Magic, Kabbalah & Evocation: The Outer Planets with Bob from Sixty Skills

    Bob from Sixty Skills discusses outer planets, Kabbalah, evocation, and advanced magical training.

    Intuition, Cosmic Letters and Living with Wolves: An Interview with Julia Griffin

    Interview touching on intuition and cosmic letters, with relevance to esoteric language and letter work.

    10 Steps to Divine Providence with Nenad – A Detailed look at the First Step

    Nenad gives a detailed look at the first step of a ten-step approach to Divine Providence.

    Sixty Skills, Body-Based Training, and Internal Alchemy

    Sixty Skills Curriculum Explained

    Explains the Sixty Skills curriculum and how its structure supports Bardon-style development.

    Sixty Skills Five Part Curriculum

    Explains the five-part Sixty Skills curriculum and how it maps onto Bardon-informed training.

    Sixty Skills Master Course: Expediting Franz Bardon’s Initiation Into Hermetics

    Explains the Sixty Skills Master Course as a structured way to accelerate or support IIH-style development.

    Sixty Skills: Learn Key Skills from Magical, Yogic and Meditative Traditions – 18 Month Curriculum

    Introduces the 18-month Sixty Skills curriculum as a structured training path for magical, yogic, and meditative skills.

    Unlocking Magical Mastery: An Interview with Sixty Skills

    Introduces Sixty Skills’ approach to magical mastery and training relevant to the Bardon tradition.

    Working with the Elements: The Sixty Skills Difference

    Explains how Sixty Skills approaches elemental work differently from generic elemental theory.

    Franz Bardons Method and Importance of Body Training

    Explains why body training matters within Franz Bardon’s method.

    Fajin and Hermetic Practice

    Examines fajin as a body-energy practice with relevance to Hermetic training and embodiment.

    The Merits of Body-Based Training for Meditative, Yogic, and Magical Practice

    Explains why body-based training matters for meditation, yoga, and magical practice.

    The Three Transformations: The Alchemical Art of Jing, Chi, and Shen

    Introduces the transformation of jing, chi, and shen in terms useful to Hermetic students working with vital, astral, and mental energies.

    How to Achieve Astral Travel: A Comprehensive Guide to the Zero Point Method

    Provides a practical astral-travel method that may assist Bardon practitioners working with mental and astral projection.

    Internal Alchemy in Practice: Chi Skills on Energy Transformation and Self-Mastery

    Discusses internal energy transformation and self-mastery practices useful to Hermetic and Bardon-style training.

    Life Force Mastery and Franz Bardons Hermetics: Interview with Dinesh

    Interview with Dinesh on life force mastery and Franz Bardon’s Hermetics.

    Martial Arts, Energy Work & Practical Alchemy: An Interview with Marissa Newell

    Connects martial arts, energy work, and practical alchemy in a way useful to body-based Hermetic training.

    Transformation Through Qigong, Vipassana, and Hermeticism

    Shows how qigong and Vipassana can support Hermetic transformation and practice discipline.

    Self Mastery with David Monaghan – The Art of Attunement

    Interview with David Monaghan on self-mastery and attunement, relevant to disciplined inner work.

    Taoist Magic and Franz Bardons Tradition: A Discussion with Jason Read

    Jason Read discusses Taoist magic alongside Franz Bardon’s tradition.

    André Consciência: Books and Visionary Hermeticism

    Exploring the Profound Meaning in Andre Consciencia’s Occult Works

    Explores deeper themes in André Consciência’s occult work, including links to Bardon’s sequence.

    New Release: Through the Soul Mirrors to the Sphere of the Sun

    Announces Through the Soul Mirrors to the Sphere of the Sun, a work directly connected to Bardon-style soul mirror practice.

    Magical and Mystical Introspection – What is the purpose of this Course?

    André answers questions on Magical and Mystical Introspection, soul mirror work, and how the material supports students of Initiation Into Hermetics.

    ‘A Magical Study Series’ with Andre Consciencia

    Introduces André Consciência’s Magical Study Series, including material on elementals, sphere Quabbalah, and Bardon-related magical study.

    The Theurgy of Thoth: Writing from the Divine Mind, by André Consciência

    Explores theurgic writing and divine-mind practice while referencing Bardon’s Initiation into Hermetics and André’s wider sphere work.

    From the Depth Point to Life on Venus, by André Consciência

    André Consciência connects IIH-style depth-point work with visionary planetary practice.

    Bridging Worlds: Exploring the Cosmology and Practices of Neoshamanism by André Consciência

    Gives background on André’s wider magical work, including his long-term connection with Franz Bardon-based Hermetic training.

    School of Visionary Hermeticism

    Introduces André Consciência’s School of Visionary Hermeticism and its relevance to Hermetic and Bardon practice.

    Practitioner Interviews, Student Stories, and Lived Paths

    From Demonic Realm to Divine Providence: A Bardonist’s Path through IIH, PME, and Rosicrucian Mysteries

    Follows a Bardonist’s path through Initiation Into Hermetics, Practice of Magical Evocation, and wider Rosicrucian work.

    Student Story: Master Course by Jenneke of Exile

    Gives a student account of the Master Course and its usefulness for structured magical development.

    From Franz Bardon to Rainbow Body with Baron Erwin Pitsch

    Connects Bardon practice with the Rainbow Body topic through an interview with Baron Erwin Pitsch.

    From Exorcist to Hermeticist: A Journey Through Spiritual Warfare and Magic

    Interview tracing a move from exorcism and spiritual warfare into Hermetic magical practice.

    Magic Unmasked: A Practitioner’s Journey Through Franz Bardon’s System

    A practitioner’s account of working through Franz Bardon’s system and the realities of long-term practice.

    Beyond Boundaries: A Journey Through Mental Discipline, Telepathy, and Esoteric Practice

    Explores mental discipline and telepathy as part of serious esoteric training.

    From Star Wars to Hermetics: One Magician’s Journey Through Practical Magickal Training

    A magician’s personal journey into Hermetics and practical magical training.

    Franz Bardons Hermetics: An Interview with Crystalf

    Interview with Crystalf on Franz Bardon’s Hermetics and practical training issues.

    Magical Journey through Franz Bardons Universal System of Initiation – Interview with Antonio

    Interview with Antonio on Bardon’s universal system of initiation and practical magical development.

    Interview with Jan Tungli: My Winding Path from Religious Exploration to Spiritual Dreams and Franz Bardon

    An interview with Jan Tungli on discovering Franz Bardon after years of religious searching, spiritual dreams, Tarot symbolism, kundalini challenges, and lessons from Hermetic practice.

    Journey through Rosicrucianism, BOTA and Initiation into Hermetics: An Interview with Tibor Simic

    Interview with Tibor Simic on Rosicrucianism, BOTA, and Initiation Into Hermetics.

    David Coleman on Astrology, Magic and the Mysterious

    Interview with David Coleman on astrology, magic, and occult practice relevant to Hermetic students.

    Astrology, Magic of the Astral Light and The 26 Keys: An Interview with David Coleman

    Interview with David Coleman on astrology, astral light, and magical keys relevant to Hermetic study.

    Vedic Astrology: An Interview with Jesse Woodward

    Interview on Vedic astrology included in the Bardon archive as a supporting occult-study resource.

    Magical Musings: An Interview with Victoria from Star Lore Publishing

    Interview with Victoria from Star Lore Publishing on magical publishing and esoteric study.

    Unveiling Virgil’s Profound Literary Journey: From The Spirit of Magic to Marian Hermetics

    Interview with Virgil on his writing and Hermetic development, relevant to Bardon and Marian Hermetics readers.

    Arcanum Hermeticum – Magnus Sarmax discusses Magical Initiation

    Interview with Magnus Sarmax on magical initiation and Hermetic development.

    A Dialogue with Jake: Delving into His Personal Experiences with Hermetics and Reiki

    Jake discusses personal experiences with Hermetics and Reiki, useful for students comparing practice paths.

    Alchemy, Gnosis, and the Path to Understanding: Interview with John H Reid III

    Interview with John H Reid III touching on Hermetics, alchemy, and Franz Bardon interests.

    A Call to Practitioners: Share Your Path With Perseus

    Invites serious practitioners to share practice reports, including Bardon-related student-path material.

    Comparative Traditions, Critiques, and Wider Context

    Evaluating the Critique of Bardon: A Practitioner’s Response to Nick Farrell by Virgil

    Responds to Nick Farrell’s critique of Bardon from the perspective of a committed Bardon practitioner.

    Who Was Franz Bardon’s Teacher?

    Investigates the question of Franz Bardon’s teacher and the lineage context around his work.

    Initiation into Hermetics by Franz Bardon — Foolish Fish Review

    Covers Foolish Fish’s review of Franz Bardon’s Initiation Into Hermetics.

    Seeking the Greater Mysteries: Ceremonial Magic, Franz Bardon’s Mastery, and the Golden Dawn Tradition

    Compares Bardon’s mastery-oriented work with ceremonial magic and the Golden Dawn tradition.

    Exploring the Traditions of Solomonic Magic with a Practicing Occultist and Grimoiric Traditionalist

    Includes a Bardon-perspective question while comparing Solomonic and grimoiric magical practice.

    How the Universe Works: The Path of Enlightenment – Part 1

    Introduces a metaphysical model of enlightenment and universal process relevant to Hermetic students.

    The Path of Manifestation: Understanding How the Universe Works – Part Two

    Continues a metaphysical discussion of manifestation and cosmic process relevant to magical training.

    The Evolution of the Universe: From Manifestation to End Times – Part 3

    Completes the three-part universe sequence by moving from manifestation into evolution and end-times framing.

    Perseus Community

    Join the Perseus Community – It is Free!

    A Community for Practicing Magicians, Meditators and Internal Martial Artists

    Please join us, introduce yourself and begin sharing and learning. We have areas covering all aspects of the esoteric from both Eastern and Western traditions, Energy work and Internal training all freely available on the platform. See you inside.

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  • Magic Equilibrium Throughout the Spheres by André Consciência

    Magic Equilibrium Throughout the Spheres by André Consciência

    Introduction

    Back when I was training within The Order of Michael’s Grail, the Grand Initiator told me once that each grade, corresponding to a sphere, holds a different formula of magical equilibrium. To this day, I sometimes think of this, as the solution to this charade was left a mystery, and have managed to come to results by adapting to the electric and magnetic fluid of each sphere, and balancing the cosmic letters pertaining to the spheric elements, together with other methodologies that, as is the case with these, can be found in my books

    On a larger scale, combining the spheres themselves, 10=1, 9=2, 8=3, 7=4, 6=5, 5=6, 4=7, 3=8, 2=9, and 1=10 (imagined hierarchically from 1 to 10) are obvious formulas that depict spheric volts of balance. The Earthzone overcomes Neptune at first (1=10), Uranus is ruled by the Moon (2=9), Mercury rules Saturn (3=8), Venus rules Jupiter (4=7) and so on at first, the planetary number in the left standing magnetic/passive and the planetary number in the right electric/active. As we evolve, the volts transmute so the higher leads the lower, in any case, however the numbers may be arranged, they depict the necessary balance for the progressive stages of maturity. 

    While this stands true, I wish to venture beyond such quantitative knowledge and other kinds of wisdom I keep to myself on the subject and move unto unknown and qualitative terrain, under the announced premise of sharing directly with the readers.

    For this purpose, I have set the circle and triangle, made sure to have the four elemental emperors anchored in the corners (see A Guide to the Elementals), and adorned myself with the seal of Aschmunadai (monarch of the Earth Belt), magic belt, magus band and robe, so as to sustain the prolonged operation without any drainage. I have, upon evocation unto the triangle of the ceremonial chamber, loaded, as previously arranged, my guardian genius, guru or guide with the four divine qualities, keeping my own state of the Godhead in the background to make for a limited and relatable communication, easier to read.

    First, upon the final charging with omnipresence, this priest of Amon, my guide, seems to engulf and lose shape, yet gain substance without end. Called back, he returns unmarked, nameless, and without a care. And, without a care, we depart from the physical chamber to subtler venues.

    The Zone Girdling the Earth

    As we spiral up and reform from my ceremonial chamber to the Zone Girdling the Earth, I see my transfigured guide is dressed in clothes of light and holding a burning staff. He looks at me and away to a sacrificial altar where a virginal female, naked and very white, is surrendering to the upcoming sacrifice of fire. We stand inside an oak-wood circular temple, squared by four columns of bronze, and there is an additional black pillar of consecration to the left of the altar where the woman’s heart is to be deposed. 

    I look inquisitively at the staff. “You are this staff”, the deity divines my unformed question. My inquisitive gaze keeps burning into the deity’s eyes. “You, or anyone” he completes. “The self”, I conclude. “The Self, the first flame, when it didn’t yet consume, or needed wick or needed fuel,” the deity says. 

    I inspect the virgin, lost in some waking dream, prostrated on the altar, and study the cubic pillar of consecration. “Why is there a sacrifice where no wick or fuel is needed?” – “The woman is the mind, laid upon the altar of forms-ideas. The first flame of original individuality dispenses the woman that is the mind, but the woman that is the mind cannot dispense the flame of the original self, nor can the archetypal altar dispense the woman that is the mind.” I smile. “Be mindful of the readers.” –  “The self is self-sufficient, the mind is enlightened by it or perishes, but the mind may not be touched by the flame of the pure self without something to conduct the holy fire. Thus, the mind gives itself to the archetypes, providing the means of infiltration for the pure Self.” He replies and I nod. 

    He points at the circular temple: “This is the circle, and where you see a circle, I see a bridge, for the circle is all that stands between the inside and the outside of the circle, and to both these spaces expands. The four pillars are the known virtues of the sphynx: to Will as the Self wills itself in the first flame, to Know as the woman in the altar of sacrifice knows the form-idea of the first flame, to dare as the circle dares merge form-idea and self, and to keep silent as” he points to the pillar of consecration “we hide the Self within the duality from which the Self is not, and impregnate it so as to bear the heart of unity and the Soul.”

    After a moment of silence, I instigate: “How is equipoise within this frame?”, and as he answers, the circle delineating the temple seems to shimmer with his light in tune with his voice: “Self-Awareness balances Fire, Contemplation balances Air, Transcendental Devotion balances Water, and Detachment balances Earth. Once all are balanced from within, they stand equally balanced among them.”

    The deity points again to the black cube and I see now the heart of the woman standing upon it, translucent with light and revolving in black flame. “Fetch me the heart.” He begs. As I touch it, I have a flash of its insides. It stands as a womb and within it, a baby of white shimmering light. I pass it with some relief. The deity hooks it to the head of the staff, and it catches flame. He uses it to set the circular walls on fire. The fire spirals up, and as it consumes the walls, I see we stand in a vast plain where all that is visible is lilac-silver-white lunar light.  

    The Moonzone

    As I turn my gaze back from the lunar vastness, I see the woman is up within a larger-than-human goblet filled with the graceful waters of the moon. She holds a sickle of silver metal in her left hand and a pentacle in her neck. The altar and the pillar of consecration are gone. 

    Inquisitive, I look at the deity only to find his staff has become a golden-dark trident, as if the gold metal had been scorched by extreme fire and will. The guide pushes the trident inside his body, so that the lateral pongs exit from his temples and the central pong stands at the crown, the staff running down the spine to the coccyx. The trident changes this carefree body and it becomes white, beautiful and peaceful, red, passionate and wrathful, and black and sexually insinuating. All three coexist for a while until they finally mingle and dissolve into the radiant, boundless presence of the trident itself. 

    I call the deity by the name of my guardian genius, having no other reference, and see, to my satisfaction, that he responds. “I am the trident of inspiration and the lunar fires.” I nod. “What are these fires?” – “A will that knows itself with a knowledge that acts.” – “I see.” I divert my attention from the deity to meet, with shyness, the gaze of the woman, only to find that she does not seem to see beyond the Goblet of Grace except the grace reflected back from its glass. “Where you see a goblet, I see the womb of the Virgin Mary, so impregnated by Gabriel through her ears.” Speaks the trident. “So what shall our third party, reading us, be looking for?” – “The waters of the Moon, called Grace by the Church, the Knowledge that is given only by the graceful action of the knower.” 

    I furrow my forehead and shift attention to the crescent of her sickle. The light it reflects makes me feel like I am losing my human form and turning into a white swan.  The trident continues: “The Air of the Moon sees to it that all shape is bound to change, and such evolution is the action of knowledge.” I realize the woman is still lost in a dream. “The pentacle” continues the deity within the trident, “unveils the change, ceasing the continuous moment of the sickle, and, shape being freed from its own gravity, reveals quintessential stability in all things. Such is the Earth of the Moon.” He finishes. 

    I look fixedly and silently at the trident, awaiting a conclusion. “These are the operations by which will knows itself.” There is greater silence. “And the equipoise?” – “A stability that is change, a change that finds a stable rhythm. A grace that is inspired and not suffered.” I smile and ask: “Is the woman still the mind?” – “As the goblet is the soul.” After this, nothing happens, and the silver light begins to freeze. I grab the staff of the trident and am pushed upwards in a spiral. 

    The Zone of Mercury

    We see the bright orange sphere approach within the infinite darkness, becoming the size of a universe, and as we pierce through, the trident releases itself from my hands to fall head down, piercing a black cube, the same Pillar of Consecration met within the Earth Belt Zone. Behind the cube, the woman stands an effigy, as if petrified by the moonlight’s crystallization in the sphere below. There seems to be nothing else but pulsing orange light, subtly buzzing.

    “This is the Earth of Mercury, and it stands as a veil meant to unveil, a secret that reveals. Push me, then, and you will open it.” I touch the trident, feeling its immense power of illumination and inspiration, and push it back. The top of the black cube detaches, and I see inside a talisman inscribed with the image of a she-devil, a pouch, and the trident itself, its presence having vanished from my hands. 

    Inside the box this trident remains silent, like a relic, and having no orientation I start by grabbing the she-devil talisman and an immense euphoria fills my subtle body. The engraved succubus speaks “The dynamic power of Mercury is in the Water, and it is desire: the fuel of all knowledge and the blood that irrigates the intellect.” I give the talisman back and move toward the pouch, but before I hold it, the voice of the deity speaks from it. “All the potential of Mercury is in the Air, as much as all charms are held within this bag. These are secrets of the intellect that only desire can reach. The trident to my side is but a cold and lifeless remnant of power gone, and should all desire be spent in my secrets, all that is revealed back is the fiery living trident.” 

    I stand in doubt for a moment. “And the woman?” I ask. The pouch whistles and starts forming words once again. “She is the often hidden longing for death. Mortals inhibit Her conquering submission within the black box. Still, breaking the pillar of consecration is greater consecration; it is accepting submission to death, and desiring death, in so doing beginning to learn from splendor.” I frown further. “Is She still the mind?” – “No longer, she is called the Akasha. I am the mind, as the she-devil of desire is the soul.” I nod. 

    The voice explains: “For equipoise, you purify the air by preventing thoughts from running vague and loose and devoid of sustained vitality, and this you do by encoding experience. The water shall be purified by devoting your emotions to decoding what thought has encoded. The earth shall be balanced by decoding encoded experience with refined practice, so collecting wisdom. Fire is then purified as it is abandoned, so all will is given by wisdom and none by impulse. This is the intellectual way.”

    From there on, the objects cease to express themselves, and only the effigy releases a silent prayer, imperceptible except as the subtle vibration of the ether. Upon waiting and seeing the deity not manifest, I decide to spiral up on my own. 

    The Zone of Venus

    As I stabilize in the green-emerald acid mass of light oscillation, I see the woman, sulphureous, no longer crystalized, standing over the waters of a sacred well of liquified emeralds and, levitating above the waters with her, a verdant cauldron and fire. The woman seems to be in an agitated trance, but quite compenetrated, crushing green herbs in a pestle and mortar and spitting salt from her mouth upon the cauldron.    

    I look for the deity but find it not, and wonder at its meaning. Suddenly, the woman’s wild eyes stop on me for the first time, green, gray, red, gold, the iris flashing with a black light. “Make no mistake,” she says, but the voice washes in from all sides, “I am in everything you see.” I realize the deity is speaking, smile, and sit in the absinthe green light on one knee. “What do we have here?” I ask in a good disposition. She lifts the pestle and mortar. “The air, for the intellect here no longer divides but dissolves in the fullness of the mind, and holds thus the secret of the transmutation of all error.” She shows her saliva, made of crystal salt, and swallows it back. “This is the earth, for all sensations here are pure and vitalized.” Again, she brings forth the purity from her saliva glands and spits onto the pestle and mortar, mixing the herbs. “The transmutation of the soul. Now,” she points with the club-shaped pestle towards the sprinkling well within which the holy spirit seems to move, “the water, for all sensations here are of trance, and deconditioned. Then, we stand above these waters as we make ground upon the ever-green land of ecstasy.” At this point, she enters the cauldron with one foot and slowly retrieves it, becoming gradually made of gold. “And this is the unifying fire and will that instills the mind to dissolve thoughts, the senses to vitalize and purify, and the emotions towards ecstasy.” 

    She stops and looks at me, and suddenly I see in her my late grandmother, a saintly miracle worker who was one of my greatest teachers.  “Come”, she says, and regains her own form but not completely, looking as something in-between. I move, take her hand, and, levitating above the waters, wait for her push. Up we spiral. 

    The Zone of the Sun

    We arrive, within the Sun Zone, at a clearing created by the deity amidst the blinding light. I can see a shining mirror behind a wheel that spins the cards of the tarot. In the center of this wheel, there is a dark crystal orb with runes drawn around it: angled fork shapes flowing with energy, moving angular forms, illumining torch shapes, self-aware concentric symmetries, and spines connecting worlds.   

    “This proves to be an easy one for you,” tells the deity, still wearing the same aspect as in the Venus Zone, yet having lost all traits of my grandmother, the eyes having become pure white light and the shape of gold, genderless. “The mirror of fire represents Will towards itself, so that it moves towards no other object but its own nature. The wheel represents how you balance water while replacing limited emotions with intuition. The runes stand for the air element, balanced by replacing vulgar thoughts with the articulation of the cosmic letters. The all-seeing orb represents the function of earth – consciousness – dropping the ego to embrace prophecy, becoming completely prophetic in function.” She gazes, reading my mind and making sure I understand. “The activation of each aspect emanates all others by consequence.” The deity completes, and on we move towards Mars. 

    The Zone of Mars

    This zone today seems to present some resistance, and both I and the deity seem to become made of raw flesh and blood against the natural friction. None of us is bothered by it, and we fly towards what I can only describe as a depth-point. It looks like a minuscule wormhole surrounded by a black-gray sphere with sparks of gold, reflecting the red-ruby dry ice snow around us and seeming to change the angles outside as we look inside. We hold hands and enter.

    I see above me a throwing spear and below me a sword, to the sides, front and back, forming a cross, describing to the best of my ability, since we have become a 360º sphere, I envision a whip, a dagger, a knife, and a scythe. The whip is the element of air transmuted by extreme excitement, and elevated thoughts thereof. It can only be balanced by the knife of water that cuts away and detaches from all emotions. This emotional departure process is equally balanced by the intellectual excitement of Mars, represented by the whip that enthusiastically unmasks all limitations. 

    The dagger feels like fire, having no will but towards illumination, no matter the cost. It is balanced by the Scythe of putrefaction, which dissolves all sense of superiority. The scythe must likewise be balanced by the dagger. 

    The spear represents the electric fluid, balanced in the scale of Mars by continuous release. The sword represents the magnetic fluid that must be held down to be balanced and prevail in the Sphere of Mars. 

    Without us first leaving the depth point, the deity guides me further up.  

    The Zone of Jupiter

    Here the deity resumes the original form of my Guide, but wearing a gold helmet, over which is placed a royal blue and golden Nemes, he is armored in violet leather and covered in a mantle of leopard skin, the strange color of lapis lazuli, from intense violet-blue to lighter shades of sky blue, turquoise, and greenish-blue. Tied to him on his right side, we see the same staff as in the Earth Belt Zone, still with the woman’s heart lodged on top. Devised through his mantle, in his waist, a sparkling magic chain, an amulet with ashes is embroidered in his chest, binding the leopard skin and the morning star sits above his head. At his feet, boiling, there seems to be the skinned leopard he wears. There is nothing but sapphire blue oscillating in all directions, up and down. 

    The deity flexes his knees and extracts fat from the leopard, then opens the amulet at the chest, collecting a small amount of ash, and mixes it with the fat for soap. “The will of conscience is to solve all tied knots”, he explains with a voice coming from behind me, as if the past is evolving towards the future faster than I in the lines of time. “This is the balancing function in the air of Jupiter,” he continues, throwing me the soap. As it lands, it falls on a desert of Lapis Lazuli sand, in all the tones of his leopard skin. I look at the sky and it has similar shades, between clouds of helium and diamonds. 

    But my attention is lost in the star above his head. “Why would a king in Jupiter wear Venus as crown?” I ask. “Emotional vigilance, not policing, sanctifies.” He answers. “This is the water as the water should be here.” – “And the chain?” – “The chain and the amulet of ash are closely tied. Should conscience be clear and the heart sanctified, one sees the present as one would feel solved and weightless memory,” he touches the ash amulet, “and this is the balanced earth.” Where he stands, there is no sand, just a clearing of sapphire light oscillation over which he and the leopard carcass levitate. “Memories connect in time like a chain of events, but cleansed, the present connects in space like a chain of beings, a league of shared clairvoyant will men and women call Divine Providence. Such is the balance of fire.” I breathe in silence for a while and say: “I notice you come bearing the staff of the Self?” The deity smiles with lips unmoving, and unmoving the lips talk still, the voice coming from behind me to stand on my front. 

    “Would I not? It aligns all that I have said, but mind you, for it is fire no longer, nor is it self. Upon conjunction with the heart of the sacrifice, it is akasha, and nothing except agency of alignment: at once it resolves conscience, sanctifies feeling, removes the weight of consciousness, and delivers one from the clutch of the Lion-Serpent of the Desert to the hands of the Brotherhood of Light.” 

    As I am thinking of further inquiry, his eyes fix on me, celestial gray-white but warm, and I am lifted up, not in a spiral but in a direct vertical line, from the inside out. 

    The Zone of Saturn

    Here, the deity is the same, but his adornments, including the mantle, are all made of cords the color of lapis lazuli, and he is spinning a dark violet wheel from which he obtains such cords. From time to time, he cuts them with scissors and weighs them at golden scales against a feather. The air is vibrant with black and violet diamonds and the ground is held by a greater concentration of them. He stops, head leaning down under his hood of cords, and speaks to me. “What is it that you see, child?” – “The cords were the magic chain. And they now are understood as measure and they are, therefore, fate. But which element is it?” – “The chains were fire, and the cords are fire. Where there is will, there is measure and fate. But not everywhere there is measure and fate there is will. The first is the cause of fiery balance, the second condition, the cause of fiery imbalance.” I nod. He waits. “I can see the scissors are air, and that they cause severance, but I cannot, devoid of greater contemplation, divine their cause.” The deity laughs slightly and lightly. “Discernment. This is the principle that balances air on this scale.” I nod, and try further: “The spinning wheel is water as much as emotion is energy in motion. Will sets the goal and measure, but emotional fluidity the tissue of fate, and the fluid principle is the balancing factor.” There is a second of silence, and the deity replies, “Correct”, then waits. 

    “The scales are the purifying icon of the earth element; they are consciousness balancing spirit and flesh, subject and object, and justice is this balance.” The deity confirms with a barely perceptible movement. “The feather is what the staff was, the truth of the akasha, against which only pure will may be measured.” 

    Satisfied, the deity looks up at once and abruptly hits his sandal on the floor; the diamonds open and whirl around each other, carrying us up as we turn into light. 

    The Zone of Pluto

    As we penetrate the light gray oscillation ever more densely, it starts to feel and smell like methane snow. As a cloud of light, we approach like moths what seems to be a lit candle, the flame dim, spherical, ghostly blue, and soot-free. As we float around it, I notice the wax does not melt, and, catching the smoke of a thurible, we regain form. I observe how the smoke, too, expands spherically from the extremely hot tip of the incense, forming a growing cloud that lingers where it is produced, like a stationary fog.

    Within it, illumined by the candle, I distinguish a purple book, unlocked, and the deity, completely naked, the hair turned gray and the skin dry, holding a torch whose flame is rounded and dome-like, burning in slow motion in a steady blue glow, the smoke accumulating around the torch head. From the deity’s neck pends a key. 

    “Transfer your consciousness to the candle,” says the deity. As I do, I become the pure experience of clairvoyance.  When I come back to myself, I observe attentively. “The book is clairaudience, the thurible is clairalience.” I pause, but soon regain. “The torch must be clairsentience or clairfeeling, for the flame touches all and quickly expands its touch, its light being even more instantaneous in its lick.” I stand in doubt regarding the key, although obviously only clairgustance is left. The deity smiles shily. “You ponder which relation the key has to the book; however, this key simultaneously locks and unlocks the book, the censor, the torch, and the candle. Clairvoyance has you watch the images of certain things; clairaudience tells you about them; clairfeeling teaches you their textures and structures; and clairalience their layers and compositions. Clairgustance, notwithstanding, speaks directly to what they are and moves towards the essence.” As the deity speaks I see the sideral space move within his mouth. “There is clairvoyance in fire, clairaudience in air, clairsentience in water, and clairalience in earth, however, nothing is to balance any of them but the key of clairgustance, for it locks their excesses by exposing essence directly. The key, then, is the akasha of the quintessence, the balancing factor for this stage. The quabbalistic letters are not the sounds of clairaudience, the colors of clairvoyance or even the sensations of clairfeeling, although these do express them. The akashic nature of the letters is known only through clairgustance, and the layering of its formulae is better unified by clairalience. This key of Pluto has not yet been taught in your sphere in the field of present history.” 

    After a brief moment, I look up in response. “Do you stand ready?” The deity asks. 

    The Zone of Uranus

    As we move further towards the center of the universe of Uranus, the multicolored iridescent lilac oscillation becomes more and more like the vibration of diamonds, but although I was expecting a reference to land in, we remain without a clearing and apparently bodiless. 

    “We are not bodiless, but nor should the elements enter here, for they are an imbalanced ingredient for this structure. Observe.” The deity asks. I begin to realize that we are both made of omnidirectional, concentric spheres. “This is the physique, it is balanced by sustained purity and harmony. Would this material body travel to your world, it would be perceived as the ringing of a bell and by no other means. Search now for what inhabits it.” I look at him and see that permeating the concentric spheres that move in all directions stand expanding columns or beams that move forward and backward. “This is the soul, and the note that balances it is warm resonance. Listen to it,” the deity asks. Using clairaudience, the sound is similar to that of a drum. “Go deeper,” the deity asks. 

    I see controlling the beams disconnected bursts of pressure that fill the immediate area but lose their shape very quickly as they travel; however, more are constantly being generated, like an active sparkler. “The mind, balanced by its sharpness and discretion, you know it as white noise.” There is silence and I answer not. “Rhythm is the general key, and it is not locked within the quadripolarity of the elements but the tripolarity of electromagnetism. These three keys, in their corresponding planes, also reveal an enhancement for your Quabbalah, the letters are to move as depicted.” 

    Then, suddenly and instantly, we are at Neptune.

    The Zone of Neptune

    All is diamond white. I stand robed and my robe is starry. I stand girdled with a golden girdle of love. My right index finger wears an electric-blue ring, and a pagan insignia is on my breast, depicting a twisted branch. I realize I am the deity, and facing me is André Consciência as a child, curious and impenetrable. To his side is his guide, now an ancient Egyptian child from earlier in his last life.  He is on his knees, embroidered in white, and, curved, offers me jewels bound to the queens and kings of the elementals. “My child, may the magnetic kings find home in my insignia and the magnetic queens a refuge in my girdle,” I return him.  

    André, standing silently, approaches, leans and places a crown of gold decorated with lapis lazuli on my head. I sense within it all the prophets, demons and angels. “My child, may the electric kings find home in my ring and the electric queens a refuge in my robe.” I turn to them to read them, and ask: “Know you what these adornments are?” 

    “The cowrie shell girdle of Hathor is love and it balances the waters of the whole universe,” tells my guide in a devoted and musical voice.  “The white band worn across your chest opens the old ways to the ancestral source of existence, and it balances the ground of the whole universe.” 

    André speaks next, the voice cryptic and unchanging, almost a whisper, saying something to himself alone. “The robe is purity of mind and it balances the world. The ring is the unity of light, and it balances the world.” 

    I, who breathe not except by their virtue, let them breathe in and out three times before I speak: “Know then that the crown is the base, as the base is the crown.” 

    As the white light begins to fade, I find myself within my ceremonial chamber, the insignia is the seal of Aschmunadai I wore for authorization, the crown my magus band, the robe my magic robe and the ring the magic ring that connects me to the godhead. The gems of alliance with the four elemental emperors fill the four directions, and the girdle is my magic belt, uniting micro and macrocosm. I seem to stand alone, and proceed to close the ritual. 

    Conclusion

    Each sphere encodes a formula of balance. When I wrote Theurgy of Saturn I had a student tell me he couldn’t even explain what he could not understand about it, since he could not come to terms with any of it. And I can only imagine what the case sometimes is with Theurgy of Thoth. I will, for this reason, extract and systematize this into a progressive table, showcasing the internal logic (electric/magnetic, elemental balancing, and qualitative shift of the “woman”/principle relationship).

    The 10 Stages of Magical Equilibrium

    (Progression Through the Spheres)

    1. Earth Zone

    Principle of Equilibrium: The Self as the original, self-sustaining fire (the so-called Ishim)

    Polarity: Magnetic mind (passive) offered to electric Self (active)

    Elemental Balance Key:

    Fire: Self-awareness

    Air: Contemplation

    Water: Transcendence

    Earth: Detachment

    Character Ennoblement: The mind (feminine) is sacrificed to the Self and becomes its vessel (it loses automatisms)

    Operation: Alignment through the four virtues (Will, Know, Dare, Silence)

    Sign of Success: Awakening of the Self that precedes all automatisms

    2. Moon Zone

    Principle of Equilibrium: Dynamic stability

    Polarity: Electric will enters magnetic soul, generating cycles

    Elemental Balance Key:

    Air: Evolution

    Water: Grace 

    Earth: Stability through release

    Fire: Inspired will

    Ennoblement of character: The mind, purified by the Self, gains Soul (the Goblet/Womb of Mary)

    Operation: Synchronization

    Sign of Success: Flow, Dao, in which stability is achieved through movement

    3. Mercury Zone

    Principle of Equilibrium: Intellectual Transmutation

    Polarity: Magnetized intellect structures reality; electrified desire animates it

    Elemental Balance Key:

    Air: Encoding (understanding experience via thought)

    Water: Decoding (understanding thought via emotion)

    Earth: Wisdom (understanding emotion by filtering experience)

    Fire: Surrendered will (freed from impulse)

    Ennoblement of Character: The soul is permeated by the Akasha

    Operation: Encoding and decoding experience into knowledge

    Sign of Success: Refinement, as thought becomes power

    4. Venus Zone

    Principle of Equilibrium: Fusion of all faculties into a single one (the so-called binding yoga)

    Polarity: Electric will dissolves into the magnetic totality of unity

    Elemental Balance Key:

    Air: Dissolution of inner chatter

    Water: Trance and emotional depth

    Earth: Vitalized sensation

    Fire: Ecstatic unification

    Character Ennoblement: The anima or soul expands into the total field; all becomes expressive of one principle

    Operation: Ecstatic Transmutation

    Sign of Success: Integration, as all faculties can now merge into one

    5. Sun Zone

    Principle of Equilibrium: Centralized, self-radiant consciousness

    Polarity: Electric center radiates; magnetic field reflects and organizes

    Elemental Balance Key:

    Fire: Will directed toward itself

    Air: Cosmic articulation (letters, principles)

    Water: Intuition replaces objectified emotion

    Earth: Prophetic consciousness

    Ennoblement of Character: Ego-consciousness becomes a radiant functional center

    Operation: Systemic activation

    Sign of Success: Centralization, as unity radiates through all levels, remembrance of past and future lives

    6. Mars Zone

    Principle of Equilibrium: Balance through controlled opposition of forces

    Polarity: Electric expansion and magnetic restraint are consciously regulated

    Elemental Balance Key:

    Air & Water: Excitation balanced by detachment

    Fire & Earth: Illumination balanced by humility

    Electric & Magnetic: Release balanced by containment

    Character Ennoblement: The self becomes energy instead of identity

    Operation: Complete mastery of magical equilibrium

    Sign of Success: Tension stabilizes power instead of destabilizing it

    7. Jupiter Zone

    Principle of Equilibrium: Harmonization through conscience and higher intelligence

    Polarity: Magnetized, memory is purified; electrified, will aligns with universal order

    Elemental Balance Key:

    Air: Resolution (untangling complexity)

    Water: Sanctified emotion

    Earth: Weightless, purified memory

    Fire: Alignment with Divine Providence

    Character Ennoblement: The self becomes a conscious node within a greater intelligent order

    Operation: Ethical alignment and purification of memory and intention

    Sign of Success: Expansion, as equilibrium extends across beings and time

    8. Saturn Zone

    Principle of Equilibrium: Measure and discernment

    Polarity: Electrified will establishes measure; magnetized structure becomes fate

    Elemental Balance Key:

    Fire: Will as knowing and causing

    Air: Discernment

    Water: Emotional continuity (flow of destiny)

    Earth: Justice (objective balance)

    Character ennoblement: The personality becomes aligned with the law of necessity

    Operation: Judgment

    Sign of Success: Crystallization, as balance is fixed through law

    9. Pluto Zone

    Principle of Equilibrium: Direct perception of essence beyond elemental mediation

    Polarity: All elemental perceptions dissolve into Akashic essence

    Elemental Balance Key:

    Fire: Clairvoyance

    Air: Clairaudience

    Water: Clairsentience

    Earth: Clairalience

    Akasha: Clairgustance (direct essence, balancing key)

    Character Ennoblement: Perception becomes immediate contact with essence

    Operation: Unifying clair-senses

    Sign of Success: All-Penetration, as essence replaces appearance

    10. Uranus–Neptune 

    Principle of Equilibrium: Total unity beyond elemental and polar structures

    Polarity: Polarity dissolves polarity

    Elemental Balance Key:

    Uranus: Balance through rhythm, resonance, and the highest triune (see Neptune)

    Neptune: Balance through love, purity, and total identity

    Character Ennoblement: The self becomes identical with the universal principle

    Operation: Pure being, resonance, and universal identity

    Sign of Success: Completion, equilibrium is no longer practiced but becomes what we are

    We should be able to recognize this magic equilibrium progression includes a stage where we begin to control the elements, a stage where, once under our control, we align these elements with cosmic law so as to, in the next stage, be able to perceive the essence of the cosmos and, further, in a final stage, become it or at one with it.   

    It is meant to see the structure itself is encapsulated, one way or another, within Franz Bardon’s Initiation Into Hermetics. It is my wish, then, that I have made this post useful for the sphere magician, who will know how to use the spheres themselves and the seals provided, and that the auto-suggestion prayer I will offer helps those threading IIH to complete it, or those who have completed it to keep the magic equilibrium it provides. Remove, thus, time and space from the subconscious and listen very closely, as much as you like: 

    Auto-Suggestion Prayer for Magical Equilibrium on all 10 Levels (click)


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  • Evaluating the Critique of Bardon: A Practitioner’s Response to Nick Farrell (by Virgil)

    Evaluating the Critique of Bardon: A Practitioner’s Response to Nick Farrell (by Virgil)

    Introduction

    Recently, Nick Farrell wrote a piece about the Bardon system and the Bardon tradition with several critical claims. It can be read here. While I did not initially intend to read, let alone respond to it, certain close friends of mine in the Bardon world have asked me about some of the claims made in the piece. I figured if I am going to type a response for them, I might as well share it openly in case others find it helpful. I have not read any other responses to Farrell’s piece or discussions of it, so some of what I’ve written below may have already been said by others. 

    Neatness

    Farrell’s first criticism of IIH is that everything is too neat. It’s all packaged into ten net boxes, which are the ten steps of IIH. This is a bizarre criticism to me since there is nothing at all wrong with being neat. If the creators of other systems died before they could tidy up the systems they created, why should this reflect poorly on Bardon? If anything, the neatness of Bardon’s system should be a point in its favor. 

    Farrell goes on to mention that the Golden Dawn tradition and Crowley’s tradition are messes. Yes, they are. That’s a large part of why I have no interest in them. But again, the fact that Bardon is more coherent than other traditions is a good thing, not a bad thing. It’s just strange to think otherwise. For what it’s worth, Quareia, another system I highly respect, is also very neat, with everything being packaged into modules and lessons. 

    Intellectual and Practical

    Farrell writes “In real magical training, there is a leaning towards intellectual information first.” This statement betrays a strong and problematic bias. What Farrell considers “real magical training” is just the training he is familiar with, which is the kind of training undergone in Western magical orders. As someone who is initiated into a Taoist, a Buddhist, and a Druidic tradition of magic, I can affirm that none of these traditions requires that students spend a long time studying theory and accumulating intellectual information before beginning any kind of practice, especially basic practices like meditation. The comment Farrell makes about astral projection is very strange. Pretty much every magical training system includes some version of astral projection. I’m pretty sure even the GD system does. So it’s weird to imply it’s wrong for IIH to include its version of the practice. 

    “Bardon Fanboys”

    Farrell then goes on to describe what he refers to as “Bardon fanboys,” which are people overly fanatical about Bardon’s system. While it is unfortunate that such people are the way they are, every spiritual tradition has people like that. So the existence of such people shouldn’t necessarily reflect badly on Bardon’s tradition. It certainly does not imply that the entire Bardon tradition is just some personality-cult for Bardon. 

    Bardon’s Pancreatitis

    Farrell at some point gives his summary of Bardon’s life, mentioning that Bardon died of pancreatitis and claiming this should cast doubts on his ability as a healer. I’m not sure if Farrell is aware, but Bardon actually committed suicide. He deliberately requested and consumed a kind of bacon that he knew would inflame his pancreas to the point of killing him. By this point in his life, he had already completed his life’s work of revealing the practical mysteries behind the first three cards of the Major Arcana.

    Bardon’s Sources

    Farrell next discusses Bardon’s sources. He begins by questioning the idea that Bardon’s Hermetics is truly related to the Hermeticism hailing from ancient Greece and Egypt. Whether or not Bardon’s Hermetics is really Hermetic is subjective to some extent. Rawn Clark was of the opinion that Bardon’s material truly is Hermetic. His reasoning was that what Bardon teaches is in line with what is taught in the Corpus Hermeticum. As for me, I’m actually in agreement with Farrell that Bardon’s material isn’t that Hermetic. Since there was a ton of interest in Hermeticism around Bardon’s time, I believe he largely just attached the “Hermetic” label to his material to help promote it (I could be wrong though). If I had to choose an adjective to describe his material, it would be “universal” rather than “Hermetic.” That said, whether or not Bardon’s material is Hermetic really doesn’t matter at all. The only thing that matters is that it works. 

    Farrell then brings up the issue of the names of spirits. If you think the names of spirits are something that are really important (as is the case for most grimoire-influenced occultists), then it makes sense to be concerned that some of the names given in PME seem to be garbled versions of names from other sources. But in practice, names are really not that important. The most important thing is the spirit’s role, because that is what determines your intent. If you perform an evocation with the intent of evoking, say, the ruling genius of the fourth degree of Aquarius, then you will get that spirit. Next to the role, the sigil is the most useful thing. When used properly, it allows you to directly connect with the spirit and thus get its attention and open a channel of communication between you and it. A long time ago, when asked about the controversy regarding the names in PME, a teacher in the Bardon tradition responded that he could refer to any spirit using the name Pee-wee Herman and still evoke it; if he knew the spirit’s role and sigil, then he had everything he truly needed. If Bardon were writing PME in modern times, he very well could have written a Python program to put together random syllables to generate names for the spirits he mentioned. 

    Fluid Condensers

    Farrell goes on to question the usefulness of fluid condensers. He says that he has seen them employed in rituals and been underwhelmed by their effectiveness. If that is his experience, then that is his experience. But what I can say is that I have engaged in Golden Dawn rituals myself and also been underwhelmed by their effectiveness. That is my experience, and merely throwing a fluid condenser into these rituals is not going to fix the fundamental problems with the rituals themselves or with the training of those trying to do them.  Every magician I’ve met who’s actually been through IIH has found fluid condensers to be useful tools that work in the manner described by Bardon. Why? Because they are tools for magicians. They are not tools for just anyone who wants to dress up in robes and wave a wand around while vibrating names. 

    The Nature of Magical Development

    Farrell then says that the ten steps of IIH give the illusion that magical development occurs in a linear fashion, when in reality, people undergoing magical training “encounter insight, crisis, regression, and transformation in unpredictable ways.” This is another strange criticism to me. The ten steps of IIH can indeed give the illusion that magical development occurs in a linear fashion, but so can the grades of the Golden Dawn or the levels of any system of magical training, and they all have levels of some sort. Even if development isn’t linear, on average there should still be an upward trend, so to speak. Anyone who has actually been through IIH can tell you that in the process of working through the book, you do indeed “encounter insight, crisis, regression, and transformation in unpredictable ways.” IIH is just a single book. Its primary purpose is to provide instructions for the exercises the student must master. It’s very good for what it is. As for other things like discussions of the non-linear nature of magical advancement, Bardon left it to later practitioners of his system to write about. William Mistele in particular has done a thorough and fantastic job of writing about this particular topic. His “Problems in the Study of Magic” series of essays focuses a lot on it. 

    The Bardon Tradition vs the Bardon System

    Farrell then claims that there is no tradition that has developed from Bardon’s works. This is just objectively wrong. By this point I’m sure someone has pointed this out to Farrell already, but there are many communities of Bardon practitioners and many occult authors who consider themselves Bardonists and write about his system. All of these authors, without exception, myself included, do mention improvements that could be made to the IIH system. For example, I often say that breath-awareness should be inserted into Step 1 and precede thought-awareness. Spending time practicing breath-awareness (which is easier than thought-awareness) will develop one’s awareness to the point where thought-awareness becomes easy too. And when thought-awareness is easy, VOM is also easy.

    Farrell’s statement that “most practitioners use the original exercises without further development” is funny to me. First of all, the IIH system is fine as it is. Even if it’s not perfect and improvements can be made to it, it’s still good enough to be workable in it original form so there’s nothing wrong with trying to work through the system as is. But also, although Farrell’s statement may have been true twenty years ago, at this current time the opposite is true. Thanks to the publication of highly-questionable commentaries, many practitioners change the exercises to the point where they’re not even the same exercises. At this point they’re basically practicing a different system and will not attain to what Bardon’s actual system was designed to help practitioners attain. 

    To return to the topic of the Bardon tradition, ultimately you don’t become an adept by being part of a tradition. You become an adept by working through a good system. Therefore, although the Bardon tradition is nice (and does exist), it is really the Bardon system that is the most important thing. The system can exist by itself even without the tradition and still do its job. Fixation on being part of a tradition without giving adequate attention to working through the system is wholly unproductive. This just leads to people calling themselves Bardonists and arguing all day on Facebook about who Bardon’s teacher was or wasting countless hours chatting with other Bardonists on Discord about astrology and other random occult topics. And yes, this does happen all the time.

    On Bardon’s Greatness

    After trying to deny the Bardon tradition’s existence, Farrell writes the following:

    The image of Bardon as a master Hermetic adept primarily stems from stories created by his students. Such mythmaking is common in occult history, where a teacher’s reputation grows despite limited evidence, and their biography becomes more dramatic over time.

    The second sentence is undoubtedly true. That said, in every field and art, there do exist exceptional geniuses. For example, Mozart composed his first opera around the age of twelve. By the time he died, he had composed more than 600 pieces of music, many of them elaborate and highly-acclaimed. In the world of physics there’s Einstein and in the world of chess there’s Magnus Carlsen. Whether or not Bardon was an example of such an exceptional genius is subjective. But it would be crazy to deny that such exceptional geniuses do exist, and it’s certainly not wrong to acknowledge their amazingness when they come along, or to recognize the value in learning from such people. While there are many legends around Bardon and some of them may not be true, his three published books, when viewed through unbiased eyes, are truly incredible, and the writings of adepts who have been through his system, such as William Mistele and Rawn Clark, show that it is a solid and workable system that can take practitioners to great heights. It’s hard to imagine someone who isn’t a genuine master creating a system like this. 

    Farrell’s discussion of the image of Bardon ends with this statement.

    If you have hung around occultists, or even especially religious people, this desire to make people gods, or convert others, is usually a sign that there is something lacking in the system.

    For all Farrell’s talk about citing sources, it’s interesting he does not provide a source for this claim. The desire to make people gods is just a general human behavior. It’s actually extremely common in Eastern esoteric traditions, but this does not at all mean the systems used by those traditions are somehow incomplete. In fact, they’re actually more complete than anything I’ve seen in the West, with the exception IIH and Quareia. And in any case, if there are Bardonists trying to make Bardon into a god, those Bardonists are in the minority and are in error. As Rawn once explained, “Hermetic initiation as Bardon presented it is not about following another person’s revelation. Instead, it is about empowering the student’s own abilities to attain their own personal revelations.”

    Bardon’s Sources (Again)

    Later in his piece, Farrell brings up the topic of Bardon’s sources a second time, taking a guess as to what they are and then questioning whether his system is “a continuation of a known lineage.” A thorough analysis of Bardon’s sources is too much to get into here. However, ultimately it doesn’t matter. At least from a standard Bardonist point of view, the only thing that matters is whether it works. But I guess if GD practitioners cared about whether something works, they wouldn’t be GD practitioners? 

    Farrell goes on to say that Bardon’s content differs from how things are done in the world of Western ceremonial magic, and that they also differ from how things are done in the grimoires. This is, frankly speaking, a very good thing. A large part of Western ceremonial magic is egomaniacs LARPing as wizards from Ancient Egypt. As for the grimoires, while there are some gems hidden in some of them (especially the Arbatel of Magic), there is also a ton of silly superstition in them. This doesn’t mean people won’t get any results from trying to work the grimoires, but any positive results they get will be despite the issues grimoires have, and not because the grimoires are some kind of perfect source of magical insight and instruction. If people doubt the existence of the spirits Bardon mentions in PME, they can read William’s writings of his experiences evoking them. Inner Traditions will be publishing an updated version of Mermaids, Sylphs, Gnomes, and Salamanders soon, so the timing is apt. 

    Ritual Culture and Group Practice

    Farrell then criticizes Bardon’s system by saying it “downplays ritual culture and group practice.” Here, his bias is showing again. Just because these things are important in Western ceremonial magic doesn’t mean they have to be important in every magical tradition. Also, I would not say that Bardon’s system really “downplays” these things anyway. He just doesn’t discuss them, because it’s not the focus of his writings. But Bardonists are nevertheless free to practice exercises together and work magic together if they want to. Rawn worked with many others to create the Eight Temples. And William often invites various spiritual practitioners, including Bardonists, over to his house in Hawaii to talk and engage in spiritual practice together. I myself paid a visit to William near the end of last year and we had a great time connecting with the undine Istiphul together on the beach by his house. 

    Bardon Not for Beginners

    Farrell makes the statement that Bardon “can’t even be recommended to beginners.” I actually agree with this, but I don’t think it’s a bad thing. Calculus can’t be recommended to beginners in mathematics, but this doesn’t mean there’s something wrong with calculus. Near the end of Step 1, Bardon pretty much says that his system is for those who already have a background in meditation. He could have made his statement clearer, but this is an issue with the wording of one passage in IIH, not something fundamentally wrong with the entire system. 

    Conclusion

    So, what are my overall thoughts on Farrells piece after reading it? Farrell seems largely sincere in trying to fairly evaluate Bardon’s work and legacy. However, Farrell has a very obvious bias, which ultimately makes his evaluation far from fair. This bias is that he thinks GD-derived Western ceremonial magic is some kind of gold standard for how magic should be trained and practiced. In fact, a large portion of Farrell’s criticism can be summarized as “It’s different from what we do in GD-derived Western ceremonial magic, therefore it’s bad and not real magic.” But it’s not actually a bad thing to differ from GD-derived Western ceremonial magic. In fact, as someone who was previously involved in GD-derived Western ceremonial magic and found it to be a waste of time, I consider it very good that Bardon does many things differently. Buddhist, Taoist, and shamanic traditions also do things very differently from GD-derived Western ceremonial magic. 

    Farrell does make some correct statements in his piece. He is correct that people in spiritual traditions have a tendency to deify the tradition’s founders, although I do not really see that happening with Bardon (again, admiration and recognition of accomplishment does not equate to deification). Also, I do agree with Farrell that Bardon’s material isn’t that Hermetic and that it’s not for beginners; but again, none of that is bad. 

    Farrell took the time to read Bardon’s books while researching his piece. I do applaud him for that. However, it clearly wasn’t enough. This is because there is the Bardon system and also the Bardon tradition. If Farrell had only wanted to comment on the Bardon system, it would have been enough to just read Bardon’s writings. But since Farrell comments on not just the Bardon system but the Bardon tradition as well, it would have been highly advisable to read other writings from the tradition to get a better and more comprehensive familiarity with it. This would have included, first and foremost, the writings of Bardon-trained adepts like Rawn Clark and William Mistele, and in particular the second edition of A Bardon Companion; Mermaids, Sylphs, Gnomes, and Salamanders; and at least a few of the chapters of Twenty-Five Earth-zone Spirits.


    About the Author


    Virgil is a contemporary Christian magician and author dedicated to distilling Franz Bardon’s Hermetic system into concise, accessible guides for modern practitioners. His work focuses on practical self-initiation and the cultivation of elemental equilibrium—a foundational practice in Bardon’s teachings. Virgil’s clear and structured approach has made his writings valuable resources for those seeking to embark on or deepen their Hermetic journey.​

    One of his notable contributions is The Elemental Equilibrium: Notes on the Foundation of Magical Practice, which offers a thorough and easily understandable guide to establishing an elemental equilibrium. This work emphasizes the importance of balancing and purifying the elements constituting one’s soul and spirit, a crucial step in the path of magical development.


  • Internal Alchemy in Practice: Chi Skills on Energy, Transformation, and Self-Mastery

    Internal Alchemy in Practice: Chi Skills on Energy, Transformation, and Self-Mastery

    Introduction

    I have been looking forward to posting this interview with Chi Skills – Armand & Didi. They are such lovely people, and I always take something away from when they share their knowledge on platforms like the Bard Inn with Phil Rice.
    If you enjoy this interview please let us know in the comments and share it with others. Contact details have been provided at the end of the post if you would like to learn more about Chi Skills and their approach, I highly recommend their YouTube channel.


    Interview with Chi Skills – Armand & Didi

    PAA: Can you share how you accomplish demystifying the Chi Kung process  in practice? What core exercises or methods do you use to help beginners genuinely feel their internal energy from day one, and how does this immediate immersion create the paradigm shift in self-experience that you’ve described? 

    For us, demystifying the Chi Kung process begins with direct experience. Rather than  speaking about energy as an abstract concept, we start with a very simple but powerful practice called “Building the Ball.” 

    In this exercise, students begin sensing an energetic field between their hands.  Because the hands are naturally sensitive, this is one of the easiest places to direct  awareness. In many cases, within a single session — sometimes within twenty  minutes — people begin to feel sensations between the palms. At that moment the  training truly begins, because energy is no longer theoretical. 

    From there the practice deepens quickly. At first a student might say, “I feel energy.”  Soon, the perception shifts. Instead of experiencing energy as something separate — something you have — the realization begins to arise that this energy is part of your  own being. 

    This is the real paradigm shift: the movement from “I have energy” to “I am energy.”  Once that shift occurs, the exploration changes completely. Students begin asking  deeper questions: What is the state of this energy I am? How is it behaving? Where is  it going? Is it free? What is the personality of this energy? What is its aligned  purpose? How is it manifesting, knowing it is part of a larger energetic whole? 

    Once someone has felt energy directly and identified with it, the entire journey  becomes grounded in lived experience rather than belief. 

    PAA: The Chi Skills methodology emphasizes practicality and clarity, offering  a step-by-step pathway for the internal journey. What distinguishes your approach  from other Chi Kung or internal arts schools? 

    One of the main differences in our approach is that we constantly ask: how can this  training be lived in everyday life? 

    Many internal arts schools focus primarily on forms or routines. Those practices are  valuable, but for us the deeper question is how the training translates into the way  someone actually lives. The goal is not to perform exercises well, but to develop real energy skills that can be applied in life.

    A principle we often use in our teaching is this: 

    Does the method serve the person, or does the person serve the method? 

    In our system the method always serves the person. Practices are tools that help  people understand and regulate their own energy. 

    This principle becomes especially clear in our private mentoring work. We look at  where someone actually is in their training and life, and from there we select the  practices — within our framework — that support their next step in development. 

    Our training focuses strongly on state awareness and state regulation. Students learn  to observe their energy: how it behaves, where it flows freely, and where it becomes  stagnant or contracted. As awareness grows, people begin to see the connection  between their internal state and what they manifest in their lives. 

    In this way the training gradually becomes a path of self-mastery. Energy work is no  longer limited to training but becomes a living practice throughout the day. 

    Ultimately, our aim is to provide people with practical energy tools for navigating life.  The practices draw inspiration from Chi Kung, Hermetic training and modern  approaches to personal development, but they are integrated into a coherent  system. 

    That is why we describe the work as Energy Skills for Life

    PAA: What does internal alchemy mean to you on a practical spiritual level, and what kind of transformation do dedicated students typically undergo over time? Ultimately, what higher purpose does this path lead to? 

    Internal Alchemy is the process of transforming energy from one state into another  state. 

    On a practical level, that process immediately starts in the physical training we teach:  transforming muscle tension into fascia stretch through the process of ‘song’ — which is often translated as relax. But we prefer the word release because it describes  a conscious activity. 

    Done right, this demands your awareness, your consciousness to be fully involved.  Remember — it’s a process. It demands presence. Done wrong, just “relax”, it does  not demand that sort of presence at all — you could be daydreaming. That changes  nothing fundamentally and leads to weakness.

    This awareness, this presence, is the spirit. And it is the spirit that ascends,  reconnects, refines, heals and masters. It is the spirit that wants to come out and  manifest its purpose. You changing you — now that is powerful. 

    Releasing is also the method to connect to and move through the different aspects of  our being and beyond — Akasha and non-dual light. As we elevate our awareness up  the vibrational scale, we start with form — the physical, as mentioned before. From  there we move through the vital, astral and mental frequencies through different  transformations: releasing time, releasing space, and so on. Moving from form to  formless, on our way back home to universal consciousness — the drop seeking the  ocean. 

    Alchemy is thus also the practical tool to connect to, and move between, these  frequencies. Think of your awareness stepping into an elevator. Every floor is reached  through a transformation — a release. This makes it possible to step out on every  floor and explore. What’s happening here? What can I heal, strengthen, balance, transmute? 

    At the same time, the power that drives the elevator upwards is stillness. So we teach  this as two paths: cultivating stillness on the one hand, and refinement and  transmutation on the other. Because there is work to be done. 

    The elevator shaft is the pipeline. It connects heaven and earth. Over time, what  happens with students is that by strengthening their structure, they strengthen the  pipeline. And as we guide them up in the elevator — step by step — they gradually  start to open that pipeline through different methods, identifying and releasing  conditioning, stagnations, contractions and stickiness. 

    This has an incredible effect on how their energy starts to move. Before, when light  touched them, it would be met by unconsciousness — and that would then also  manifest in their lives. Through this process, as consciousness grows, the light can  work through them in a much more conscious way. 

    And that changes the story — and the outcome.  

    Food is one of the most direct ways we can influence our energy. When people begin to observe this more carefully, they start to notice how strong this effect is.  

    Didi & Armand

    PAA: Nutrition appears to be a unique pillar of your system – you even refer  to “Nutritional Chi Kung.” How do you incorporate dietary guidance into internal  energy training? Are there specific nutritional principles you recommend, and how does diet support the meditative, Chi Kung and Hermetic practices in your system?

    In our experience, anyone who begins training seriously will eventually encounter the  topics of nutrition and lifestyle, which are closely connected. As people’s awareness  grows through Chi Kung and meditation, they naturally become more sensitive to the  influences that shape their energy. 

    Food is one of the most direct ways we can influence our energy. When people begin  to observe this more carefully, they start to notice how strong this effect is.  

    Many people believe they are already eating “healthy,” often meaning avoiding  processed foods or reducing sugar. Those are good first steps. But from an energetic  perspective the deeper question becomes: does a specific food support clarity and  stability in the system, or does it create disturbance? 

    Over time students begin to observe cause and effect more clearly. They start to  notice which foods support clarity and vitality, and which ones create heaviness,  stagnation or emotional turbulence. 

    At the same time, nutrition can be one of the most challenging areas for people. Food  is closely connected to habits, emotions and conditioning. Sometimes people are  drawn to certain foods because of patterns that developed earlier in life, and those  choices can reinforce the very patterns they are trying to change. 

    For this reason we do not promote one rigid dietary system. Instead we look at the  energetic principles behind food. Many traditional cultures explored this deeply — Chinese medicine, Ayurveda, and Western traditions such as the teachings of  Hildegard von Bingen. 

    When you compare these traditions, you often see similar principles appearing in  different forms. Again and again they point toward the same idea: food should  support balance and vitality in the system. 

    Once students can feel their own energy through Chi Kung practice, the effect  becomes much clearer. Over time they develop a natural sense of which foods  support clarity and stability, and which ones disturb that balance. 

    In that sense nutrition becomes not a restriction, but a practical tool — helping  people support their energy, their awareness and their development through the  training.

    As stillness deepens, awareness expands and eventually connects with  universal consciousness. 

    Armand

    PAA: Sifu Mark Rasmus – a renowned teacher known for combining Chi Kung  with Hermetic principles and training sensitivity to different energy frequencies from vital to akashic – has been a significant influence on your journey. What were some of the most impactful lessons or practices you learned from him? How have his teachings shaped the way you teach within Chi Skills? 

    Armand: 

    Before I met Sifu Mark Rasmus, I had already trained in the internal martial arts for  eleven years. I was deeply committed to the practice, but I was searching for  something deeper than the martial aspect alone. My interest had shifted strongly  toward internal alchemy. That led me to Mark.  

    One of the most impactful things Mark gave me was a clear developmental  framework. Up to that point I had learned many powerful practices, but they existed  somewhat separately. What Mark did was show how all those pieces could fit into a  coherent path of development. Suddenly the training was no longer a collection of  techniques — it became a structured journey. 

    I remember a moment very clearly from the first week I trained with him in Thailand.  At the end of that week he said to me: “All you’re looking for is eyes of a hawk and a large mental space.” That description resonated deeply and gave me a clear direction in my training. 

    Another principle he emphasized was that the entire path is essentially a cultivation  of stillness. As stillness deepens, awareness expands and eventually connects with  universal consciousness. 

    These insights shaped the way we teach today.  

    Didi: 

    When Armand began studying with Mark Rasmus, he shared what he was learning  with me. At that time I was studying Traditional Chinese Medicine, so I was reading a  lot about energy and how it functions in the body, but only from a theoretical  perspective. 

    What changed for me was that I began to experience these things directly through  energy awareness. Instead of only reading about someone else’s experiences, I could  actually feel and recognize these energies myself. It all became very practical and  made much more sense. 

    PAA: Beyond Sifu Rasmus, were there other important mentors in your development? How did those influences shape your approach today 

    Armand: 

    I trained internal martial arts for eleven years under Dutch teacher Roel Jansen, who  taught a combination of Yang-style Tai Chi and a Kuntao style called Tit Khun. Besides  that, he taught Nei Gong and Chi Kung, and there was a great emphasis on Taoist  thinking. There were bruises and books at the same time. Looking back, those years  created a deep foundation for which I am forever grateful.  

    When I later met Mark Rasmus, his teachings refined and built upon that foundation.  In many ways I see these two teachers as part of a natural evolution: the earlier martial training built the structure and openness, while Mark’s teachings revealed the deeper energetic side of the practice and shaped direction.  

    PAA: Can you share more about your Private Mentoring program? Would a student expect to go through the stages shown in the image on your homepage? 

    Yes. The image on our homepage shows the alchemy framework we use to guide  people through the training. You can think of it as a treasure map for the journey. 

    It illustrates the journey through the different energetic layers of our being and  beyond — physical, vital, astral, mental, akasha and non-dual light. Within each of  these levels we explore the five pillars of our system: Reconnection, Self-Healing, Self Mastery, Purpose and Manifestation. 

    Our Private Mentoring program allows us to guide students through this process in a  very focused way. It is a six-month trajectory consisting of twelve one-on-one  sessions, held every two weeks. This rhythm gives people time to integrate the  practices and experiences between sessions. 

    Alongside the mentoring sessions, students can work with exercises from our Core  Essentials Chi Kung Course. Sessions are recorded so students can revisit the material,  and after each meeting we provide a written recap with reflections and suggested  practices. 

    Before joining the program we always schedule a no-obligation introductory  conversation. In that conversation we explore where someone currently stands in  their training and what they are looking for. Because the work is personal and  intensive, it is important that the connection feels right on both sides.

    Every student’s journey is different. Some come from backgrounds in Chi Kung,  Hermetic training or meditation, while others simply feel a strong calling to explore  energy more deeply. The one-on-one format allows us to adapt the training to the  individual while still working within the framework. 

    For some people one six-month cycle is enough to gain clarity and direction. Others  continue for additional cycles as their exploration deepens. 

    Where to Find Us 

    More information about our work can be found on: 

    – our website: ChiSkills.com
  

    – YouTube: https://www.youtube.com/chiskills

 

    Contact us:  

    – email: chiskills@outlook.com 

    – WhatsApp: +31624498309

    PAA: Many thanks to both of you for answering our questions.


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  • From Demonic Realm to Divine Providence: A Bardonist’s Path Through IIH, PME and Rosicrucian Mysteries

    From Demonic Realm to Divine Providence: A Bardonist’s Path Through IIH, PME and Rosicrucian Mysteries

    Introduction

    This interview with Gabriel Teixeira, I think will be of great interest to students of Franz Bardon. As topics not often mentioned within our Franz Bardon related interviews are brought up and expounded upon. There is also the possibility of a future live session with Gabriel if readers make their interest known. Please let us know your thoughts and any questions in the comments.

    For those who would like to follow up on the work of Mr. Walter Ogris as mentioned in this interview you can find his website here.


    Light of Wisdom and Franz Bardon

    Interview

    PAA: What brought you to the world of Magic, Hermetics and Franz Bardon? How did you begin your training?

    Well, I began to take an interest in magic from childhood. I was already born somewhat sensitive and could occasionally see ghosts. Although I was raised in a Christian household, I already carried some exotic ideas and behaviors from the spiritual realm from which I come. My first contact with energies and magic was through the MO-PAI system of John Chang (John Baharudin — the Magus of Java). I watched an excerpt from the documentary Ring of Fire, in which he demonstrated pyrokinesis and healing through chi emitted from his fingers. Shortly after watching the documentary, I got in touch with one of his students in order to receive instruction. Not long after that, I came across Mr. Bardon’s book (Initiation into Hermetics). From that point on, I began to practice—and I never stopped.

    PAA: During your training of IIH what specific areas did you find challenging? Did you do anything differently to overcome these challenges?

    I believe that if you carry heavy karma, or if you have a mission and destiny that run counter to any system of magical development, then all exercises can become a challenge. I came from the demonic realm, so my pact had been partially concluded, allowing me to become human again. However, because I still had a mission to fulfill, all the circumstances that afflicted my life were contrary to the system proposed by Mr. Bardon.

    For those accustomed to Goetia, having to sit down and focus on a single thought, enter emptiness, work with the soul mirror, and so on, can be extremely challenging. The best way to overcome these adversities is to allow for adequate periods of rest, because Bardon’s exercises cause micro-injuries to the soul, and each person has a specific recovery time for the astral body to heal. Sometimes, practicing every day can actually delay progress.

    Part of a person’s fate is recorded within their own astral body, so the exercises can accelerate destiny and karmic resolution. For this reason, for some beginners, all kinds of misfortune may occur when practicing these exercises, because you are interacting with the karmic records of your own soul when you do them. Therefore, the best advice is to respect your own recovery time between exercises and to progress with quality rather than haste.

    PAA: What are your thoughts about Step 1 and particularly VOM, some students spends years on this step. Do you think they are misunderstanding the requirements or do you think it is correct to stay on the step until students believe they have perfectly passed it?

    My opinion regarding the early grades of IIH is that they are initially focused on a form of astral and mental hygiene. Mr. Bardon wrote his first book as a kind of “prologue” to the contact with cosmic consciousness that comes in the second book. Therefore, the beginner should focus on the fact that, by practicing the exercises, you are preparing yourself to enter into contact with the geniuses of the higher spheres. This is not something you do without giving up your worst habits—you must change as a person as well. It is a gradual and initial transformation whose purpose is to prepare you for the next step ahead.

    My second opinion is that the minimum amount of time Mr. Bardon recommends is more than sufficient to move forward, considering that Akasha meditation alone will exponentially expand many of the previously proposed exercises. The only exception is when you are practicing in order to balance your deficiencies. In that case, you may focus more on one exercise or another.

    The third point is something I have already mentioned before: these exercises release negative karma recorded in the perispirit, so it is normal to have days when the exercises feel perfect and days when you are unable to progress. The ideal approach is to focus on a balanced quality in achieving the goals proposed by the exercises, rather than on extremes—as if Mr. Bardon were demanding that you become a great, infallible magician from the very beginning.

    It is important to remember that all our actions are recorded in the Saturn zone of the Sun and in the Earth zone. When you feel that you are struggling with an exercise, pray—pray to Divine Providence. The Bardonist tradition has a legion of spirits who guard against degeneration: the Incandescent Sun of midday; Sata Pessajah (the Great Watcher); Ugolog (the Pure of the Pure); Aschmunadai; Ados; Laosa; the 49 officials of the Egyptian tradition; Iserag (who was worshiped in Greece for a long time), among others.
    As Mr. Emil Stejnar discovered, Bardon’s entire system is oriented toward a kind of lost magical tradition whose purpose is communion with the stellar zone. There is no reason to think that you are alone on this path. This system is completely mystical and magical at the same time.

    Well, a student can only fully understand this exercise (depth point) if they receive a Mercurial or Saturnian initiation, so here is a bit of Mercurial initiation…

    Gabriel

    PAA: Depth Point is one of the key parts of the journey in my opinion. What can you tell us about this? Some students have trouble making a clear difference between projecting into a thing (Step 4 mental) and going into the depth point of a thing (Step 5).

    Well, a student can only fully understand this exercise if they receive a Mercurial or Saturnian initiation, so here is a bit of Mercurial initiation. Basically, transferring one’s consciousness into an object is meant to understand its visible relationship with the environment. Transferring one’s consciousness to the point of depth of something is meant to understand that object’s relationship with the matrix of the sphere in which it exists.

    For all reality is connected by invisible laws to a central point. This central point is linked to parts of reality through concatenation. Thus, each of the six principal directions (above, below, right, left, front, back) is connected to a core that results from the interaction of these six directions.

    For example, in the experiments of Mr. Emil Stejnar and Mr. Walter Ogris, they explain how the thought-cell I AM is formed. By imagining a six-pointed star, we can say that the way I AM interacts with each direction expands or diminishes the perception of I EXIST. Every interaction and friction is recorded simultaneously in the Mercury–Saturn zone and within the adept’s own astral body.

    Therefore, the point of depth refers to the existence of a thing in relation to its surroundings. In other words, to be more didactic, it refers to how the growth of an apple tree’s roots interacts with other trees, with the soil, with water, and so on.

    PAA: Can you share anything about your first experience with a world or entity outside of yourself? Was this a shock to you or have you always been open to these ideas?

    I have had some experiences with astral travel, although this ability is not my primary one. I cannot recall the very first experience, but I do remember some that were quite impactful. One of them occurred when I was working with the Light of the midday Sun, using the Jewish Tikkun HaKlali. After some time of practice, the zone of the Egyptian god Khepri opened, and a few days later I was taken to a related spiritual zone.

    I remember that when I was taken to this zone, I was accompanied by three other spirits. We were flying and passing through places that resembled luminous cathedrals. It was, so to speak, a radiant cathedral with multiple thresholds through which we passed very quickly.

    After moving through these celestial cathedrals, we turned left and passed what would be the final portal. Then we entered the twilight zone. When I entered this zone, I was received by children who had bright orange eyes. They had small wings, as if they were little fairies. In theory, when you are working with a spirit, you eventually become accustomed to its energy, and everything that comes from it will seem normal to you. Therefore, I was not frightened by the experience.

    As for evocation, I practiced it extensively throughout my entire path in Hermeticism. In the beginning, I was always fascinated by physical effects and Goetia. There was one evocation that caught me by surprise—it involved a genius of Aries. I was not yet fully prepared for its materialization, so I traced the seal in the air using my index finger, and the seal quickly pierced the sphere, producing a sound like the blast of a bomb. It was not very loud, but it was audible.

    After this small explosion, two auxiliary ministers appeared. Because I was not prepared for the physical effect, I began to feel weak and nearly fainted, as the sphere of the being started feeding on everything around it. I then quickly gathered my will and presented my demands to it. This was a careless act, as I failed to take into account that at that moment I held special prerogatives for contact with the being.

    PAA: Let’s look at Step 8 and the jumping off point to work on PME or KTQ. Did you move on to these other books at this point or did you wait until you had more experience in Steps 9 and 10 before starting those books?

    I practiced all the grades of IIH, but I did not find it useful for me to practice the ninth or tenth grades with the same intensity as the others. Therefore, I practiced intensively up to the eighth grade, and I approached the ninth and tenth with much less intensity before moving directly on to the second book

    PAA: Following the last question, what came first for you, PME or KTQ, and why?

    For me, PME came first. I did not practice the third book, as I learned a different type of Qabbalah from the geniuses—one that is very similar to the one Mr. Walter Ogris also learned and partially expresses through his talismans. I believe that, for the external public, Mr. Walter Ogris is the greatest living Bardonist.

    Naturally, I could not speak about Mr. Emil Stejnar out of respect for the Law of Silence and for the information that was delivered by the Mercury zone at that time.
    In Mercurial magic, it is common for an adept’s magical work to interact with the magical work of other adepts, given the “communicator” nature of Mercury/Hermes. As a result, I ended up interacting with and discovering “small magical secrets” from other practitioners—not personal matters, but functional ones. At the time, I came across aspects of Mr. Emil Stejnar’s magical work that helped me in my own practice, even though I do not know him personally. I also gained access to a small fragment of Mr. Walter Ogris’s magical knowledge.

    I consider Mr. Walter Ogris’s Qabbalah to be the most elegant and the one that most fully respects all the laws of the Earth zone—especially because it goes beyond the laws of quality and quantity taught by Bardon and makes use of certain laws taught in the Mercury zone, such as: name, form, mode of manifestation, implicit codes, external symbolic representation, the Qabbalah of the sphere, energy signature, and so on. Although I do not know whether he himself uses these exact terms to describe the Qabbalah he applies when crafting a talisman, these names are concepts we learn from the spirits of Mercury. Therefore, it is possible that he learned them under different names.

    I believe that Mr. Bardon’s Qabbalah (KTQ) is exoteric because the judges of the zone that surrounds the Earth would not allow the revelation of other missing keys.

    Gabriel

    PAA: You believe Bardon’s Qabbalah is exoteric rather than esoteric. What do you mean by that distinction, and what makes Bardon’s presentation “exoteric” in your view?

    I believe that Mr. Bardon’s Qabbalah (KTQ) is exoteric because the judges of the zone that surrounds the Earth would not allow the revelation of other missing keys. Therefore, what we have there is a reutilization of knowledge that already existed publicly beforehand (and thus does not violate the Law of Silence). Master Bardon added one or two laws in order to make that Qabbalah function in a way that would not conflict with the established laws.

    In other words, it is a Qabbalah that Master Bardon created for the general audience of his two previous books. I do not believe that he used this Qabbalah for complex matters or for workings involving spherical signatures (a sensitive and secret topic). Given this explanation, it is an exoteric Qabbalah that does not require initiation.

    PAA: You’ve said some beings mentioned in Bardon’s own work do not like “this Qabbalah.” Which kinds of beings react negatively, and why would a being object to that approach?

    I believe they dislike this Qabbalah because it lacks precision. One can easily commit excesses and acts of disrespect with it, which in occultism we would say “weighs” on one’s karma. In addition to that, other keys necessary for the proper use of this Qabbalah were not included. I believe Bardon expected many of these doubts to be clarified through contact with the beings themselves.

    I have known some Bardonist magicians who ruined their lives by practicing this Qabbalah in a very disrespectful and incorrect manner. Magicians who follow the path of authoritarianism always end up being abandoned by others.

    PAA: You mentioned working for many years pursuing criminals “together with the Judges of Mercury,” using evocations to achieve physical effects. Who are the Judges of Mercury in your framework, and what makes them suited to that kind of work?

    You can easily contact the Judges of Mercury through the seals of the 72 geniuses of Mr. Quintscher. They are the best sources for providing precise information when you need to understand decisions or effects in other spheres. Mercury is truly omnipresent and omniscient—you can know anything, about anyone, and on any subject. They are also excellent when it comes to obtaining missions in service of Divine Providence.

    PAA: When you say “physical effects,” what range are we talking about — information acquisition, movement of probability, visible external phenomena, direct influence on matter, or something else?

    External and recognizable magical phenomena to the uninitiated—in other words, thaumaturgy. There is nothing that frightens a criminal more than standing before an inexplicable phenomenon. When a criminal witnesses the manifestation of magic, they are usually filled with fear.

    PAA: If you could add three “advanced but practical” pillars of content that most people aren’t addressing, what would they be (and what would each article do for the reader)?

    The I-consciousness of Franz Bardon—remembering that you are a spiritual being within a worldly manifestation.
    Akasha (or emptiness) meditation.
    Interdependence.
    When properly applied, Akasha meditation can neutralize a great deal of negative karma and prolong one’s life, as it brings genuine balance. I-consciousness meditation helps reduce neuroses and strengthen attention. Awareness of the law of interdependence reminds us that all phenomena are interconnected, so that everything that happens is an effect resulting from the sum of our directed or unconscious actions.

    PAA: What topics do you think should not be published publicly — because they reliably lead to harm, obsession, or karmic problems — even if they’re technically real?
    Topics related to sphere magic, advanced Qabbalah, and the laws of Mercurial sentence defense.

    PAA: If you were planning a content series that bridges theory to practice, what would the progression look like from beginner-safe to advanced — and where do most blogs get the sequencing wrong?

    I believe that Mr. Bardon’s system is already sufficiently solid; however, I would add more explanations about methods of energy cultivation. I would also include more material on the laws of the Earth zone and on mystical and purity-oriented spirits. I think that people, in general, do not clearly understand the implications of their magical actions, nor how much these actions can damage their next incarnation if proper care is not taken. An explanation of this would be extremely important.

    PAA: Bardon’s work is sometimes described as being “supervised by the spirits he left behind” (linked to the second book). How do you understand that supervision in practice — and what forms can “permission” or “prohibition” take for a practitioner or teacher?

    Well, for those who practice a very authoritarian form of magic, focused mainly on the fulfillment of worldly desires, access to negative spirits becomes easier. In this way, the initiate either learns more quickly through pain or is swiftly led to be corrected by life itself. Those who truly understand what lies behind Mr. Bardon’s knowledge, on the other hand, are guided by the Great White Brotherhood, by the Rosicrucians, by the Egyptian system, and so on.

    Bardon’s system is supervised in the sense that it allows the poor practitioner to quickly encounter the Judges, while the good practitioner finds compassionate assistance along the path. The Bardon system contains certain “traps” related to authoritarian magic and subjugation, which the practitioner only realizes once they have already been condemned to ostracism by the Judges—or when they no longer have any health left.

    PAA: If Divine Providence ultimately permits or forbids outcomes, how should a magician balance personal will, responsibility, and humility — especially when working Bardon’s system?

    The practitioner must remember that no matter how much power they attain, there is always a higher zone above them (the paracosmos). They must remember that no matter how much knowledge they acquire, there will always be something they do not know. And they must remember that Divine Providence is not merely an agent, but an entity. Just as the adept may believe they can interfere according to their own will, a higher zone can also interfere in their magical work if it judges it to have become too degenerate.
    Humility, always.

    PAA: Presenting Bardon’s work publicly can be difficult because we may “have to give an account” of our actions. What specific ethical lines should teachers and publishers be aware of when presenting Bardon-related material?

    Inner reform and the soul mirror. Being able to look into your own soul and tell the truth about the intentions behind your actions. No one doubts the goodness of a sweet and innocent child—the Judges wish to look upon the magician in the same way. Good attracts good; evil attracts evil. Selfishness attracts selfishness; altruism attracts altruism. No one can escape themselves.
    The ethics of our actions lie in observing the effects produced by both our magical practices and our ordinary actions up to this point. If they satisfy us and lift the weight from our conscience, then all is well—at least if we err, it will be out of ignorance, not from pleasure in doing harm. But if, when facing their own actions, the practitioner feels shame for what they have become and for what they have done, then something must be corrected.

    PAA: Bardon had no monetary interest — his work was compassion and mission — yet magicians still need to charge fairly. Where is the line between fair exchange and “dangerous ground” when money touches Bardon’s teachings, in your view?

    Desire and attachment are poison. The money a magician charges for something they offer should come from what they perceive as fair and balanced, without extremes. If they begin to charge solely for the pleasure (desire) of money, then decline begins. One should charge what is considered fair, aiming at harmony, and keep the desire for money in a secondary place.

    There are many cases in which charging for a magical service serves as a way for a person to pay for negative karma they have generated, and in other cases it serves as a way for the person to replace trials and suffering with the merit of acquiring a magical service or knowledge.
    But fundamentally, when you keep the desire for money out of the equation, you are far more likely to charge a fair and just value for magic.

    PAA: Clairalience can develop without being directly pursued. What practices were you doing when it emerged, and what does that suggest about how Bardon-style training can awaken faculties indirectly?

    I believe that emptiness meditation can develop an incalculable number of gifts, especially because it allows the energy reservoirs to be filled with vital energy in a calm and balanced way. I believe that the internal rearrangement of this energy can awaken powers that are still unknown to us.
    My clairalience emerged from excessive use of psychometry. As I am naturally sensitive, that sensitivity itself seems to draw forth other gifts whenever it feels the need to complement the experience.

    PAA: You mentioned learning dances that “evoke beings or powers without the need for words.” How do you understand the mechanism — what is the dance doing that replaces verbal formulae, and what risks should someone consider before exploring it?

    Dance, bodily movements, hand gestures, guttural sounds, and similar pr actices are another form of Qabbalah. Together with drawn Qabbalah, they are among the most refined and elegant forms of Qabbalistic practice. Formulas that rely solely on the voice tend to reduce the magician’s life force, because they consume kinetic energy, and their compensatory attribute (counter-effect) causes the magician to physically feel the energy they evoke through words—thus shortening lifespan and consuming a significant amount of Jing.

    When one dances or draws, the attribute of energetic exchange tends to be distributed more evenly throughout the physical body, which reduces or even nullifies the collateral effects of the spoken formula.
    This type of practice is better learned through initiation from a being, rather than attempting to extract “illegal” movements from the Akasha and ending up using an illegitimate form of Qabbalah.
    I am of the opinion that Mr. Bardon himself preferred hand gestures.

    PAA: Some beings can be bad-tempered or sarcastic. Beyond the humor, what does spirit “temperament” teach about working responsibly — especially boundaries, protocol, and avoiding projecting human expectations onto beings?

    This is an indirect warning to magicians who work heavily within the laws of sovereignty and force. Treating a being as if it were your subject is not a good path. Remembering that a spirit is a living being and shares in the same life force as you will always lead to a more pleasant and less problematic experience.

    Mr. Bardon already hinted, between the lines of his second work, that some beings can “take revenge.” Many of them also possess knowledge that they do not reveal to you.
    A good example occurred once when I was speaking with André Consciência shortly after performing a Lunar evocation. The spirit was still nearby when it noticed a message André had sent me. Immediately, the lunar spirit made a joke that only André would understand—about how ironic it is for someone who works with words to be unable to find the right expressions for things.
    Therefore, a respectful approach toward beings is always the best course of action.

    PAA: You recently shared posts in the Students of Franz Bardon Facebook group with a connection to a Rosicrucian egregore. Could you share more about that connection and why it matters for practice?

    According to my research, Mr. Bardon worked directly with the “morning sun,” alchemy, and the assistance of invisible beings who comforted him during moments of suffering. In his novel Frabato the Magician, Mr. Bardon describes a scene in which Urgaya appears in the Assembly of Communion. Since I encountered the spirit of the “pure essence” of the White Pelican, I have not been able to avoid the feeling that URGAYA URANIA is, in fact, one of the elder brethren of the Great White Brotherhood.

    Dion Fortune also encountered the secret fraternity and referred to them as the “Occult Police.” From that point onward, I was able to observe correlations among several organizations operating under different names, yet all beneath the same central symbol—a sun among clouds. Because of this realization, I changed the direction of my magical work, turning more toward what Mr. Emil Stejnar had been working on in secrecy for several years, even if perhaps not directly.

    No adept can enter higher spheres without the purest alchemy, nor without respecting the solar law of the Earth Zone clock—the positions assumed by the Sun in the early morning, at midday, and in the late afternoon. The Sun in these positions, the stellar zone, the Moon, and the waters of the sign of Pisces together form the axis of Mr. Bardon’s Egyptian (or Chaldean, if you prefer) magic, derived from the Cult of the Light of Horeb and many other matters that cannot be spoken of here.

    But certainly, the magician who seeks communion with the most refined beings will correctly understand Mr. Bardon’s works and will be able to clearly perceive the correlations among the Rosicrucians, Mr. Alois Mailänder, Joséphin Péladan, Helena Blavatsky, Urgaya, Stanislas de Guaita and others.

    PAA: Lastly, please add anything you feel we have missed in these questions.

    Happiness! Magic exists to make our existence more radiant, comforting, and happy. To make our days warmer, and so that we always have a safe place to rest. Magical powers and spiritual experiences are secondary. If there is no happiness, none of that truly matters. May our hearts be filled with the radiant light of love, and may our days be long, joyful, and full of uplifting experiences. May Divine Providence always look upon us with compassion, and may we never lose our innocence and our hope. May Divine Providence bless us with Its Grace, today and always.

    PAA: Inspiring information, thank you very much for taking part and for providing these very detailed answers.


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  • Minor Ritual of Purification and Evocation by André Consciência

    Minor Ritual of Purification and Evocation by André Consciência

    Introduction

    This month, I bring you two ceremonial magic rituals using adapted Bardonian techniques, whose purpose is to stabilize the powers and their subsequent manifestation, considered thus energetic work. Therefore, this is not to be mistaken for true high magic, whose focus should be on initiation and conscious integration beyond the necessity of ritual repetition for desired effects.

    The highest aspects of this kind of practice must then be found mostly within Ceremonial Magic & The Franz Bardon Tradition, which guides you through all techniques from step zero within the framework of the integrated Grand Rituals. Essential mechanics are also found in the book A Guide to Sphere Quabbalah.

    The Minor Ritual of Purification

    PREPARATION – Soul Mirror

    Start by checking your soul mirror before proceeding, and ensuring you are not lacking in the virtues of love, discretion, patience, generosity, courage, and silence. If these virtues need cultivation to find a presence in your daily life, cultivate them. Proceed only then.

    STEP 1 – Self-Transparency

    1 Above the head, vibrate the letter N in the akasha (bliss beyond mind, soul, and body), followed by H in the mental plane (understanding through the eyes of Divine Providence), and B on the astral plane (opening the profoundest of intuitions and showering electromagnetic fluid to the body below). Practice by inhaling in the A tone the corresponding cosmic letter colors into the crown region. Exhaling in the tone A the dark violet light of Saturn unto the sphere surrounding the crown. When you are ready, imagine the top of your head disappearing into this voltage.

    2 In the forehead, vibrate the letter S in its akashic state (the substance of all-power), followed by J in the mental plane (bringing S to the highest form of rapture and ecstasy). This should result in the control of the astral consciousness of oneself and others. Practice by inhaling in the G# tone the corresponding cosmic letter colors into the region of the third eye and exhaling in the tone G# the sky-blue light of Jupiter, filling the sphere surrounding the Ajna. When you are ready, imagine your forehead disappearing into this voltage.

    3 In the throat, vibrate the letter Ae in the akasha (the ascension principle), followed by ShD in the mental plane (clairknowledge), and OR on the astral plane (ingenuous astral contentment), finishing with Ae on the material plane (quabbalistic influence over dense matter). Practice by inhaling in the C tone the corresponding cosmic letter colors into the throat region and exhaling in the tone C the red-ruby light of Mars into the sphere surrounding the throat. When you are ready, imagine the neck disappearing into this voltage.

    3-4 In the nape of the neck, vibrate the letter T on the akasha (inspiration), L in the mental state (saintliness), G on the astral state (happiness). Practice by inhaling in the F tone the letter colors into the nape and exhaling in the tone F the golden-white light of the Sun into the sphere surrounding the back of the neck. When you are ready, imagine the zone disappearing into this voltage.

    4 In the heart chakra, vibrate the cosmic letter F in the astral plane (magic equilibrium). Practice by inhaling in the F# tone the light-green color of the cosmic letter into the chest center region and exhaling in the tone F# tone the emerald-green light of Venus into the sphere surrounding the Anahata. When you are ready, imagine the upper torso disappearing into this voltage.

    5 In the solar plexus, vibrate the cosmic letter E in the akasha (the omnipresence of universal consciousness), followed by C in the mental plane (contagiousness of divine ideas), and M on the astral plane (magnetic mastery). Practice by inhaling in the D tone the corresponding cosmic letter colors into the stomach-bottom region and exhaling in the tone D the yellow-orange light of Mercury into the sphere surrounding it. When you are ready, imagine the area of your body disappearing into this voltage.

    6 In the bladder, vibrate the cosmic letter Õ in the akasha (divine love cognition), followed by Õ in the mental plane (power of quabbalistic alchemy), and Ch on the astral plane (micro-macrocosm attunement through rhythm). Practice by inhaling in the D# tone the corresponding cosmic letter colors into the region of the bladder, and exhaling in the tone D# the silvery-violet light of the Moon into the surrounding sphere. When you are ready, imagine your sex and neighboring bodily areas disappearing into this voltage.

    7 At the base of the spine, vibrate the cosmic letter Y in the material plane (materialization/dematerialization). Practice by inhaling in the C# tone the corresponding pink color into the region of the base of the spine and exhaling in the tone C# the black light of the Earth Belt into a sphere surrounding the whole body. When you are ready, imagine yourself disappearing into this voltage and becoming invisible.

    STEP 2 – Elemental Equipoise

    Within this black sphere into which your body has disappeared, have it gradually form once more as

    A red triangle for the place of the head

    A blue circle for the place of the chest

    A silver crescent for the place of the pelvis

    And a yellow square encompassing it all, functioning as the spine

    All these shapes should emanate a soft glow of pale gold.

    Bring your attention to each of the areas, sequentially, and sequentially have

    1 a small luminous point within the triangle unfolding into a red five-petaled rose of fire. Imagine it rotating, giving the impression that the petals are spinning inwards while the power of their color seems to expand outwards. Inhale the fire elemental fluid into it while you exhale in hissing sounds (fricative consonants).

    After a while, transfer your consciousness to the center of the rose (locate above, below, left, right), rest your awareness there, and let the rose, as it spins, become brighter, from red to golden-red. When this is achieved, return your awareness from depth-point.

    2 a small luminous point within the circle unfolding into a light-blue gaseous five-petaled rose. Imagine it rotating, giving the impression that the petals are spinning inwards while the power of their color seems to expand outwards. Inhale the air elemental fluid into it while you exhale in open and nasal sounds (vowels and nasals).

    After a while, transfer your consciousness to the center of the rose (locate above, below, left, right), rest your awareness there, and let the rose, as it spins, become brighter, from light-blue to white-blue. When this is achieved, return your awareness from depth-point.

    3 a small luminous point within the crescent unfolding into a blue-green five-petaled rose of water. Imagine it rotating, giving the impression that the petals are spinning inwards while the power of their color seems to expand outwards. Inhale the water elemental fluid into it while you exhale in liquids and glides (approximants) (e.g. l, r, w, j).

    After a while, transfer your consciousness to the center of the rose (locate above, below, left, right), rest your awareness there, and let the rose, as it spins, become brighter, from blue-green to silver-blue-green. When this is achieved, return your awareness from depth-point.

    4 a small luminous point within the square unfolding into a dark-brown five-petaled rose of stone that encompasses all other roses. Imagine it rotating, giving the impression that the petals are spinning inwards while the power of their color seems to expand outwards. Inhale the earth elemental fluid into it while you exhale in stops or plosives (p, b, t/, d/, k, g).

    After a while, transfer your consciousness to the center of the rose (locate above, below, left, right), rest your awareness there, and let the rose, as it spins, become brighter, from black-brown to glowing-black. When this is achieved, return your awareness from depth-point.

    All the while, the purifying luminous center of consciousness is being distilled.

    STEP 3 – Closing

    Let the images fade into silence. Remain still for minutes. Let the result root and grow.

    The Minor Ritual of Evocation

    PREPARATION

    Begin by concluding the Minor Ritual of Purification.

    Locate the vertical line that runs from the crown to the spine and down to the perineum, and load it with electric fluid, impregnating it with the quality of willpower.

    Continue to charge this line until you feel your vital field expand around you like a sphere, pressing between the chest and solar plexus. Load this sphere with the magnetic fluid impregnated with the quality of magic equilibrium.

    Transfer yourself into the depth point of this volt, adopting an akashic identity.

    STEP 1 – The Mother Triangle of Birth-Giving Into the World

    Breathe slowly, deeply, and silently from the depth-point. Nose in, charging the breath with the electric fluid (containing the quality of willpower), mouth out, loading the magnetic fluid (quality of feeling), offering cohesion to willpower. Pause between inhales and exhales, giving the air you are circulating the awareness that it is in your service.

    When not only you but the room feels saturated by the fluids, add, on exhale,

    1 the letter Sh. Volt it through the vertical line, contain it within your sphere, and intone from the depth-point. The sound should neither be loud nor low, but something in-between, a vibration moving the astral light. Make sure the tone is steady, the breath is charged and the vertical line, sphere and depth-point geometry are held effortlessly.

    You are pushing the vibration of the cosmic letter outward by using the vertical line of willpower to draw it from the universe, the magnetic field around you to shape the cosmic letter as a wave, and the depth-point to give it identity towards purpose.

    The cosmic letter moves into the room, and after seven to eleven repetitions, it should move within the room as a radiating Sun of fire whose very light causes the highest enlightenment possible.

    2 By now, you should have moved the astral substance by condensing the influence of Sh into space, automatically charging the atmosphere and any objects in the room, affecting your own emotions, thoughts, sensations and the field of probability between your aura and your fate. The letter now has an external influence.

    It is time to add to this vibration without losing coherence, using the same principle as in music, acoustics, and breath-voice training. Again, before proceeding, ensure the pitch, volume, and timbre (no breathiness or strain) are stable. For there to be no breathiness or throat tightening, keep the vocalization/body-vibration of the cosmic letter for no more and no less than 10 seconds at each repetition. The breath should be supported by the diaphragm, and the sound should be carried by the airflow rather than by the throat muscles. The pressure should be felt below the ribs and not in the neck.

    Your spine should stand upright and tenseless, the chest open and the shoulders low, and the jaw and pelvis are to remain relaxed. If all these tests are true, the posture never collapses while you hold the letter tone, and the body remains neutral and calm.

    When all this holds, practice the same letter, but now feel a second vibration in the brain within the skull, vibrating from the depth-point and the brain simultaneously, without dropping stability. Use the harmonics to intentionally fix the Sh-Sun to your right.

    3 Now add the cosmic letter A. Volt it through the vertical line, contain it within your sphere, and intone from the depth-point, same rules as before.

    Push the vibration of the cosmic letter outward as taught. The cosmic letter moves into the room and then within the room as a gas of light whose very intoxicating breath causes the highest possible wisdom.

    Take all measures given previously, then feel a second vibration in the breasts and lungs, vibrating from there and the depth-point simultaneously without dropping stability. Use the harmonics to intentionally fix the A, having it sit above your hair.

    4 Now add the cosmic letter M. We refrain from repeating the general instructions. When lively moving within the room, it should do so as a shining liquid whose humidity causes everything to flow without a single obstacle.

    Add a second vibration in the abdomen, vibrating from there and the depth-point simultaneously, without dropping stability. Use the harmonics to intentionally fix the M to your left.

    The three living cosmic letters now form a vertical triangle around you, shining like a triple-sun over the room wherever your attention flows. For step 2, you should have a magic mirror in front of you and focus your attention on it.

    Note: Notice that although different tones naturally resound through different parts of the body, this is not to be mistaken for the point of vibration. Classically, all tones vibrate from the diaphragm. We add other vibrations for harmonics and will be adding vibrations outside the body, to expand astral tension.

    STEP 2 – Performing Atum 2, The Priestess

    Pick an elemental or planetary intelligence for evocation. Breathe from the depth-point, and you sync your depth-point with the depth-point of the plastic Sh, A, and M. Nose in, charging the breath with the electric fluid (containing the quality of willpower), mouth out, loading the magnetic fluid (quality of feeling), offering gravity. Pause between inhales and exhales, giving the moment the identity of the being to be evoked (visualize the seal and associated powers and virtues – for a greater understanding, see A Guide to the Elementals).

    When you and the room feel saturated by the aura of the being, focus all your efforts on the mirror and start intoning Sh-A-M from within the depth-point and vibrating within the Sh pillar to your right, the crown A, and the M pillar to your left. Use your 10 seconds to distribute the three letters evenly and intone them together each time on a single exhale, shifting tones as needed.

    All three letters in the three-letter combination are to vibrate from your depth-point and the elements of the vertical triangle around you; the triangle acts in unison and not sequentially. That is, the Sh pillar, A crown, and the M pillar all intone ShAM.

    Have the vibration move the astral light within the mirror. Keep repeating and use the vertical line of willpower to draw the intelligence from its abode in order to manifest as a wave within the magnetic field of the mirror.

    After seven to eleven repetitions, the intelligence should appear within or around the magical device, its influence charging the atmosphere.

    Note: For planetary beings, proceed invariably as described. For all kinds of elementals, you must as well, at first. With experience, it is possible to vibrate solely from the depth point to manifest gnomes, from the M pillar alone to manifest undines, from the A pillar individually to manifest Sylphs, and use only the Sh pillar to manifest salamanders.


    A Guide to Sphere Quabbalah

    This book covers aspects of The Key to True Quabbalah, by Franz Bardon, and expands them. It is divided into four parts that serve the magician, the theurgist and the learning quabbalist. 

    A Guide to Sphere Quabbalah by Andre COnsciencia

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  • Student Story: Master Course by Jenneke of Exile

    Student Story: Master Course by Jenneke of Exile

    Introduction

    This is the first of what I hope to be an ongoing series – Student Stories. I feel it is important that people see meaningful progress if they decide to trust us here at Perseus with their most important commodity, time. So, in this ‘Student Story’ we hear from Jenneke of Exile and their story relates to the Sixty Skills Master Course. They are a great example of a new student coming into a curriculum with no preconceived ideas as to how long it should take. The progress of this student may seem unbelievable to some, but it is by no means rare in the community with many others having a similar timeline. Please let us know your thoughts in the comments and if you would like to share your own story, please send an email to contact@perseusarcaneacademy.com.


    Master Course Experience by Jenneke of Exile

    Franz Bardon’s Initiation into Hermetics is widely regarded as the pinnacle of an occult training manual. And yet, it is not an easy read, as many of us can attest. Having heard of it some years ago, I ordered it eagerly but then immediately put it on the shelf after the first handful of pages. It seemed impenetrable, written for a different type of consciousness entirely. It sat there, biding its time, until I came across Bob Smith of Sixty Skills at a Hermetics conference.

    Bob was giving a talk on the Key to the True Kabbalah. Many of the topics similarly went over my head: the energies of various letters, side effects of practice, etc. But the way he described the topics, as advanced as they were, made it clear they were well within reach of any occultist who truly set their mind to mastering them. Encouraged, I ordered Bob Smith’s Master Course a few days later and began working through it.

    The course is a modern reworking of Bardon’s system of initiation, with the important and grounding additions of body training and pranayama. I had immediate success mastering vital and astral energy, which encouraged me to move onward toward practicing the elements and accumulating the requisite 40 hours of cumulative practice in order to attain elemental equilibrium. From this point, I advanced to deep experiences of akasha and nondual light. Before I knew it, six months had passed and I had worked through the entirety of the course, experiencing initial successes in even advanced practices such as elementary creation and working with the astral temple. I spent the following year on advanced coursework following the Master Course – Bob’s letter and planetary magic classes.

    About a year after completing my first run through the Master Course, I resolved to read IIH from beginning to end. By this point, its content was familiar, not arcane. Many nuances of Bardon’s teachings which would have been inaccessible to me were now surfaced.

    Bob has a true gift for encouraging the novice student to believe in their ability to experience the depths of magical success, as well as keen insight into how to best sequence one’s development. The community that has grown up around the course is also a gem. As with any course, what you get out of it is related to what you put into it, but Bob has done the work to make sure the multiplier on effort is exceptional.

    In short – highly recommended!


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  • Ceremonial Magic and the Bardon Tradition: Student Story

    Ceremonial Magic and the Bardon Tradition: Student Story

    Introduction

    What follows is a ‘Student Story’ generously provided by a student who has now completed all three parts of Ceremonial Magic and the Franz Bardon Tradition. Many thanks to them for taking the time to share their experience.


    Student Story

    “The method used by the modern initiate for interpreting the language spoken by the ancient myths is a very simple and effectual one. He finds in the Qabalistic Tree of Life a link between the highly stylistic pagan systems and his own more rational methods…

    …Upon the Tree of Life with its Ten Holy Sephiroth the modern occultist bases both a metaphysic and a magic. He uses a philosophical conception of the Tree to interpret what it represents to his conscious mind, and he uses a magical and ceremonial application of its symbolism to link up with his subconscious mind. The initiate, consequently, makes the best of both worlds, ancient and modern; for the modern world is all surface consciousness, and has forgotten and repressed the subconsciousness, to it’s own great hurt; and the ancient world was mainly subconsciousness, consciousness having been but recently evolved. When the two are linked up and brought into polarised function they yield the superconsciousness,which is the goal of the initiate”

    Dion Fortune, the Mystical Qabalah

    Many versions of The Golden Dawn’s flagship rituals have existed before this set, created by Andre Consciência. A great deal of these are available online for free, even more versions in books, and perhaps a few more versions behind the doors of lodges to which I do personally do not belong. The question is then begged as to what is the point in learning yet another version of these staples of western occultism. What does this offer that other versions do not? Why should you even bother?

    Assuming instead that you are a practitioner of Franz Bardon’s more yogic systems of western occultism, what is it that is contained outside of those methods? If Initiation into Hermetics is a self contained path to Adepthood, why would you need something else beyond that? The Ceremonial Magic and the Franz Bardon Tradition course address these questions, not through amalgamation but through synthesis.

    The truth is you do not need another version of The Ritual of the Pentagram or the Middle Pillar nor do you need anything outside of Franz Bardon’s works to reach Adepthood. This course is actually something different than both of those things. Is it instead the marriage of both of these methodologies into a whole that leverages each while simultaneously creating essentially a third esoteric mini-system that carries the student from basic magical skill to ascending the mantle of assuming the Godhead. It is not so much a crash course to the finish line as it is a condensed form of practice, a more direct and surgical Theurgy.

    The Ceremonial course created by Andre Consciência uses his knowledge of both of these systems (and others) to access each set of skills and rituals in a manner where they enforce each other, creating a much more direct and efficacious system then when used separately. The advantage here is not in the lower hanging fruit of better direct energy management and engagement that is the hallmark of the Bardon system. When approaching aspects of rituals like the Middle Pillar these sorts of things seem self-evident, and honestly any ritual magician worth their salt would and should be able to reproduce these sorts of energetics, at least inside the framework of the ritual itself. It is instead the use of Bardon’s Quabbalah and Evocation techniques, the use of depth point and planetary magic, and the use of intertwined Godnames and Deity Yoga that push this over the edge from “just another version of ritual X” to something that is unique.

    That being said each section makes use of the techniques of Bardon’s Initiation into Hermetics as the base for each ritual making knowledge of Bardon’s first text advantageous, though not entirely necessary. The course itself is guided by Andre directly, piece by piece, to monitor any adverse changes and also to help the student down any rabbit holes they might find along the way. The guidance might not be needed assuming that the practitioner is either an Adept in Bardon’s system or the Golden Dawn, but use of Bardon’s Quabbalah and Planetary energetics can cause adverse reactions in those not prepared.

    Per the Rabbit holes; practitioners of Bardon may not be used to the effects of practicing ritual magic, the results of which can be somewhat unpredictable as the mind interacts with the symbols, energies, and words of power. Bottom line is, Initiation into Hermetics lends itself to a great deal of control while ritual magic tends to leave the results to form as they may: oftentimes somewhat unpredictability. Each side has its benefits and practitioners of either (or both) can benefit from the other. The level of self mastery granted by Bardon’s methods only enhance any Ritual Magician’s repertoire, while I’m sure there are many Bardonist’s who could use some objective reactivity in their pursuit of “perfection”. There is no actual dichotomy in play here anyway, which is essentially the point of the course. The separation between methodologies does not actually exist. They come to full fruition when used in tandem.

    Additionally, as it is somewhat of a mini-system each lesson learned pulls double duty as being part of the rituals themselves as well as skills that can be put to task in typical magical work. Many of the techniques used in the course mirror the same basics in Initiation into Hermetics with a slight twist or expanded contents. Creative magicians should find new skills to cut their teeth on and clever new ways to think about how to use skills they already have.

    Each ritual is densely packed with information and follows the basic framework of the originals but not slavishly, still leveraging the magic and symbols of the original rituals of the Golden Dawn. The major touchpoints of many of the rituals are compacted and reiterated through the impact of Bardon’s three manuals while still retaining the core and efficacy of the original Ritual of the Pentagram and Middle Pillar. Because of this the performance of these rituals becomes more than the sum of its parts. Needless to say, the warning provided by Andre for those who might be sensitive or have adverse reactions to altered states of perception should be heeded.

    The Grand Ritual of Purification

    As to the courses themselves, the magician begins with the Grand Ritual of Purification in step one, using the Middle Pillar as its base. The lessons lead the student through the creation of the center pillar of the Otz Chim in their astral body, starting with a specialized form of equilibrium and introductions to the energies involved in the course. These energies include about half of Bardon’s Cosmic Letters, so students should be prepared to put their nose to the grind stone, especially as they learn the lexicon of the course itself. This may be somewhat of a turn off for less tenacious students and also an additional learning curve for people less familiar with these systems. However, it is rare in the entirety of the course that it is required to succeed at an exercise for more than 10 minutes and in this it follows the spirit of Initiation into Hermetics: that the sum of its parts is indeed more valuable than any exercise individually.

    Once one has the basics down these energies are compiled into the Middle Pillar, Sephirot by Sephirot, step by step. Each energy is a lesson and serves to build the efficacy of the ritual and part of these step stones is stability. Many of these skills aren’t just being used one by one but are stacked to function simultaneously with other skills, requiring the magician to learn to operate from multiple points of consciousness. This may require an immediate recalibration for some practitioners as by the end of just the first course one will be managing volts, hand rituals, incanting multi-letter formula, all while holding depth point.

    That being said, the end results of this ritual serves up a platter of invoked god states, quabbalistically incanted altered perceptions that serve to purge the magician as well as prepare for later courses. It is a multi-tiered event, combining multiple forms of equilibrium stacked on top of each other, interwoven with the energies of the Middle Pillar and effecting multiple levels of the magician.

    From my own personal experience with the first course, there is definitely an energetic adjustment period with many of the steps and the full completion of the ritual itself has its own adjustment period. There are ways to “loop” the ritual, presented in the course, where in the more rotations increase the strength and depth of the resulting trance, but I never found it necessary to do more than 2-3 rotations. Depending on the skill of the magician and the desire for depth, the ritual itself can be completed in less than 10 minutes to an easily extended 30 or more minutes without even beginning to loop the ritual.

    While I found each of the sections of the course equally impactful, the first section was especially memorable as it sets the tone for the rest of the course and adapts the magician to the primary methods being used going forward.


    Grand Ritual of Evocation

    The next section is the Bardonization of the Ritual of the Pentagram and as the description on the side of the box implies, it is focused on evocation. Rather than imagine a few sensations and some ephemeral visualizations, the course now leverages Bardon’s Practical Magic of Evocation to summon the four archangels to the four corners.

    Before we get to the evocations, though, there is review on the opening and closing of the ritual right before a rather intensive multi-tiered exploration of Vacancy of Mind which also serves as a study of the Pentagram. This was one of my favorite parts of the course and the beginning of what I felt was the most artfully arranged of the sections as the aspects that are understood in these lessons will be repeatedly seen to change form and representation through the rest of Course 2, serving as a common theme.

    Now the evocations of the Archangels presented in this course are pure Bardon, no tools, and one hundred percent raw dog (if I may be so crude). Because of this it must be stated that these evocations are rather concentration hungry. Like the first part of the course, there are a lot of moving parts and all these parts serve to negate the need for these sorts of devices by the mind doing its duty in reproducing these tools’ functions ( or one could say the tools do the duty of the mind’s function). Building tools is a magic in its own right, however, and before getting to the evocations proper I had created two tools for my use (the belt and magusband) and procured a third (the magical dagger). I found it valuable to learn this evocation method with and without tools, the former to build my skill and strength with the art itself and the latter to both enhance and reduce mental bandwidth needed.

    There is a bit of a shift in skills between the 1st and 2nd courses. Aside from some of the Quabbalistic incantations, the Grand Ritual of Evocation is the right hand to the left hand of the, The Ritual of Purification and both of these courses represent the framework of Bardon’s three book methodologies with the content of the Golden Dawn rituals.

    The Grand Ritual of Invocation.

    The 3rd course is the crown jewel of this set of theurgies.

    The final ritual is the combined efficacy of both previous rituals, now coupled with a full methodology of God Form intensive practice. Just as stacking the fundamental skills that Franz Bardon presents in IIH formulates the foundation of the work, we now stack rituals on top of each other to create one “Mega-Ceremony” that takes advantage of everything we’ve already learned so far and presents it in one mind-altering package.

    The Deities (yes, multiple) chosen for this are Vedic and not Egyptian which is an interesting choice as it actually leans into Franz Bardon’s exposure to culture and not the Golden Dawn’s. Without going into too much detail, each God Form is built on a specific characteristic that builds the deity yoga and thus the relationship and indwelling of the deity. All of this dovetails seamlessly into the ritual structure so instead of adding more ceremony you are actually building atop the foundation you have already created. The characteristic sets and visualizations for these deities are extensive and detailed, however at this point in the course it should truly prove to be little difficulty for the magician if they have made it this far.

    As far as more specific details…relationships are personal. This is one you will have to experience for yourself as well as the “results” of the ritual.

    Conclusion

    Overall this is an excellent course and has many of the necessary ingredients to both engage experienced magicians as well as bring neophytes from “Zero to Hero”. Each course is quite meticulous but once traction is made in the learning curve of the first course, sailing should be mostly smooth aside from any personal barriers (or meandering side quests!) that one may encounter. While certainly this course can be learned in a year’s time as suggested this becomes advanced work very quickly. Unless one is already well trained or a savant it can be well conceived to take more. Each skill section is also accompanied by required time periods of study, and these time periods are part of the magical formula of the course itself so while one may learn one of these skills in one or two sittings, practicing for the required amount increases the efficacy of the “charge” of the skill. From my experience with the course, I would say that it also pays to build and keep momentum in this course as the tantric style build up and release of energy can be incorporated to sling shot the practitioner through the course itself, which can be quite transformative on its own.

    This is quite a journey but you are not at it alone. André is quite attentive in helping through these and is concerned, not just with the course material, but on making sure the magician leaves this practice in an equilibrated state as well. And just like the understanding of the Tree of Life and why one might build the Middle Pillar into the astral body, the course work is just the map: the student is actually the objective.


  • From Franz Bardon to Rainbow Body with Baron Erwin Pitsch

    From Franz Bardon to Rainbow Body with Baron Erwin Pitsch

    Introduction

    Today we have a hugely motivating interview with Erwin Pitsch. Few contemporary practitioners bridge as many worlds as him. Born in Vienna and shaped by years of illness, hospital stays, and a hard-won return to health and vigor through martial arts and icy river training, his path into the magical world began young. While other teenagers were busy with ordinary concerns, he was frequenting a small Austrian bookshop, standing for hours in front of the esoteric section, devouring all that was available.

    In this interview he gives us frank and direct advice for those wishing to pursue these traditions.

    If you would like to learn more about Erwin you can find his website here but probably the best place to learn more would be via his new book which can be found here.

    If you enjoyed this interview, then please let us know in the comments or share it with those you know would find the contents interesting.


    Interview

    Photo Credit: Erwin Pitsch

    Early Life and Inspirations

    PAA: Can you tell us about your background and how you first embarked on your journey into the worlds of music and mysticism? In other words, what sparked your interest in esoteric spirituality, and how did those early experiences set you on the path you’re on today? We’d love to hear about the formative moments or influences in your history that led you to pursue both classical music and arcane studies. 

    I was born and grew up in Vienna and later, Salzburg, Lofer. My father was an army officer who later became a general, my mother a bank manager. But my life shifted very early. After receiving one of those “safe and effective” medical treatments when only three years old, I got violently sick the same day. My immune system basically crashed. I ended up with eight lung infections in a row and spent more time in hospitals than at home for years.

    Getting healthy again took almost a decade. And not through medicine, but through martial arts, hiking, swimming in freezing rivers, pushing my body until it finally remembered its strength.

    But parallel to all that, something else woke up in me. I think I was maybe ten or eleven when a kid at school mentioned PSI powers and occultism. It hit me instantly. After school I jumped on my bike and rode straight to this little bookshop that had a weirdly big esoteric section. I could not afford anything, so I just stood there for hours reading the backs of the books, absorbing everything.

    Eventually I scraped together enough money to buy a few: Psi Power, The Power of Hypnosis by Kurt Tepperwein, Kahuna Magic. And then I found Franz Bardon’s Initiation Into Hermetics

    So while other kids were doing normal teenage things, I was practicing Franz Bardon while reading Steiner, diving into Zen and Tibetan Buddhism, and even ended up meeting Heinrich Harrer when the Dalai Lama came to Vienna. I was playing classical piano, learning hypnosis, practicing Hermetics, creating elementars.

    And at some point, the practice got strong enough that it bled into the physical world.

    For example, at a sailing camp, an older kid bullied me. I didn’t touch him. Instead, that night, the elementar I have created—a huge black puma with green eyes, the same one I had painted on my windsurf board, showed up in his dreams. The whole tent freaked out because they all saw a “giant black dog” inside with them. They ran out screaming.

    Another time my mother yelled at me, and I got really angry. The elementar reacted before I could pull it back. She collapsed on the spot, unconscious. That was a wake-up call for me. Like, “Okay, this isn’t a game anymore.”

    I even built a magical wand following Cavendish’s book Black Magic. By combining the force of the wand with using the elementar, other people could actually see it. 

    At the same time, I learned to control my body temperature and raise it to 39.6°C or drop it under 35°C in minutes. I used to walk around in swim shorts in the middle of winter and swim in icy rivers in Lofer, Salzburg. Extreme Kneipp Kur stuff.

    So that is pretty much how it all began. A mix of illness, curiosity, obsession, and a very intense hands-on education in Hermetics and hidden sciences.

    PAA: Did you have any notable teachers or mentors assisting you when starting out in your spiritual or esoteric studies? For example, were there individuals (either in person or authors you read) who guided or inspired you in those early years? How did their guidance shape your development or practice? Please share any mentorship experiences that were pivotal for you. 

    One of my greatest teachers was my grandmother. She had no idea what Occultism even was, but she was naturally psychic and genuinely gifted. She’d casually say things like, “Someone just drowned over there,” pointing 300 meters away; and it turned out to be true. She would remote-view incidents without even realising that is what she was doing, or predict events that later unfolded exactly as she described. Growing up around that person was a huge influence.

    I also had this older guy in Lofer, Salzburg, who taught me the basics of authentic Austrian Celtic Druidry. Not the fake, modern “Neo Druid” stuff, but the real stream. We played chess every day after school, and during those games he would teach me the old ways, the worldview, the elemental understanding.

    Back then I spent a lot of time alone in the mountains, on the tops, on the alms, wandering around for hours. I was very psychic, very connected to the land, the elements, the spirits there. That was my classroom long before I ever joined any formal group.

    Later, when I returned to Vienna, I started attending various Rosicrucian and anthroposophical groups weekly. Max Heindel circles, AAORRAC, Lectorium Rosicrucianum, and later AMORC. I had several excellent martial arts teachers as well.

    But most of what I figured out, I figured out myself. I just had hundreds of books. Franz Bardon, Steiner, Rosicrucian literature, yoga books, Zen guides, the whole Fraternitas Saturni material from Schikovski Verlag—Spiessberger, Cavendish, Eugen Grosche, Freiherr von Sebottendorf, Dieter Rüggeberg, and many others. I absorbed everything.

    PAA: You’ve had a long career in classical music as a performer, producer, and publisher. Do you see a connection between music and mysticism? Has working intimately with classical music influenced your spiritual journey (or vice versa)? Many people feel music has a transcendent, almost magical quality – do you find that your experience in the arts has complemented your esoteric pursuits in any way?

    Absolutely. As a music publisher you really have to be switched on. Nothing is harder to sell than vibrating air. You need people skills, talent, sales instinct, and the ability to bring very different personalities together. You basically have to be both, a solicitor and an artist, at the same time.

    And what many people don’t realise is that a lot of classical musicians are practitioners themselves. Buddhists, Yoga Vedanta students, Rosicrucians, meditators. Quite a few were involved in Western esotericism too. One of the last genuine AMORC adepts in Vienna, Prof. Roland Böckle, was part of that world. I still remember chamber ensembles; members of the Vienna Philharmonic Orchestra,  playing in the Viennese lodge. AMORC in Vienna back then was nothing like the cheesy, superficial version people sometimes imagine today. Many members were simultaneously involved in a dozen other organisations. For us, AMORC was more like a blue lodge, a foundational base. In fact, the Austrian version of AMORC Was the remains of the old AAORRAC. In the 1950’s, it was supposed to run under the name AAORRAC, but AMORC jurisdiction.

    TMO, the Martinist Order, was so secret that even some long-term Rosicrucians had no idea it existed right under their noses.

    And for me it all made sense, because sound itself is the closest thing to the astral. The ability to deeply listen is very similar to the ability to perceive psychically. Western esoteric arts and the Western musical tradition have always been connected.

    Just look at Mozart. Not only a Freemason, but also a Rosicrucian. The Magic Flute is basically an esoteric initiation ritual set to music. He encoded the entire tradition into an opera.

    Western Esoteric Traditions and Influences 

    PAA: Franz Bardon is a revered figure in Western occultism, known for his rigorous system of Hermetic training. Was Bardon’s work – for instance, his book Initiation into Hermetics – influential in your own journey? How do you view Bardon’s approach to magic and self-transformation, and have you incorporated any of his methods or philosophy into your practice? I know I have seen some of your posts that give me the idea that Bardon was a solid beginning, but you soon went out on your own seeking more. 

    Franz Bardon was everything to me in my early days. Honestly, school was pure horror. I hated every single second of it. While everyone else was living the life of a normal kid, I was living in a completely different world. And Bardon’s training worked. It kept me sane, focused, and moving forward.

    Back then there was no internet, no guidance, no YouTube, no mentors explaining anything. And most esoteric shops were just selling superficial angel-tarot nonsense, rock-crystal workshops, or were tied to some questionable sects. So, I had to find my own way.

    But I dug deep. And I actually managed to master essential skills early on. A mixture of books from Karl Spiessberger, Eugen Grosche, the Dalai Lama, Rudolf Steiner, Max Heindel, and many others supported my learning while I worked through Bardon’s system. It all blended in a very unique way.

    I also met several individuals; names I won’t mention here. Those who practiced Bardon’s work seriously and learned from those who learned directly from the master. Real practitioners. People you don’t find on the internet.

    These days I’m in contact with Walther Ogris, and I also know and own the works of Emil Stejnar. Their perspectives continue to enrich the understanding I built in those early years.

    PAA: You hold the title of Baron and are a Chevalier (Knight) in the modern Knights Templar (Ordre du Temple de Jérusalem). How did you become involved with the Knights Templar, and what does being part of this chivalric order mean to you personally? Do you feel that the medieval Templar ideals or myths have relevance to your own spiritual philosophy and service in today’s world?

    I only use this title sparely in private meetings and as a pen name. In public I do not use that title at all. It appears to be a symbol for my spiritual work. Referring to the spiritual new Jerusalem, and relating to the mysterious figure of Melusine which appeared to me in so many dreams and guiding my way.

    It wouldn’t be appropriate to reveal anything connected to the Royal House of Lusignan or the Royal House of Savoy in a public forum, so I have to apologise for that. The same goes for the Ordre du Temple, Freemasonry, the Scottish Rite, and the York Rite. These are not things you openly discuss on the internet.

    Members are a very exclusive and influential circle, and privacy is absolutely essential, and for many reasons. It is a global network, and its members are involved in international diplomatic missions, military service, and various sensitive areas. For example, our Knight Commander here in Brisbane just received the highest civil order of the Commonwealth of Kentucky—the rank of Colonel.

    What I can say is this: the original Templar Order never actually died. The Larmenius Charter, whether every part of it is original or not, still preserves the authentic Grand Masters through hundreds of years, right up to 2025. And today, more than ever, those values matter.

    In general, the ideals of knighthood are urgently needed in a weak society without any direction, goals or integrity. We have countless individuals behaving like animals. It becomes even increasingly questionable whether all people should benefit from the very generous human rights when they would not even remotely behave like humans. 

    More than ever, it needs strong men and women standing by what is true and right. And pointing out what is false and perverted; without falling for false political correctness. Being a knight means standing for what is right and true, no matter what may be the cost.

    PAA: Martinism is another tradition you’ve been associated with – often spoken of as a “path of the heart” in Western mysticism. What initially drew you to Martinism, and what do you mean by “unlocking the secrets” of Martinism? Are there particular teachings or practices in the Martinist tradition that you found especially profound or transformative in your experience?

    The current Martinist Order (not the countless fake or self-invented groups out there) is extremely secretive, so I can’t say much publicly, and I apologise for that. What I can share is just a small personal note.

    Originally, I was invited into the Martinist Order in Vienna, the TMO. And that only became possible after I had already been in the highest degrees and a member for well over a decade. The admission process was nothing like what people imagine today. I still remember the master wearing a red mask, the room completely dark, and all the members hidden behind a curtain, silently listening to my interview before deciding if I would be accepted.

    It was similar with the Militia Crucifera Evangelica and the Chevaliers de la Rose-Croix. These initiations were very private, very traditional, and taken seriously by everyone involved.

    PAA: For those unfamiliar, who was Louis Claude de Saint-Martin and why is he so important to the Martinist tradition? Saint-Martin, an 18th-century French mystic, was known as “le philosophe inconnu” – the Unknown Philosopher. How would you describe Saint-Martin’s philosophy and legacy to our readers, and have his ideas influenced your own perspective on spirituality? 

    It would take too long to explain, and part of these explanations can only be given in a temple in person, to worthy initiates, I apologise. Certain things need to be kept secret for certain reasons.

    Martinism is the path of re-integration. 

    PAA: J.B. Kerning is a somewhat lesser-known figure in 19th-century esoteric Freemasonry. Kerning (Johann Baptist Krebs) developed a mystical approach within Masonry, including practices with sound and breathing, and emphasized that the Divine is present throughout the human body. Are you familiar with Kerning’s work (such as The Letters on the Royal Art or Roads to Immortality)? If so, what value do you think his body-centered, vocal approach to mysticism holds for modern practitioners? 

    I practice Kerning every day now. But the way I work with it today is completely different from how I started. In Kerning’s system, the letters themselves become the teachers. Compared to Bardon, Kerning pushes you to figure everything out on your own. Over time, the letters literally start instructing you, and you end up writing your own Quabbalah rather than relying on Franz Bardon’s structure. It is also a path of inner alchemy, not Hermetic Magic.

    I’m almost finished with Bardon’s system, but these days I work almost exclusively with Kerning, unless I’m receiving specific formulas from certain entities, or when I’m working Hermetically with the Quabbalah rather than with the inner alchemy aspects.

    One thing people really need to understand is this: modern Freemasonry is just a shadow of what it once was. True Freemasonry is timeless. It is the path of inner alchemy and authentic transformation. But 99.99% of masons have no idea. They’ll even claim publicly “there is no secret,” or that the only secret is the bond between brothers.

    Nothing could be further from the truth.

    There is a secret. And one that waits quietly, ready to be discovered by those willing to pursue it at any cost.

    First and foremost, we must ask a simple but essential question: What is the actual goal?
    Too many seekers wander from book to book, collecting theories like talismans, yet doing very little of the real inner work that transforms consciousness. Western esoteric folklore has its beauty, but it also has a way of keeping people circling the surface, mistaking symbolic language for practice.

    To go deeper, it is worth becoming intimately familiar with the Buddha’s teaching on dependent origination; not as an intellectual model, but as a living process unfolding moment by moment within your own body-mind. In the same spirit, study The Manual of Theosis and understand what the early Christian mystics meant by Theosis and the |Signless Condition. These are not abstract theological ideas; they point to the same silent doorway discovered in every genuine tradition.

    Train yourself in the four jhānas and the four arūpa states. Learn to stabilize the mind until it becomes utterly still. From that stillness, allow the signless state to appear on its own. Unforced, unconstructed. With time, even cessation becomes a natural unfolding rather than an achievement.

    Little can be gained if we remain stuck in conceptual fascination. True progress comes from direct practice, from placing your awareness into the living laboratory of your own nervous system, breath, and consciousness.

    For this reason, I recommend Insight Meditation, not as a weekend exercise, but as a multi-year commitment. It refines perception, dismantles illusions, and reveals the nature of experience with uncompromising clarity.

    This is the path: precise understanding, disciplined practice, and the courage to let go of everything that is not real.

    PAA: Alois Mailänder (sometimes spelled Mainländer) is another intriguing figure from 19th-century occult circles. He was a student or successor of Kerning who led a small circle of mystics in Germany. It’s noted that Kerning and Mailänder together laid the foundation for body-centred yoga practices within Western esotericism. Have you explored the Kerning-Mailänder teachings, and what are your thoughts on this blending of Christian mysticism with physical exercises? Do you see them as early pioneers integrating Eastern yogic concepts into Western practice?

    No, I’m still waiting for Samuel Robin’s book, but honestly, I found my own way. It is not about complex exercises, but profound understanding of the simplest exercise. 

    What really clarified things for me was looking at Christian Orthodox Theosis and noticing that it recognises the same “Signless State” that Theravada Buddhism talks about, and it describes it in almost exactly the same terms.

    By working with the signless state through Theosis, it became obvious to me that, in essence, there is no difference between Buddhist Nibbana and Theosis. The signless state is simply the doorway to the deathless.

    Yes, the traditions couldn’t be more different on the outside. But when you  practice, the core experience is almost identical, and the goal is the same. This idea that only the Buddha ever reached cessation is simply not true. Daoists practicing “sitting in oblivion” reach the same state. Early Christians, especially the desert fathers, knew it very well.

    At the end of the day, Nibbana doesn’t care about traditions. It doesn’t care which lineage you come through. It has always been accessible. There is nothing to learn and nothing to achieve. In fact, the more you try to ‘do,’ the more the false identity keeps itself alive. Letting go is the actual path.

    And this is exactly the danger of modern occultism—the influencers, the Instagram magicians, the endless stream of books and rituals. None of that liberates you. They don’t want to free you; they want you as a follower, a customer, someone who keeps the system running. They keep you blind with constant “new” material, new orders, new promises.

    To really lift the veil and step out of the matrix, you must drop all of that. Completely.

    Eastern Practices and Meditation

    PAA: Switching to the Eastern side of things: you are also a Yoga Āchārya (master-level teacher) with decades of meditation and yoga practice. How did your journey in yoga and meditation begin, and how has it evolved over the years? For instance, did you start with any particular style or lineage of yoga, and what does achieving the level of Āchārya mean for you in terms of responsibility or depth of practice?

    I spent almost a year living in India and several years in Southern Africa, drawn by a lifelong fascination with Kriya Yoga, Kundalini Yoga, and Raja Yoga. During my time in Africa, I encountered several Kriya Yoga masters from different lineages, each offering a unique expression of the same ancient current. Eventually, I committed myself fully to the authentic Indian holistic yoga taught in the Satyananda and Sivananda traditions.

    Becoming a Yoga Acharya and teaching for years deepened my understanding far beyond what a thousand books could ever convey. Direct experience reshapes you in ways that theory simply cannot.

    Over time, I entered and stabilized all the Yogic Samadhis, which opened a profound insight into Vedanta, Vedic meditation, and the entire Kundalini system: the nāḍīs, the chakra symbols, and the inner “petals,” each representing specific nāḍī pathways. Kundalini Yoga, in its true form, is not the Westernized performance version—it is the precise science of the energetic meridians within the subtle body, their functions, and their role in inner development, healing, and ascension.

    This path taught me that real transformation begins the moment knowledge stops being an idea and becomes a lived reality within the body, breath, and consciousness.

    PAA: Serious meditation practitioners often talk about reaching profound states of consciousness, such as the Jhānas in Buddhism. Have you personally explored these deep meditative absorptions (or similar states of samādhi)? If so, what has that experience been like for you? More broadly, what insights have practices like meditation and breathwork given you about the mind and reality, especially in comparison to Western magical practices that you’ve studied?

    I have experienced profound Kundalini awakenings on multiple occasions, entered the full range of Indian Samadhis, and walked through the hard jhānas, the soft jhānas, and the arūpa states. But it would be neither appropriate nor useful to catalogue personal attainments. What matters far more is offering a clear warning to those walking the Western spiritual path.

    Far too many seekers become trapped in an endless cycle of magical operations, occult theatrics, and esoteric consumerism. It has become a business like any other. An Indian swami once told me, “We sell God to Westerners the way they sell Coke to us.” It was meant as a joke, but it carries a bitter truth.

    Do not become a passive consumer in the esoteric marketplace, another duck being fed by charlatans, influencers, and spiritual entertainers who learned how to hack the YouTube and Facebook algorithms. Become your own master.

    Cultivate an individual, unshakable connection with the Divine. Understand that the “matrix” you fear is not primarily external; it is generated within. Your trauma, your failures, your repeated patterns of suffering are not caused by some shadow government or extraterrestrial interference. They are rooted in your own nervous system, your own unexamined conditioning, and the collective delusion humanity carries about who and what we truly are.

    Freedom does not arise from accumulating techniques. It does not come from endlessly studying other people’s opinions. Liberation emerges from Right View, Right Effort, and Right Focus—the living heart of the path.

    And those qualities are not learned in ten-minute videos or thick occult manuals; they are forged in the intensity of 3–30-day meditation retreats, in silence, discipline, and direct observation of the mind.

    This is where the real work happens. Everything else is commentary.

    PAA:  What does your current meditation practice look like on a day-to-day basis? Do you follow a specific routine or technique (for example, breath-focused meditation, mantra, mindfulness, etc.) that helps you stay centered? Given your busy roles in business and teaching, how do you maintain consistency in practice? Any tips on balancing rigorous spiritual discipline with everyday life would be very interesting to hear.

    I have built my path on direct experience: Sitting in Oblivion, the Brahmavihāras, deep Jhāna practice, and abiding in Stillness, Signlessness, and the threshold of Nibbāna, or what Christian mystics call Theosis. These aren’t concepts to me. Furthermore, working with the letters. They are daily realities.

    I practice every single day, often for many hours. At the end of December, I will enter another ten-day retreat, meditating up to ten hours a day. This level of commitment is not extreme; it is simply what the path demands. Nothing of substance can be achieved with minimal effort or casual curiosity.

    And yet, the greatest paradox is this: Nothing “you” can do will ever lead to liberation. The only real work is the gradual and uncompromising dissolution of the false self, the conditioned structure that believes it is the doer, the controller, the seeker.

    Most people avoid this truth because it does not sell. It does not flatter the ego. It does not fit into a five-minute YouTube reel. And this brings me to a necessary, if uncomfortable, observation:

    Many Western spiritual influencers are simply wrong, not because they are malicious, but because they speak from theory instead of experience. Western esotericism, as it is commonly sold, has become a carnival of shortcuts, theatrics, and monetized mysticism. A wild business powered by armchair philosophers and social-media alchemists.

    Look at their lives, not their words. Look at what they do, not what they say.Very often they are ungrounded, physically unwell, mentally scattered, spiritually inflated, or stuck in uninspired 9-to-5 routines. They talk about power yet live without vitality. They preach mastery while avoiding the discipline that mastery requires.

    There is an old saying:
    “Those who know magic, do it.
    Those who don’t, teach it.”

    And that is precisely what we witness across the Western esoteric landscape, a parade of commentary from people who have never touched the depths they describe.

    Real practice strips away illusions one by one. Real practice breaks you open. Real practice demands everything.

    It requires:

    • Discipline
    • Silence
    • Daily meditation
    • Retreats
    • Ethical clarity
    • Precision
    • Relentless honesty
    • And the willingness to dismantle the self you mistakenly believe you are

    When you commit to this, something extraordinary begins to happen: the mind becomes still, the heart becomes vast, and the inner architecture of suffering collapses. You begin to understand, not intellectually but viscerally, what the Buddha meant by “the signless”, and what the early Christian mystics meant by “union.” Theosis.

    This is the path. Not entertainment, not consumption, not ego-inflation.
    But transformation.

    PAA: In Tibetan Buddhism there is the famous concept of the “Rainbow Body” attainment. The Tibetan term for this phenomenon is Jalü, literally meaning “rainbow body” – where an advanced meditator’s physical body is said to dissolve into light at death. What are your thoughts on such extraordinary claims of spiritual attainment? Do you view the Rainbow Body (or similar legends of high attainment) as a literal goal, a metaphor for enlightenment, or perhaps a bit of both? And do these kinds of ideals inspire you in your own practice, or do you prefer to keep your focus on more immediate objectives?

    The Rainbow Body is not a metaphor. It is a reality. One of the highest expressions of human spiritual evolution. And the path toward it is not found in vague mysticism or online theatrics, but in the disciplined, direct study and practice of the Six Yogas of Naropa. When approached with depth, precision, and perseverance, these teachings unveil the profound mechanics of dissolution, luminosity, and the transformation of the subtle body.

    In a similar way, the Kerning exercises of esoteric Christianity, along with advanced Daoist internal alchemy, point to the same destination. The traditions differ in language, ritual, and symbolism, but the underlying architecture is identical: refining the inner winds, purifying the channels, dissolving the delusion of self, and awakening the innate, radiant nature of consciousness.

    This is why my own journey has crossed so many lineages. I have immersed myself in Mahāmudrā, Dzogchen, Chan Buddhism, and Theravāda Buddhism, alongside Tantric Yoga, Kerning, Bardon, and numerous other systems of inner transformation. Not out of curiosity, but out of the recognition that truth appears in many dialects, yet points to the same silence.

    Each tradition, when practiced correctly, becomes a different doorway into the same luminous ground:

    • Mahāmudrā reveals the mind’s natural clarity.
    • Dzogchen reveals the primordial purity of awareness.
    • Chan cuts directly through conceptual illusion.
    • Theravāda dismantles the structures of suffering with razor-sharp precision.
    • Tantric Yoga transforms the subtle body into a vehicle of liberation.
    • Kerning and Bardon show the alchemical anatomy behind spiritual ascent.
    • Daoist practices refine the body’s internal winds and immortal essence.

    Together, they form a map of the human potential that is far deeper than the modern world is prepared to acknowledge.

    But none of this becomes real through reading or intellectual fascination. It becomes real through applied practice, years of training, retreats, daily discipline, and a relentless willingness to dissolve everything false within oneself.

    The Rainbow Body is not achieved by belief; it is achieved by mastery.

    And every authentic tradition, when practiced with sincerity, ultimately leads toward that same radiant dissolution.

    your inner state determines your outer reality.

    Erwin Pitsch

    Integrating Ancient Wisdom with Modern Insights 

    PAA: One of your notable recent works is “The Abundance Key,” which you’ve described as blending ancient wisdom with modern neuroscience. In fact, the tagline suggests that “wealth is not outside of you – it’s in your nervous system.” For those who haven’t encountered it, can you give an overview of what The Abundance Key is and what inspired you to develop it? How does it combine esoteric principles with contemporary knowledge of the brain and body to help people achieve abundance? 

    The Abundance Key emerged from a very simple observation:
    People chase wealth, success, and fulfilment as if these things exist “out there,” yet the real gatekeeper of abundance sits entirely within the nervous system. After decades of yoga, meditation, trauma research, and working with thousands of people, it became unmistakably clear to me: your capacity to receive, create, and hold abundance is biologically regulated long before it becomes a “mindset.”

    The modern world teaches people to chase techniques, affirmations, algorithms, and external strategies. But ancient systems, whether Buddhist, Yogic, Daoist, or Hermetic, were always pointing toward the same truth: your inner state determines your outer reality. What I did with The Abundance Key was bring these worlds together in a way that is both practical and scientifically grounded.

    The inspiration was quite personal. I witnessed, repeatedly, how individuals sabotage opportunities not because they are weak or unmotivated, but because their nervous system cannot tolerate expansion. Trauma, unresolved stress, or chronic hypervigilance create an internal “capacity limit” that prevents abundance from entering. You simply cannot build a prosperous life on a dysregulated foundation.

    In the book, I weave together:

    • Vedantic principles of identity and non-self
    • Yogic science of the nadis, prana, and Kundalini
    • Buddhist insights into perception, craving, and cessation
    • Polyvagal theory and the biology of safety
    • Trauma research and somatic therapies
    • Neuroscience of habit formation, focus, and reward circuitry
    • Hermetic and alchemical principles of inner transformation

    The result is a framework where spiritual depth meets biological reality.

    I explain how abundance is not created through force or positive thinking, but it arises when the nervous system becomes spacious, regulated, and receptive. When the inner contraction dissolves, creativity flows. When fear softens, opportunity appears. When identity loosens, energy moves freely.

    The esoteric traditions understood this long before neuroscience had words for it. They taught that the “false self” must be removed, the inner channels purified, and the mind trained into stillness. Today, we would describe the same process as reducing trauma load, down-regulating the sympathetic system, increasing vagal tone, and expanding cognitive flexibility.

    The Abundance Key is simply the bridge between these worlds.

    It is the recognition that wealth, success, and inner peace are not things you achieve—they are things that emerge naturally when your nervous system is aligned with its own original, unconditioned state.

    That is the essence of the book, and the reason I wrote it.

    PAA: The idea that our nervous system holds the key to wealth and abundance is fascinating. Could you elaborate on how practices that regulate the nervous system – perhaps breathing exercises, meditation, or yoga – can influence one’s ability to experience prosperity? In The Abundance Key, what are some of the ancient principles or techniques you draw on, and how do they connect to things like stress, safety, or trauma from a neuroscience perspective? Essentially, how do mind-body practices translate into what you call “Nervous System Wealth” in practical terms? 

    The idea that the nervous system holds the key to abundance is far less mystical than people assume. Every form of prosperity, whether financial, emotional, or spiritual, requires a body that feels safe enough to expand. When the nervous system is dysregulated, the mind contracts, perception becomes narrow, and the person unconsciously avoids opportunities that would otherwise benefit them. This is why so many people self-sabotage: not because they are weak or lazy, but because their biology is locked in survival mode, and survival mode cannot create abundance.

    Ancient traditions understood this long before neuroscience existed. Yogic breathing practices regulate the autonomic nervous system and shift the body out of fight-or-flight. Nadi Shuddhi clears the internal channels so energy and emotion can move freely. Vipassanā trains the mind to observe instead of react, dissolving the habitual patterns that keep people stuck. The Brahmavihāras open the emotional circuitry, replacing fear and contraction with compassion, joy, and equanimity. Jhāna meditation brings the mind into deep parasympathetic stillness, a state where healing, clarity, and insight arise naturally. And tantric methods such as Maha Mudra, Kundalini Yoga, and Daoist internal alchemy work directly with the subtle winds and meridians, restoring balance to the body’s energetic architecture.

    Modern science describes these same transformations in different language. Trauma patterns shape the autonomic nervous system, limiting a person’s capacity for risk, creativity, and connection. Increasing vagal tone enhances resilience and emotional flexibility. Expanding interoceptive awareness strengthens decision-making and intuition. When stress decreases, the prefrontal cortex becomes more active, allowing for better choices and clearer perception. In other words, the qualities people associate with “success” are simply the natural expression of a regulated nervous system.

    This is what I call “Nervous System Wealth.” It is the recognition that real abundance does not arise from hustle, force, or positive thinking, it arises when the body, mind, and subtle system are aligned in safety, clarity, and openness. When internal contraction dissolves, people begin to take the right actions, recognise the right opportunities, and trust their deeper intelligence. Prosperity stops being something they chase and becomes something they finally have the capacity to receive.

    In practical terms, mind-body practices create abundance because they expand the internal container. They dismantle trauma, stabilise attention, refine perception, and remove the unconscious barriers that keep people looping in the same patterns. When the nervous system becomes spacious and regulated, abundance is no longer an aspiration. It becomes a natural outcome of an unburdened human being.

    PAA: More broadly, what is your view on the intersection of modern science and ancient spiritual wisdom? We live in a time where concepts like energy work, meditation, and manifestation are being examined by neuroscience and psychology. Do you feel that science is validating what mystics have known for ages, or is it more that new scientific language helps us understand age-old practices in a fresh way? I’m curious how you personally integrate cutting-edge research with esoteric knowledge – as you seem to do in projects like The Abundance Key.

    I’ve always seen modern science and ancient spiritual wisdom as two lenses pointed at the same underlying reality. For centuries, mystics described inner transformation in the language of energy, prana, nadis, winds, and consciousness, while today’s neuroscientists speak of neural networks, vagal tone, trauma patterns, and state regulation. The terminology is different, but the mechanisms are strikingly similar. What science is doing now is not “inventing” new truths, it is simply giving modern vocabulary to processes that yogis, monks, and alchemists have worked with for thousands of years.

    Where the two worlds meet, something powerful happens. Ancient practice gives science depth, while science gives ancient practice clarity. This is exactly how I approach projects like The Abundance Key: it is a no-bullshit, no-fluff system. I have no interest in vague spirituality, wishful thinking, or the kind of manifestation clichés that dominate the Western wellness market. Everything I teach is grounded in hard science, neuroscience, polyvagal theory, trauma psychology, and somatic research, while simultaneously honouring the precision of the yogic and meditative traditions I’ve practiced for decades.

    Science helps people understand how these practices work. Ancient wisdom shows us why they matter. When you put them together, you get a framework that is both practical and transformative. You stop relying on belief and start working with the actual biology and energetics of the human system. My advice is simple: don’t get lost in superstition, and don’t become a slave to scientism either. Use both. Let science illuminate the mechanisms, and let practice reveal the truth directly.

    Remain independent. Stay loyal only to truth, not to orders, hierarchies, or leaders who have long since abandoned the original purpose of their own traditions.

    Erwin Pitsch

    Reflections and Advice 

    PAA: Throughout your journey, you’ve been involved in formal initiatory orders (like the Knights Templar, Martinist or Masonic groups, etc.) as well as extensive personal practice. In your opinion, what is the value of joining an esoteric order or lineage in today’s world? How important is formal initiation, apostolic succession, or lineage transmission in spiritual growth, versus one’s own independent study and practice? For someone debating whether to join a fraternity or order, what would you say are the main benefits or potential pitfalls?

    Most of today’s fraternities are deeply compromised. Most modern Freemasons sit directly on top of the holy grail of inner alchemy without even realising what they are holding.  Yet, as long as there is one mason still understanding, still practicing, the path is well and truly alive. Rosicrucian lodges, once devoted to genuine spiritual transformation, have drifted into politically correct New Age ideology, losing the depth and rigor that once defined them. Strong men and women are needed on this path, yet most people are weak followers, just reading monographs and taking over other peoples opinions. What people fail to understand is that every order, every lodge, every fraternity carries an egregore; a collective psychic field, and when you mingle with these groups unconsciously, you absorb their norms, limitations, and blind spots without even noticing.

    This is why awareness is everything. You must question everything, especially the traditions that claim to offer enlightenment. Think for yourself. Do not inherit someone else’s spiritual assumptions just because they are packaged in ritual and symbolism. And yet, initiation still has its place. It can act as a catalyst, a mirror, a moment of recognition. But never mistake the outer ceremony for inner awakening.

    The principle I live by is simple: speak like everyone, think like no one. Remain independent. Stay loyal only to truth, not to orders, hierarchies, or leaders who have long since abandoned the original purpose of their own traditions. The real path requires discernment, courage, and an uncompromising commitment to your own direct experience.

    PAA: For aspiring magicians or mystics reading this – those who may be just starting out – what advice would you give them? Are there any fundamental practices or habits you believe are crucial for beginners on the esoteric path? Perhaps things you wish you had known earlier in your own development. Likewise, are there common mistakes or misconceptions you would warn new seekers to be mindful of as they delve into Hermeticism, meditation, etc.? 

    First and foremost, become a strong individual. The path of the Magician is not for the faint-hearted or the politically correct spiritual tourists who crumble at the first sign of discomfort. This path demands strength, discipline, and an uncompromising commitment to inner truth. Failure will be your greatest ally, because it reveals precisely where you must grow, refine, and sharpen yourself.

    Study all traditions, but learn only from true masters, those who embody the work, not those who merely speak about it. Avoid influencers, fashionable authors, and self-appointed gurus who recycle shallow ideas for attention. Their teachings will distract you, dilute your focus, and waste years of your life.

    Understand the principle of Dependent Origination, the architecture of how suffering and identity arise. Understand anatta, the reality of non-self, because without this foundation you have no compass and no destination. You must know the goal before you begin. Otherwise, you will be trapped in the cycle of trying a new method every six months, never penetrating beyond the surface. Attend meditation retreats. Learn to be focusses, learn to meditate for several hours for many weeks.

    Strength, clarity, and purpose; these are the prerequisites. Everything else grows from there.

    Nothing can be accomplished with the lukewarm efforts of a part-time magus. Half-heartedness is death on this path.

    Erwin Pitsch

    PAA: You juggle many roles – CEO of a music company, author, teacher, and more – all while pursuing deep spiritual work. How do you balance the demands of everyday professional and family life with your spiritual practices and obligations? Do you have any personal strategies to stay grounded and avoid burnout? It would be insightful to learn how someone in your position manages to keep one foot in the material world and one in the mystical, so to speak.

    Do what is necessary. At any cost. Speak the truth even if it threatens your reputation, your comfort, or your life. Fear no enemy, internal or external. And above all, do no wrong and safeguard the weak, the sick, and those who cannot stand for themselves. A true practitioner is a knight, not in symbolism, but in conduct, relentlessly seeking the Divine in every action and every breath.

    Nothing can be accomplished with the lukewarm efforts of a part-time magus. Half-heartedness is death on this path. Whether in spirituality or business, the real question is always the same: How badly do you want it? How far are you willing to go? How much of yourself are you willing to transform?

    I never pursued extreme wealth. What I sought, what I still seek, is balance. Money matters, yes, but only up to a certain point. Beyond that, the pursuit becomes hollow. The tragedy of the modern billionaire is the same across the board: they spend a lifetime accumulating mountains of wealth, only to realise, often too late, that none of it can save them from mortality. The moment illness arrives; the entire empire becomes meaningless.

    Spiritual attainment, however, is the one treasure no one can take from you. It follows you beyond this life. It shapes your consciousness, your destiny, your freedom. Wealth fades. Bodies fail. Status evaporates. But the inner work, your clarity, your realization, your expansion, remains eternal.

    PAA: Finally, what’s next for you on the horizon? Are there any upcoming projects, books, or teachings that you’re working on that we should watch out for? And on a more personal note, what continues to drive you forward on this path? After decades of experience, what keeps you inspired to keep learning, teaching, and exploring the mysteries?

    I have several book manuscripts at home, but The Abundance Key was difficult to write, not because the content is complex, but because I crafted it so it could be understood by almost anyone. The book I originally wanted to write may never see the light of day, simply because very few people are willing to face the deeper truth. Yet The Abundance Key delivers precisely what most Western practitioners consistently overlook. It distils a simple, essential reality, and everyone I have ever taught it to has experienced noticeable success and transformation almost immediately.

    The core misunderstanding is the belief that there is something to achieve, some state to force, some enlightenment to conquer, some immortality to grasp through sheer personal will. This is the great illusion. The real path begins the moment we let go of the idea that the ego can will or drag itself into liberation. Instead, we must become knights of the heart and soul, anchored in truth, integrity, and inner strength. We must be willing to stand our ground, to sacrifice comfort, and if necessary, even our own life for what is real.

    True progress is not about attainment, it is about surrender, courage, and unwavering loyalty to the deepest truth within us. Nibbana, Theosis is achieved through the process of letting go.

    I understand that many will take offense to my comparison between Theosis and Nibbana, Buddhism and Franz Bardon. Your own practice will prove me right ?

    PAA: Erwin on behalf of Perseus and our readers I would like to thank you for what has been a very inspiring interview and hugely motivating. I for one would like to see you do that book that only a few may appreciate and I am sure there others thinking the same.


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