---
title: "From the Depth Point to Life on Venus, by André Consciência"
url: https://staging13.perseusarcaneacademy.com/post/from-the-depth-point-to-life-on-venus-by-andre-consciencia/
date: 2025-03-11
modified: 2026-07-03
lang: en
author: "Perseus Arcane Academy"
description: "Introduction “Show me one point on the Universe and I shall move the Earth!” Arquimedes This sentence quoted by Franz Bardon on Initiation Into Hermetics was always one of my..."
categories:
  - "Guest Post"
tags:
  - "Franz Bardon"
  - "Hermetics"
  - "Meditation"
image: https://staging13.perseusarcaneacademy.com/wp-content/uploads/2025/03/pexels-anthony-derosa-39577-211816-1024x576.jpg
word_count: 6738
---

# From the Depth Point to Life on Venus, by André Consciência

# Introduction

> “Show me one point on the Universe and I shall move the Earth!”
>
>
>
>
>
> Arquimedes

This sentence quoted by Franz Bardon on Initiation Into Hermetics was always one of my old mentor’s Magnus Sarmarx favorite sentences, and he quoted it to me very often, as you may find in [Arcanum Hermeticum](https://www.siriuslimitedesoterica.com/product-page/arcanum-hermaticum-standard-edition) (Sirius Limited Esoterica) and in the imminent Great Treaty of the Reintegration of Beings (Sirius Limited Esoterica). It moved Magnus to search Arquimedes in the Akasha. Bardon used this quote to refer to what he calls the Depth Point, the secret of the Fourth Dimension. 

About it, Bardon explains: “If in the middle of a form, for example a sphere, we imagine a double crossing, on the crossing spot we get a point, the so-called depth point. Archimedes certainly had this point in mind because it is actually the point of beginning, the starting point, the nucleus of every form. Regarded from this point, every point is symmetrically objective, meaning that it is in its true equilibrium.”

From this, we understand that the depth point, regarded magically, must hold the key or one of the keys to magical equilibrium. It is important to highlight this, since Initiation Into Hermetics does not, when it comes to the practical section. In Bardon’s work we have learned, before, that magical equilibrium depends on the equanimity of all four elements, fire, air, water and earth. This is also present, when Bardon refers to a cross (or double crossing). At the same time, we are reminded of Bardon’s depiction of the magical circle in The Practice of Magical Evocation:

“To draw a magic circle means to symbolize the Divine in His perfection, to get into contact with Him. This happens, above all, at the moment the magician is standing in the centre of the magic circle, for it is by this act that the contact with the Divinity is demonstrated graphically. It is the magician's contact with the macrocosm in his highest step of consciousness.”

To stand in the center of the circle (a two-dimensional representation of the sphere) is to actually stand in the depth point. Hence “the concept of time and space, of timelessness and spacelessness, and therefore also the secret of space magic”.

Form, represented by the circle or sphere, is time and space, its center is timeless and spaceless, like any dot is, mathematically, dimensionless. No wonder, then, that the magician in the circle is capable of calling forth unto manifestation powers that exist outside the conditions of time and space and that then partake of time and space. What is more, the circle is not only a particular time and space, but the whole time and space, it “stands for the Beginning and the Ending, for the Alpha and the Omega, as well as for Eternity, which has no beginning and no end”.

# The fourth dimension

Any true practitioner will understand that in this “mental balance” that is “the specific fundamental property of the akasa or causal principle of the mind” we are talking of Bardon’s state of akashic trance, or “magic trance”, in which the practitioner is directly transferred to the akasha by standing consciously on his or her own depth point. While the akasha is timeless and spaceless, it manifests in the human soul as total mastery over the four elements and as their quintessential equilibrium. As well, this fourth dimension is the fertilising power behind the first dimension, second dimension and third dimension, just as the akasha is the fertilizing power behind the mental, astral and material planes.

A 4D consciousness can see a 3D world (in both its time and its space) all at once just as a 3D being can see a 2D project from above. This is why I am always amazed when magicians wonder how a being that is being evoked from the fourth dimension can attend two magicians at the same time, or when magicians wonder if a being might have reincarnated to disappear from the fourth dimension, who knows never having learned to see from the fourth dimension themselves. What I am saying is, if the practitioner has gotten the Depth Point right, the game changes: we are understanding and operating from the totality of existence beyond space and time, where the brothers and sisters of our magical chain await. 

I am brought, by this, to the hypercube (a four dimensional cube) I teach about in [The Inner Gateways of LAM](https://www.siriuslimitedesoterica.com/product-page/the-inner-gateways-of-lam) (Esoteric Pillars), in which we withdraw from the phenomenal world into vacancy, within the awareness of our consciousness, seeing in the inner and the outer as one. We then reach seeing the inner and outer as one from inside and outside ourselves and all others, for there will be no difference between us and others. At this point we may hear the cosmos vibrating in our ears, the force of force in our lobes, the Tao in our halos, the Supreme Subject in the body. Then the walls of the cube reflect. What is spoken is the speaker, what is observed is the observer, what is known is the knower.  

In Franz Bardon’s system, we begin by observing the observer (observing thoughts), then knowing the knower (soul mirror), and we end up with the speaker being spoken (The Key to the True Quabbalah). All of this, however, is realised simultaneously the minute we truly achieve the depth point. 

It can be seen, then, that this technique given to us in Step V of IIH not only seals our beginning practices and our magical equilibrium, as it is the very base for everything else from there on, and beyond. 

To keep with the hypercubus (the further extension of the cross) I remember writing in The Inner Gateways of LAM (Sirius Limited Esoterica):

“Among the strange beings that might be found on Perseus are those best described as quanta. To us, on earth, they are unmanifest yet still verifiable by quantic principles. For instance, seen from the speed of light, a certain region on earth would comprise in space all the changes happening over time simultaneously in what we can only describe as a sort of cosmic foam. If we were to freeze such a moment, a single area would have to expand infinitely in space to materialize all the changes. The body, impulses and muscles of these very beings can be said to be the speed of light. If they are to gaze at the stars, their body immediately captures what they are gazing at and it becomes a part of their structure of influence. However, beings such as these still dress in human bodies and walk on the very Earth.”

I have said in my book [A Guide to Stellar Magic & Astrological Mysticism](https://payhip.com/FalconBooksPublishing/a-guide-to-stellar-magic-and-astrological-mysticism) (Falcon Books Publishing) that “consciousness cannot cross dark matter without the aid of or reference to light. Because of it, light has imprinted on the dark matter the digital print and the railroad of the fractal, and if light can become extinct, it still cannot be extinguished.” I was referring to the railroad of beings such as those above mentioned. And by dark matter we may understand the Akasha (fourth dimension), and by light (in its speed) the Principle of Light (the spark of the mental plane, first dimension).

Some may wonder: How can it be that André, who speaks of Perseus, has crossed beyond Saturn, let alone Neptune? The mental body cannot stand it, worst still for the astral body. Well, I was listening when this lesson about the Depth Point was being taught. I lost my limit, I was the Universe and everywhere was my center. 

I have also written, in the same work (A Guide to Stellar Magic and Astrological Mysticism), “I am in a black ziggurat as tall as the stars, it has dark blue veins of stone and golden inscriptions. A shadowy, mighty and dark blue being folds the black cube into place. At the terrace, a being is born into its white glowing body.” Then it is said that my guide on this occasion, named Ugripon, to be found in Franz Bardon’s “The Practice of Magical Evocation”, told me from the mouth of the shadowy being “All is flesh...”  

The cube is the hypercube, that all is flesh speaks of the same muscle of light speed. The black ziggurat is infinite space and infinite stars, a name of Isis, goddess of magic, and all of it is an adornment to the concept of the Depth Point. 

# The Depth Point as a Universal Doctrine

These things are mere curious examples of the far-reach of achieving the depth-point alone. What is more, the practice is quite easy. In the “Elemental Magic” course I right at level 1 have the student try reaching the depth point of a crystal ball. The best obstacle I have heard about is: “I cannot forget my body”. Ah, because Bardon said that they would end up forgetting about the body, the body is what the students keep remembering. Reaching the depth point doesn’t mean your physical body will disappear, it means it is a deeply immersive experience. When I am writing, I sincerely forget about my body. Even if I am freezing, I only realize it after I stop writing. It is no miracle, it is regular human nature. 

Since I know James Robson, he has been quite surprised by the absence of material talking about the depth point. I share his surprise, but extend it further (although I must say that it is, indirectly, omnipresent) to further magical systems.

When I was training in the Thelemic Golden Dawn, quite before reaching IIH’s step V, I was taught to contemplate the qudrature of the circle (the struggle to reconcile the finite with the infinite, the material with the divine) while using pranayama and focusing on the center of the surface of a sphere (it being that each and every point must necessarily, by the art of mathematics, be the center). Before one could understand this secret, it was considered no real magic could be practiced. Squaring the circle is the same as understanding the hypercube. 

If we consider the whole thelemic magical system, this transcendence of the fourth dimension is represented in one of its final goals, crossing the abyss, and yet it is imbued right at the beginning, within the hypercube at The Minor Banishing Ritual of the Pentagram and the Star Ruby.

When we consider the whole thelemic philosophy, it becomes even more evident. Let’s remember Bardon’s depth point is equally the absolute center of a space, object, or being. It is beyond time and space, and the most fundamental essence of existence. It must be then that in meditation, the magician who finds the Depth Point within themselves reaches pure unity with the universe, dissolving all illusion of separateness. In sum, it is the gateway to Akasha, the formless, eternal source that precedes and permeates all creation.  

While we may choose to dismiss all magick from Thelema, we cannot understand it without its philosophy, and its philosophy is based in two principles. If both are understood, Thelema is understood. These principles are the Infinite Extension and the Infinitely Small. Nuit is the infinite expanse in quantity, cosmic totality in quality, and the exoteric night sky, the boundless all where both meet. Hadit is the infinitely small in quantity, the singular, eternal point of perception in quality, the hidden fire, the spark of life where both meet. Hadit declares, "I am the flame that burns in every heart of man, and in the core of every star." Nuit says, "Come forth, o children, under the stars, & take your fill of love!"  

Their union represents the reunion of the macrocosm and the microcosm in the place where duality collapses, in the magical trance or akashic trance.  

No matter if we call it Hadit or the Depth Point, we refer to the center, to the unchanging and hidden heart of all things. No matter if we call it Nuit or Akasha, we refer to the infinite field of potential. In meditation, when we center in the Depth Point, we experience the dissolution of self into Nuit, while still being the burning awareness of Hadit (the exorcist magician). The moment is pure, eternal presence, the state is the Great Moment of Now.  

# The Depth Point is a Life Philosophy

So, now, we must come to yet another conclusion. The depth point is not a practice delegated to a certain magical field, it is to become the seat of consciousness that results in our mode of life.

When we genuinely listen, Bardon teaches that mastery of the Depth Point allows full control over reality, as the magician aligns with the true nature of existence. The Point in Depth-Point is Hadit’s ultimate subjectivity, the pure "I AM" which is both outside time and the driving force of all experience. Depth is standing in the Great Moment of Now in perfect union with Nuit, the experience of the infinite, that is, the possibility of manifesting the infinite in the finite. Thus, we circle back to the topic of magical equilibrium, to the stone of the philosophers: “Since the akasa principle ignores time and space, acting permanently in the present time, for the concept of time depends on our senses, the magician is advised to adapt himself as much as possible to akasa. He must acknowledge the great moment of NOW as representative, thinking and acting according to it. (Initiation Into Hermetics)”

This is not to dispense with introspection, or to mistake magical equilibrium’s harmony for carpe diem, as I have written about in another Perseus guest post, [IIH Step VIII](https://staging13.perseusarcaneacademy.com/post/iih-step-viii-by-andre-consciencia/). If you move unprepared, Bardon affirms the “Akasa will derange a person mentally, arouse doubts of all kinds, or hold him prisoner by vicissitudes and reverses of fortune in order to protect the mysteries in every possible way. These mysteries will always remain hidden from incompetent persons, though hundreds of books should be published about them.”

What is more, the thelemic connection remains. It may be equated that to do one’s True Will is the fifth power of the Sphynx, “to Go”, added by Aleister Crowley but spoken of by Eliphas Levi. And “to Go” is the Being for the State called The Great Moment of Now, that is, the now is as the now goes. 

Let’s see: “To attain the SANCTUM REGNUM, in other words, the knowledge and power of the Magi, there are four indispensable conditions–an intelligence illuminated by study, an intrepidity which nothing can check, a will which cannot be broken, and a prudence which nothing can corrupt and nothing intoxicate. TO KNOW, TO DARE, TO WILL, TO KEEP SILENCE–such are the four words of the Magus, inscribed upon the four symbolical forms of the sphinx.”

Eliphas Lévi, Transcendental Magic

“You are familiar with the Four Powers of the Sphinx, attributed by the Adepts of old time to their Four Elements. Air is to Know, Scire; Fire is to Will, Velle; Water is to Dare, Audere; and Earth is to Keep Silence, Tacere. But now that a fifth Element, Spirit, is generally recognized in the Qabalah, I have deemed it proper to add a Fifth Power corresponding: to Go, Ire.

Then, as Spirit is the Origin, the Essence, and the Sum of the other four, so is to Go in relation to those powers. And to Go is the very meaning of the name God, as elsewhere shewn in these letters; hence the Egyptian Gods were signalized as such by their bearing the Ankh, which is a Sandal-strap, and in its form the Crux Ansata, the Rosy Cross, the means whereby we demonstrate the Godhead of our Nature.”

Allister Crowley, Magic Without Tears

As I have spoken of Thelema I could have spoken of the Rosicrucian philosophy, with the rose and the cross as the main tenets, and how it all sums up to the depth point, the center of the cross where the rose blossoms. I bet I could go on forever. Instead, let us resume.

Before we Go, we must reach the four previous powers of the sphynx in their balanced state. Crowley affirms that in the Sphynx “is the Equal Development and Disposition of the Forces of Nature, each in its Balanced Strength.”

“The Kerubic sign in any Element exhibits the most powerful and balanced form of that Element. Attached to these are the names of the four Virtues of the Adept, those which enable him to overcome the resistance of the elements; they are: to Will, to Dare, to Know and to Keep Silence. By the harmonious exercise of these, the fifth Element of Spirit is formulated in the being of the Adept. It is the god within, the sun, which is the centre of the Universe from the human point of view, with its own particular virtue, which is to Go.”

But it’s not only the magician who goes… and you wonder how I travel far?

“Show me one point on the Universe and I shall move the Earth!”

Arquimedes

# Saint Patrons of the Depth Point

More recently I have developed new ways of working with the Depth Point based on teachings by Michael Bertiaux, namely his The Voudon Gnostic Workbook, mixed with the Voudon I learned from the Haitian line. It was made clear to my understanding that Papa Legba is, as the master of the double crossing, the master of the Depth Point, in very much the same sense as Carlos Castaneda refers to the Assemblage Point. To Carlos Castaneda, moving one’s Assemblage Point (which is the center of energy and sensory input, the center of reality) can subtly change one’s worldview or change the entire reality into a whole new universe. The Depth Point is the Assemblage Point, and the Assemblage Point is Legba’s Crossroad. The role of the Shaman in Castaneda’s Toltec Shamanism is moving the Assemblage Point consciously, instead of unconsciously, like what happens through, for instance, trauma, or deep fear, avoiding states of insanity. In Gnostic Voudon, what would be similar to changing the assemblage point is connected to the work of Spider Loas who manipulate existence, allowing initiates to influence fate, and who assist in astral projection, dream control, and remote viewing. Some, like Guedhe L’araignée, work with the dead, linking past, present, and future through psychic “webs.” The spider in the center of the web is the self-aware consciousness inside the Depth Point. But then, who is Legba, since Legba is no araignée, no spider? 

If anything, I’ve seen him as a black dog with a human cane guarding the crossroads. Legba is the gatekeeper of the Akasha, and opens or closes the gates. His gates are gates of clarity, communication and open through decision, his gift is direct access to the Lwa. Legba, being a trickster, works not with deception, manipulation, or illusion, he works with tests and lessons, he is the messenger of Divine Providence who is here to break us free of the shackles of our limitations. To stand with Legba, we stand in the Great Moment of Now through the Akasha, to stand with the Spider Lwa, we may move somewhere else, and Michael teaches us of a special Laboratory of Vudotronics Engineering presided by Legba in the fourth dimension, that becomes the workshop of the Spiders.

It works by getting to the Depth Point of logical systems in their geometry, making use of the different rates of vibration within the fields of magical energy and combining rates from different logical systems. It could be understood by this that we transfer our consciousness to the matrix of a whole system, and from that system to another, building thus and progressively a greater and greater consciousness. 

Bertiaux calls the Depth Point of Black Box, from which come thoughts (rates), and fluids (waves). “These waves provide us with the rates, and the rates are geared to the control settings on the black box, which has its own way of working, once it is set in operation. The magicians of this system are also magickal engineers and they operate the system in such a way that it is possible for them to send out powers in any direction and to any place and/or person.” That is, the powers are sent from the fourth dimension, from the Akasha. 

# A Black Box on Venus with the Earth on it

Bertiaux describes beings from Venus who have created celestial bodies out of uniting complex psychology systems with oracular systems and who radiate to our mundane sphere, visiting this way. But the way they visit us and the way we may be visited can mean very two different experiences, since one is taking place in the fourth dimension, and the other on the third. 

While writing The Inner Gateways of LAM I committed to learn this craft myself, and I called it the Space Craft. In sum, the substance of the ship has been described by our previous definition of the Principle of Light, then, the first stage has been depicted by the magician inside the circle, and what Madame Blavatsky called the Cosmic Web, that is, the sum of emissions or emanations of the symbols of being stored in the silent consciousness, that is, the potencies that make being possible and that make all things become.  Now the compass or coordinates in which the Spider-UFO moves is what we have understood as what is reached by the Depth Point in its ultimate extension, the ideal future sum-organization of all space and time references in the multiverse. It is clear then, that the greater depth-point can choose to imbue any coordinate of its perimeter, and this will represent a second depth-point, a microcosm to that macrocosm.

This is not or should not be unknown to the Bardon practitioner, and we can read, in The Practice of Magical Evocation, the following:

“Take your magic wand into your right hand, step into the centre of the circle and concentrate on the idea that you are the centre, that you are God, the sovereign of all spheres and that you are with your all-consciousness at the same moment in the Venus-sphere.”

On a human level (but not only), the Depth Point can fix a location by three anchors so that the emissions land on that location and the leap is achieved. These anchors can be used alone or combined. 

The first anchor is the tension and inter-dynamics between reason and the introspective experience of all future possibilities. 

The second anchor is made of the tension and inter-dynamics between reason and instinct.

The third is the tension and inter-dynamics between instinct and the introspective experience of the past. 

Limitless possibilities can be achieved and the leap can use any of the three anchors in the experience and history of the worlds of awareness, in chaos, natural powers of essence and substance, the history and experience of silence, the history and experience of the sensual world, of the worlds of power and the worlds of ideas, of the worlds of being and intelligence, worlds of polarity and intention. 

As the Inner Gateways of LAM states, the “possibilities include landing on another person or being, given that we know enough about the elements we have just named in the above paragraph as they irradiate from the original imagination of this person. The second anchor allows us to take possession of the mind and body of the person or to kidnap her back into the UFO and transport her to her past or future or another universe. But it is also possible for the leaper to experience the past or future of this person or being.” 

Now back to the beings of Venus and their Vimanarupa (celestial vehicle or machine), we are in this particular instance talking of what we are to understand as human beings, the same Bardon described in this fashion:

“Once, I was (…) visiting the planet called Venus and was able to watch the life and doings of the Venusians, who have a light-silvery skin and are much more advanced in their spiritual development than man on earth: they are far more advanced in technology than we are. Due to their technical achievements they are able to leave their planet without effort and visit other planets without hindrance, contrary to man on earth, who has not yet been able to proceed far beyond the stratosphere. In size Venusians are somewhat shorter than we.” 

These exotic beings are “beautiful human beings who, apart from that, are, in comparison to man on earth, more advanced in knowledge and wisdom, in magic, art, literature, technology, etc. (…) A trained magician who by mental wandering is able to roam the planets and spheres with his mental body will also find men on the Venus planet who have been initiated into magic and quabbalah and he can, if he wishes, get into contact with these. Unlike the other inhabitants of the planet, he will not even have to take on the shape of a Venusian; the initiates there will, nevertheless, be able to perceive him and explain to him everything that he is interested in.”

Bardon tells if we describe what we are taught by this civilization, we might be laughed at. The clue I am following comes from Michael Bertiaux, and to reproduce the spacecraft or magical computer, that is, the Vimanarupa, I must design a mandala of essential waves of the planet’s nature that also serves as the logical diagram of the civilization for the inhabiting humans. From this mandala, I find the Depth-Point and am, from there on, inside their Vimanarupa instead of under it. This secret is valid for many schools of initiation throughout the universe. Without further delay, let us design this geometry

# Vimanarupa Design

Venusian Types of Awareness:

- Elevated spiritual consciousness, focused on love, harmony, and beauty.  

- Deep awareness of magical and quabbalistic forces.  

- A heightened perception of attraction, desire, and unity.  

- An advanced understanding of artistic and intellectual expression.  

Chaos:

- Chaos manifests as temptation and enchantment, particularly through overwhelming beauty and seduction.  

- The risk of being enthralled by ecstasy, leading to stagnation in progress.  

- The pull between indulgence and higher wisdom: one must tread carefully.  

Natural Powers:

- Control over the electrical and magnetic fluids, particularly in relation to love and attraction.  

- Influence over fertility and the forces of propagation in both the human and natural kingdoms.  

- Mastery of art, music, philosophy, and inspiration as divine expressions.  

- Deep knowledge of harmony and balance in both living beings and the cosmos.  

Quality of Silence:  

- A silence filled with intoxicating love and emotional resonance.  

- The stillness of contemplation before yielding to temptation or resisting it.  

- The silence of sacred, unspoken knowledge shared only among initiates.  

Time Characteristics:  

- The sensation of timelessness, where ecstasy can feel eternal.  

- Rhythmic and cyclical, tied to growth, love, and cosmic harmony.  

- A flow aligned with divine providence rather than linear progression.  

- A system where past, present, and future interweave through quabbalistic insight.  

The Sensory:  

- Dominated by beauty, color, music, and intoxicating emotions.  

- The perception of love as a tangible force.  

- Heightened aesthetic and erotic sensitivity.  

- A world where sight, sound, and touch are intensified beyond earthly limits.  

Power and Ideal:  

- The ideal of divine love, beauty, and harmony.  

- Power is rooted in attraction, inspiration, and the ability to influence others through charm and magic.  

- A balance between indulgence and higher wisdom determines one’s mastery over this sphere.  

Hierarchies of Being: 

- Highly structured, with initiates, magicians, and divine intelligences guiding the sphere.  

- Beings range from ordinary Venusians to magical masters and quabbalistic initiates.  

- Divine intelligences serve as both guides and gatekeepers to deeper mysteries.  

Polarities:  

- Love vs. obsession.  

- Spiritual enlightenment vs. indulgence in pleasure.  

- Beauty as a divine gift vs. beauty as a dangerous temptation.  

- Creative inspiration vs. passive intoxication.  

Directions:  

- Upward movement toward divine love and wisdom.  

- Inward self-discovery through magic and quabbalah.  

- Circular patterns of influence, representing cycles of attraction and learning.  

- The movement between Venus and other spheres, showing its connection with cosmic forces.  

The coordinates being set, we build the mandala, to make it easier on the mind and its mnemonics. The main structure is a Heptagon (Seven-Sided Polygon), since Venus is associated with the number 7 (harmony, love, and cosmic balance). At its center there is a large triangle (divine ascent and wisdom) enclosing a square (stability and material reality), for the balance between earthly and divine love. Overlaid is the heptagram to express the mystical nature of Venusian forces, love’s power, and the dynamic between attraction and wisdom.  

Around the whole conjunction we draw radial layers, in which the Inner Circle represents the Quality of Silence, a sacred void filled with the resonance of love and wisdom. The Middle Circle, divided into seven equal sections, corresponds to the types of awareness, hierarchies of being, and sensory influences, each filled with patterns of attraction and energy flow.

These patterns are
1 spirals and waves for Chaos, the intoxicating oscillation of love and power, and the fluid of attraction and influence. 
2 Patterns interlocked for the Natural Powers, between electrical and magnetic fluids, fertility, and harmony in the cosmos.
3 Arrows and flowing lines, the movement towards enlightenment or entrapment through the Venusian hierarchy.

The Outer Circle Depicts polarities (love vs. obsession, indulgence vs. enlightenment) in a swirling and oscillating pattern, the push-pull of Venusian forces.  

Before I proceed any further with my example I must take a moment to hear your call for it states that after all, as I have heard some critics say, Franz Bardon was influenced by the literature of his time in thinking there might be human beings on Venus, Jupiter or for instance Saturn. It was a fantasy by the author. And today it is common sense that Venus has an extremely hostile environment for life as we know it. The surface temperature is around 900°F (475°C), hot enough to melt lead, while the atmospheric pressure is 92 times that of Earth, equivalent to being nearly a mile underwater. Its atmosphere is mostly carbon dioxide with thick clouds of sulfuric acid, making the surface an infernal, suffocating, and crushing landscape.  

However, life in the clouds of Venus has been a topic for science. The upper atmosphere, around 50 km (30 miles) above the surface, has temperatures and pressures much more similar to Earth’s. Some scientists have hypothesized that aerial microbial life could exist there, surviving in acidic droplets much like certain acid-resistant bacteria do on Earth. Just five years ago, researchers detected phosphine gas in Venus' atmosphere, likely a biosignature, but its origins remain uncertain.  

Yet if we do follow this logic alone, we are no longer within the logic of our author, Franz Bardon. Firstly, life might not be carbon-based or physical in the way we typically imagine. It could be plasma-like, photonic, or vibrational entities. Ethereal or quabbalistic intelligences, existing at a higher frequency beyond human perception.  Magnetically structured lifeforms feeding on electromagnetic interactions rather than organic matter. However, Bardon, although making use of these as cosmic intelligences, differentiates from them the humans of Venus. This means they, as humans, can at least have a very similar life form to us. What cannot escape us is that even our own earthly evolution will soon include the fourth dimension from a scientific and materialistic point of view. These Venusians are human beings now of the fourth dimension that can as well inhabit all lower dimensions.

If we consider life on Venus from a fourth-dimensional perspective, things shift dramatically. The extreme heat, pressure, and acidic atmosphere that make Venus uninhabitable in 3D reality becomes beneficial in higher-dimensional existence.  

These human beings can phase in and out of material reality, appearing only when certain conditions align. What we perceive as a toxic atmosphere is a completely different fluid medium in 4D, a vast, luminous sea where beings swim through electromagnetic currents, a transdimensional hub where they co-exist with souls, thoughts, and even the form of dreams: why Bardon states they can perceive the sphere magician right away. In the fourth dimension Venus has fluid-like geometries shifting in response to consciousness and structures are self-organizing, existing in multiple states at once. Even in the material form these humans appear more as light beings than we, for they have become more sound-based entities and more easily influenced by pure thought-forms. 

Human intelligence for the humans of Venus manifests more as self-aware energy patterns, evolving through resonance rather than biological reproduction. As humans are able to inhabit multiple timelines simultaneously, they can appear as different versions of themselves depending on perspective.  

But enough has been said. Now that we have taken the issue out of the way, all we have to do is reach the depth point of the explained geometrical logic and enter the Vimanarupa. This will lead us to an inner knowledge of it, but will not do the job of transmitting to our very level of existence, as described by Bertiaux. 

To do that, we need to find our own logical geometry. 

# Buttons on a Black Box Called Earth

Types of Awareness:  

- Rational and empirical thinking  

- Intuitive and subconscious perception  

- Emotional intelligence and social cognition  

- Sensory awareness of the physical world  

- Spiritual and metaphysical insight (varied across cultures)  

Chaos:

- Unpredictability in nature and human behavior  

- Scientific uncertainty and emergent phenomena  

- Societal and cultural disorder vs. order  

- The interplay of free will and systemic constraints  

Natural Powers:

- Gravity, electromagnetism, and fundamental forces  

- Biological evolution and natural selection  

- Earth's elements: air, water, fire, earth  

- Human technological and creative potential  

Quality of Silence:

- Found in deep meditation, nature, and isolated environments  

- The void between thoughts, a space for insight  

- Silence as a form of communication (unspoken understanding, presence)  

- Can be unsettling or peaceful depending on context  

Time Characteristics: 

- Linear and progressive (birth, growth, decay, death)  

- Cyclical patterns (seasons, economic cycles, cultural shifts)  

- Measured in units (seconds, minutes, years) but perceived subjectively  

- Past, present, and future consciousness influencing decisions 

The Sensory:  

- Five primary senses (sight, sound, touch, taste, smell)  

- Extended by technology (microscopes, telescopes, AI-enhanced perception)  

- Emotional and sensitive interactions  

- Symbolism and cultural associations influencing sensory experiences  

Power and Ideal:  

- Political, economic, and intellectual power   

- The ideal of progress, innovation, and exploration  

- Battle between control and freedom  

- Ideals shaped by philosophy, religion, science, and personal systems  

Hierarchies of Being:  

- Biological: Microorganisms, Animals, Humans  

- Social: Individuals, Communities, Nations, Global Systems  

- Intellectual: Instinct, Knowledge, Wisdom, Enlightenment  

- Spiritual: Materialism, Mysticism, Transcendence (varies by belief)  

Polarities:  

- Order vs. chaos  

- Nature vs. technology  

- Individualism vs. collectivism  

- Science vs. spirituality  

- Love vs. power  

- Freedom vs. security  

Directions:  

- Cardinal: North, South, East, West (earthly navigation)  

- Symbolic: Up (transcendence) and Down (depth, subconscious)  

- Temporal: Forward (future), Backward (past), Present (center)  

- Cultural directions: East (spirituality), West (rationalism), South (vitality), North (mystery)  

# The Planetary Depth Points

When we move from the Depth Point of the Venusian Magical Computer and, with its awareness and controls, enter the depth point of our own planetary and civilizational structure, the influence of Venus upon Earth acts as refinement, enchantment, and as an elevation of Earth’s existing structures, introducing new tensions. I can give you an example of how:  

Types of Awareness (Earth Transformed by Venus):  

- An increase in emotional intelligence, love and beauty become primary ways of knowing.  

- Heightened artistic, philosophical, and mystical awareness: the intellect is now understood as inspiration.  

- A stronger sense of the unseen forces of attraction, energy exchange, and harmony.  

- Better understanding of unity and the quabbalistic flow of divine love.  

Chaos (Earth’s Chaos Under Venusian Influence):

- Chaos takes on a seductive, alluring quality, temptation replacing raw disorder.  

- The unpredictability of passion, ecstasy, and longing, beauty that mesmerizes and distracts.  

- A battle between indulgence and ascension, between enchantment and ensnarement.  

- The danger of stagnation through excessive pleasure, losing progress.  

Natural Powers (Earth’s Powers Refined by Venus):  

- Electricity and magnetism become not just physical forces but metaphysical tools of attraction.  

- Biological and natural cycles take on sacredness, tied to fertility and creative power.  

- The mastery of music, art, and aesthetics as divine forces capable of leading reality.  

- Nature itself appears more harmonious, governed more evidently by laws of balance and proportion.  

Quality of Silence (Earth’s Silence with Venusian Depth):  

- Silence becomes more profound, filled with a wordless understanding of love and wisdom.  

- The stillness before surrender, whether to passion or higher knowledge, gains importance.  

- A veil of secrecy surrounding mystical truths, where only the worthy may hear the “silence.”  

Time Characteristics (Venusian Influence on Earth’s Time):  

- Earth’s linear progression is softened into cycles of attraction, growth, and return.  

- Time becomes infused with timeless moments of beauty, where the past, present, and future merge.  

- Creativity and love operate outside strict chronology, flowing in rhythms of inspiration.  

- Quabbalistic insight reveals hidden patterns in Earth’s historical and personal timelines.  

The Sensory (Earth’s Senses Enhanced by Venus):  

- Colors appear richer, music more alive, touch more electrifying, reality becomes more sensual.  

- A heightened appreciation for beauty in all its forms, from nature to human beauty.  

- Emotional states become more physically felt, with love and attraction becoming tangible.  

- Art and aesthetics move from being decorations to being divine messages.  

Power and Ideal (Earth’s Ideals Evolved Through Venus):  

- The pursuit of power shifts toward influence through charm, inspiration, and beauty.  

- Leadership gains a dimension of charisma and grace, rulership through love rather than force.  

- The highest ideal becomes harmony, both within the self and in society.  

- The balance between indulgence and wisdom becomes a defining struggle of civilization.  

Hierarchies of Being (Earth’s Structures Shaped by Venus):  

- A fluid hierarchy where artistic, spiritual, and emotional mastery matter as much as intellect.  

- Initiates and adepts in mystical and creative traditions rise in influence.  

- Spiritual intelligences guide human evolution toward unity and divine beauty.  

- Those who can balance passion and wisdom ascend, while those lost in indulgence remain entranced.  

Polarities (Aggravated Tensions Introduced to Earth by Venus):  

- Earthly rationality vs. Venusian intuition.  

- The pursuit of truth vs. the allure of illusion.  

- Love as divine connection vs. love as obsessive attachment.  

- The artistic act as sacred vs. art as empty indulgence.  

- Freedom through wisdom vs. surrender to pleasure.  

Directions (Earth’s Orientation Altered by Venus):

- A greater emphasis on upward movement toward divine love and enlightenment.  

- Increased importance of inward introspection and outward artistic expression.  

- Circularity replaces linearity in many aspects of thought, symbolizing cycles of love and learning.  

- A more fluid connection between Earth and the cosmic forces influencing it.  

Like with all blessings, we can make of Venus our curse. When we are in the Vimanarupa we can sense Venus refining, beautifying, and elevating the Earth at this very moment. But it also tests and tempts. We can use this gift for stagnation. The wise receive the waves and gain wisdom, harmonious existence, and a heightened artistic and metaphysical consciousness. The blind become lost in aesthetic intoxication, mistaking illusion for enlightenment.  

# Conclusion

The Depth Point is the Wheel, and you are the Pilot. Skip the depth point, and you may become the pilot whose hands refuse to take the wheel of a moving vehicle. From the Depth Point, move in the Great Moment of Now, and the vehicle is your life, the road is Dharma. But I may have shown you, as well, that the Depth Point knows no limits to the dimension of time and space, now Perseus is not even a fragment of a second away. How quickly can you drop your life to the floor to immerse yourself in the great secrets of the Universe, indulged in exotic occult pleasures and fumes of deep stagnation? 

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## Further Information

##### Work with Andre: Magic and Mystical Introspection

##### Work with Andre: Elemental Magic

##### Work with Andre: Journey to the Spirit World: Neo shamanism Level 1

##### Work with Andre: Ceremonial Magic and the Bardon Tradition

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